From Cold Steel to Colorful Art: The Unique Vision of Designer Mati Sipiora


Meet Mati Sipiora, a rising designer from Northern Poland whose distinctive furniture brand is redefining the possibilities of steel. Founded in December 2023, Mati’s brand, “Mati Sipiora,” crafts unique, hand-finished steel furniture, turning this traditionally cold material into warm, kinetic, and artistic pieces that elevate any living space.

Driven by a passion for innovative design and a commitment to quality, Mati’s approach stands out in the design world. Every piece is created in a family-run factory, where meticulous craftsmanship transforms steel into vibrant and dynamic forms. It’s no wonder that in such a short time, Mati’s work has gained recognition from major design and lifestyle magazines.

One of Mati’s most notable recent achievements was being invited to showcase his work at ISOLA Design Milano, a significant milestone in the international design community. There, he presented his now-iconic creation, the Poodle Armchair—a bestseller that embodies his playful yet sophisticated approach. The armchair captures the essence of Mati’s vision, blending modern aesthetics with an unexpected lightness and personality that resonates with a global audience.

To dive deeper into Mati’s inspirations, creative process, and plans for the future, we’re happy to present an exclusive interview with him right here on our blog!

Your work has a distinctly futuristic feel. What inspires you to push the boundaries of design, and how do you envision the role of product design evolving in the coming years?


It comes from my fascination with retro-futuristic aesthetics, where the imagined future in classics like Metropolis and The Jetsons merges nostalgia with visionary ideas. These influences create a foundation that lets me explore timelessness within futuristic concepts. Mid-20th century abstract art also inspires me, particularly for its ability to convey emotion and depth through form and color, encouraging me to infuse more abstraction into my work.

Experimenting with materials is where I find the most creativity, especially in pushing the structural and aesthetic potential of steel. I’m constantly inspired by how malleable, resilient, and enduring it is a material that, when tested, can take on unexpected shapes and create a sense of futuristic durability.

Looking to the future, I envision a shift toward quality over quantity in product design. As people grow more conscious of environmental impact, there will be a greater emphasis on using materials wisely and valuing sustainability, craftsmanship, and longevity. Designers will increasingly be tasked with not just creating beautiful, functional pieces but also ensuring they reflect a more sustainable, responsible approach.

How does Poland’s rich design heritage and craftsmanship influence your approach to product design, and do you incorporate any traditional elements into your contemporary work?

Poland’s design heritage deeply influences my work, particularly through the legacy of Julia Keilowa, who is my biggest inspiration. Keilowa was a pioneering Polish designer and silversmith in the 1930s known for her elegant, modernist metalwork. She blended functionality with sculptural beauty, using streamlined forms and luxurious materials that reflected both simplicity and sophistication. Her approach to design was groundbreaking; she thought deeply about form and material, pushing boundaries in ways that I really admire.

In my own work, I’m inspired by her commitment to material exploration and the way she gave each piece a unique character. Like Keilowa, I strive to combine form and function, pushing materials to their limits while respecting their natural qualities. This approach allows me to infuse a contemporary touch into my designs, rooted in the thoughtful craftsmanship and modernist spirit of Poland’s rich design heritage.

Sustainability is becoming increasingly important in design. How do you balance aesthetics, functionality, and environmental consciousness in your projects?

In my work, sustainability is integral to every design choice. I work exclusively with steel, a fully recyclable material known for its durability and strength. To enhance its environmental friendliness, I use polished stainless steel instead of relying on galvanizing processes. This approach allows me to showcase the natural beauty of the material itself—its raw luster and sleek finish. Additionally, polished stainless steel offers a sustainable advantage: if it scratches over time, it can be polished back to its original state repeatedly, extending its lifespan and maintaining its aesthetic appeal. This balance between aesthetics, functionality, and sustainability enables me to create timeless pieces that honor both craftsmanship and environmental responsibility.

With rapid advancements in technology and materials, how do you see the relationship between product design and emerging technologies shaping the products of tomorrow?

I choose to create my pieces using traditional methods, intentionally avoiding modern technologies like laser cutting and CNC. While these advancements are fantastic for mass production, my vision is to produce designs that embody the craftsmanship and hands-on expertise of skilled artisans. I believe that every slight flaw or imperfection in a piece adds to its character, reflecting the human touch that goes into creating it. In a world increasingly dominated by technology, I think products of tomorrow will benefit from a balance, where unique, handcrafted elements bring warmth and authenticity to modern design.

Thanks a lot for the insights! For those inspired by his designs, we’re also hosting a raffle on Instagram where you could win a Cosmic Tray in stainless steel from the Mati Sipiora collection. Stay tuned to learn more about Mati’s journey and enter for a chance to bring a piece of his kinetic art into your home!



The central fantasy bank notes

The central fantasy bank note is designed with a fantasy theme. Each note features hand-carved details, blending mythical creatures, enchanted landscapes, and whimsical elements to bring a touch of magic to the traditional concept of currency. The textured prints give a handcrafted, timeless feel, inviting viewers to explore a world where imagination holds value.

Yay Yay Ya Nassini

It is a lino cut poster made to visually capture the spirit of the song Yay Yay Ya Nassini. Each line and texture was hand-carved to reflect the rhythm and emotion of the music, bringing the song’s mood to life. I wanted the print to visually express the energy and emotion that I felt while listening to it.

Some Magazine #19—Ready

The 19th issue of Some Magazine explores the concept of endings—whether long-awaited, sudden, surprising, predictable, dramatic, or quiet. In his famous poem Stages, Hermann Hesse writes that every beginning holds “an inherent magic living within.” Endings, however, rarely claim much of this magic. The end makes no promises, inspires no hopes, and provides no direction. It simply marks the arrival at a final destination.

“Ready” is the theme of this issue. Although we know that nothing is ever truly complete or final, the drive to reach a point of “readiness” is a powerful companion and a motivating force in creative work.

In interviews with various artists, perspectives on “being ready” emerge: Jill Senft describes the process as “letting go and moving on,” while Jonathan Meese sees art as an “arch-necessity.” This issue’s works highlight both the power of process and the instinct to preserve, as seen in Kinda Ghannoum’s archive of Syrian graphic design.

As always, the magazine captures the world at a specific moment rather than as a complete compendium. Issue #19 arrives in print, ready.

A Magazine for Visual Inventors!

Some Magazine #19—Ready

Publisher: Slanted Publishers
Editor: University of Applied Sciences Potsdam, Prof. Sven Völker
Editor, Design: Yevheniia Shyrchenko, Fiete Prüfer, Felix Magnus Newrzella, Jolina Mumbela, Khaled Abdelrehim, Sara Malhas, Conquista Weineck, Ben Raisic, KimTuyen Truong
Volume: 80 pages
Format: 17 × 24 cm
Language: English
Workmanship: softcover with perfect binding, hot-foil embossing, full-color offset printing, uncoated paper
ISBN 978-3-948440-78-7
Price: €12.– (DE)

BUY.

Museum der Dinge

The Werkbundarchiv – Museum der Dinge opens its new permanent exhibition on the Deutscher Werkbund and 20th- and 21st-century product and design culture. The exhibition will be held at its new location at Leipziger Straße 54 in Berlin-Mitte.

Presented in an Open Storage format, the updated exhibition showcases 15,000 objects from the 20th century to today. These items, invented and designed, produced and traded, bought, used, repaired, and discarded, invite visitors to explore questions about the nature of objects, our relationship with them, and their impact on daily life.

With the museum’s new, smaller space, some objects remain in storage, keeping certain themes unseen. However, Open Storage also features intentionally empty spaces that welcome external perspectives, expansions, and interventions, encouraging exploration and discussion on design and society.

Further information here.

DDC Salon NRW

On November 28th, 2024, the DDC Salon NRW will host an event at the NRW Forum Düsseldorf. Titled Frauen im Design – Rebellion und Selbstermächtigung (“Women in Design—Rebellion and Empowerment,”) the event will shine a spotlight on the role of women in design.

The evening will begin with a historical lecture by Prof. Dr. Gerda Breuer, who will discuss the struggles and successes of female designers who have championed equality and inclusion in the field.

Following her lecture, there will be thought-provoking contributions from prominent designers, including Daniela Burger (Missy Magazine), Maria Wintz (Ladies Wine & Design), Pauline Gebauer (3D Design), and Tayo Osobu (Product Design). Together, they will bridge past and present, exploring the societal significance of design from a female perspective.

The event is being held in cooperation with the Vitra Design Foundation. Additional partners include the Düsseldorf Office of Economic Development / KomKuK, KMS Team, and Max Brown Midtown.

DDC Salon NRW 

Where?
NRW Forum Düsseldorf, Düsseldorf

When?
November 28th, 2024

Further information and registration for the event here.

PENNY Price Packs

Packaging is a tricky topic: it needs to appeal to the consumer, speak to them directly, and ideally convince them to buy the product—regardless of price. In fact, these products should look premium and reflect quality. So, what’s happening at PENNY? They’re emphasizing low prices by making them the central element in the new packaging design for their store brands.

This idea comes from Serviceplan, whom we asked about the idea behind this approach. Matthäus Frost, Creative Director, answered our questions:

Discount stores are an integral part of the supermarket landscape in Germany. Nevertheless, food products are almost always advertised based on quality, rather than a low price. What’s the idea behind this?

In Germany, quality often defines food advertising, even at discount stores, to build consumer trust and value perception. With PENNY, we took a different approach by focusing on price to address inflation directly and reassure customers seeking affordability. This bold emphasis on price stability over conventional quality messaging reinforces PENNY’s unique value promise in a competitive market.

What role does the typography used play? Which typeface was used and why?

Typography plays a crucial role in the packaging design, with the PENNY signature Akko font chosen for its bold clarity and familiarity with the brand. Akko black was selected due to its bold structure, amplifying legibility and impact to ensure that the price stands out unmistakably on shelves. Since most of the packaging uses illustration and visuals, with Price Packs the typography became the key element. This choice reinforces simplicity, making pricing instantly recognizable and aligning with PENNY’s promise of affordability.

The product colors are strongly based on the primary colors. What was the reasoning behind this?

The idea was not to use the PENNY brand colors, but instead focus on primary colors for their simplicity and strong shelf impact, making products highly visible. Additionally, these colors were aligned with category conventions, so customers could easily recognize each product type—like yellow for toast or blue for oatmeal and mayonnaise—while reinforcing PENNY’s emphasis on affordability and clarity.

Have there been any responses from consumers yet?

Consumer responses have been overwhelmingly positive. Shoppers appreciate the bold, straightforward pricing, with some products even selling out temporarily due to high demand. In some other cases, people couldn’t believe it. A frequently asked question became what would happen when the price changes. And the point is, we don’t. By locking in prices months in advance, we’re making a bold commitment to price stability. This builds trust with consumers and ensures they know they can count on PENNY for consistency.

Thanks a lot for the insights! We’re definitely fans of the typographic style they’ve chosen! 🙂

German Design Graduates 2024

The exhibition “Dare to Design” by the German Design Council at the Museum Angewandte Kunst in Frankfurt presents the most outstanding works by design graduates of German universities. They provide deep insights into their work and show promising solutions for tackling the major challenges of our time – climate change, political radicalization, gender equality: complex and intelligent concepts with which the designers are shaping our future. An expert jury selected projects and concepts for “Dare to Design” from over 220 submissions that reflect the range of innovative power of design talent – from circular product design for electronics and wind energy in urban areas to medical solutions using 3D printing and robot-assisted craftsmanship. The exhibition is being realized by the design office buero.us in cooperation with graphic designer Nikolas Brückmann.

“Dare to Design” German Design Graduates 

Where?
Museum Angewandte Kunst, Frankfurt am Main

When?
August 31st, 2024 to January 5th, 2025

Further information here.

ADC Creative Club 2024

Outstanding work from northern German design universities will be showcased by students at the ADC Creative Club—a place to discuss, connect, and celebrate—alongside the Talents and Professionals Winners’ Exhibition from the ADC Competition 2024.

On November 20th and 21st, 2024, Hamburg will host its first ADC Creative Club at the Design Zentrum. Following Stuttgart, where the Creative Club launched successfully in 2022, and Düsseldorf, which adopted the program two years ago, the Hamburg event will bring together new talent from design universities across northern Germany with industry professionals. Curated by ADC members Elisabeth Plass (Managing Partner at EIGA and Board Member in Design), Prof. Sabine Cole (Advertising Design, HAWK Hildesheim), and Heiko Schmidt (Creative Director and Partner at VASATASCHRÖDER), this two-day event fosters connections between young creatives and seasoned professionals.

The ADC Talent Award 2024 offers a glimpse into the themes young designers are exploring as they independently develop projects. Their semester and final projects tackle subjects such as climate change, colonial legacy, mental health, and more experimental and biographical topics. Each project combines digital and analog techniques, harnessing both human and artificial intelligence to produce fresh, innovative perspectives.

The Creative Club’s theme, So Future, embodies the courage of young creatives to challenge conventional communication, develop new approaches, and use emerging technologies. “The works reflect this vision, representing creativity, responsibility, and sustainable strategies,” says Elisabeth Plass. “This event supports exchange between young talents and industry professionals, giving the next generation a platform to share ideas for future communication.”

“The ADC Creative Club is a space for students to show their work, build networks, and get feedback from professionals,” adds Prof. Sabine Cole. “We aim to draw in those interested in creative professions and show how much impact designers can have with great ideas.” ADC’s expanded format aims to increase social exchange and provide a broader platform for young creatives to gain visibility. “The Creative Club is an essential platform for both emerging talent and HR professionals,” says Heiko Schmidt, “as it brings together high-potential newcomers at the start of their careers.”

ADC Creative Club 2024 

Where?
Design Zentrum Hamburg

When?
November 20th to 21st, 2024

Further information here.

Limited Special Edition Type Fashion

In collaboration with the Berlin-based brand Ucon Acrobatics, we’ve created a limited special edition on occasion of the release of Slanted Magazine #44—Type Fashion. The exclusive bag draws inspiration from the bold design of the new issue, blending typography and fashion into a stylish and sustainable statement piece. At its core, it embraces bold design while reflecting Ucon Acrobatic’s commitment to slow fashion, with every material ethically and sustainably sourced.

The bag is available in three vibrant colors from the magazine’s palette—Red, Royal Blue, and Light Rose—and features a crisp white print, applied through high-quality screen printing. It’s the perfect accessory to elevate any outfit while making a statement: Join the SLW FSHN CLB!

Designed for versatility, the limited edition bag can be worn as a crossbody or hip bag, offering compact storage for your tech essentials and everyday items. With water-resistant features, a sleek silhouette, and streetwise flair, this bag combines practicality with a fashion-forward look. With its vivid colors, water-resistant construction, and soft, brushed polyester lining, the bag delivers style, comfort, and functionality. Whether for your weekend plans or everyday outings, it’s the perfect companion for the fashion-conscious and eco-friendly alike.

About Ucon Acrobatics

Ucon Acrobatics unites a passion for creative design with sustainable mindset. We stand for durable products that go beyond seasons. Instead of following fleeting trends, we focus on timeless silhouettes. We feel responsible, not only for what we do but also for what we don’t do. That is why we always stay true to our motto: “minimal design, minimal emission.” This approach is driven by the belief that less can actually be more, and that nothing should suffer for a quality product – not humans, not animals and not the environment. 

Limited Special Edition Type Fashion

Publisher, Design: Slanted Publishers
Brand: Ucon Acrobatics
Edition: Limited to 250
Format in cm (w × h × d): 20 x 14 x 6 (bag)
Capacity of bag: 1 liter
Weight: 180 g
Material: Polyurethane (PU) with polyester (PET), PVC & PFC-free
Colors: Light Rose, Red, Royal Blue

Find more information about the brand online here or in the interview with Martin Fussenegger and Jochen Smuda, the founders of Ucon Acrobatics, featured in Slanted Magazine #44—Type Fashion.

Typeface of the Month: Lavigne Nova

Check out our new Typeface of the Month: Lavigne Nova! 

Lavigne was designed between 2003 and 2006 by Ramiro Espinoza and was awarded by the Type Directors Club in 2010.

This family can be classified as a high contrast modern serif but unlike many typefaces in this genre, its sources of inspiration are not found in historical models such as Bodoni or Didot but in the calligraphic exercises and sketches produced by Ramiro during his student years in the Type and Media master’s degree at the Royal Academy of Art in The Hague, NL.

Originally aimed at the editorial market, it is made up of variants for Text and Headlines. Lavigne has slightly organic details and its delicate shapes make it especially suitable for print and digital media where a touch of distinction or sophistication is to be desired.

A common problem with modern serif typefaces is that their delicate hairlines and serifs often don’t print well in small bodies on uncoated papers. Lavigne addressed this problem by having a less dramatic contrast and incorporating elements from transitional type families, allowing its text versions to be read comfortably at sizes smaller than 10 pt.

At the end of 2023, its designer decided that the family needed a review and expansion. This is how Lavigne Nova was conceived, which now offers numerous extra weights, full linguistic coverage for Central European languages ​​that use the Latin alphabet, and numerous improvements in outlines and spacing.

A completely new Sans subfamily is being designed and will join the Lavigne Nova system in the coming months.

Typeface of the Month: Lavigne Nova

Foundry: Retype 
Designer: Ramiro Espinoza 
Release: July, 2024
File Formats: OTF, TTF, WOFF, WOFF2
Styles / widths / weights: 24 fonts (Text: 10, Display: 14)
Price per style / family: Two fonts packs: $90 / Full Lavigne Nova Display: $420.00 / Full Lavigne Nova Text: $300.00 / Full Lavigne Nova Display & Text Full Families: $672

BUY

Recap Creative Paper Conference 2024

This year’s Creative Paper Conference showcased the undeniable power and relevance of print in today’s communication landscape. Attendees were treated to a dynamic blend of expert insights and innovative design practices, making it clear that effective communication is best achieved through a diverse mix of media.

The conference brought together creatives from various fields, who shared their best-practice examples and offered an insider’s look into their design processes. The two-day event featured an impressive lineup of presentations and a vibrant exhibition area, where industry experts showcased their latest products and innovations in paper, printing, and finishing. It was a fantastic opportunity for networking and exchanging ideas.

With inspiring talks, delicious refreshments during breaks, and a warm atmosphere, the conference facilitated meaningful interactions among participants.

Organized by the team behind the Grafikmagazin, this biannual event is a remarkable achievement, bringing together numerous partners to create a professional and engaging experience.

A highlight was the extensive exhibition area, which provided insights into the latest trends in paper, printing, finishing, and packaging. In addition to information, there was also an array of beautiful printed materials to admire and plenty of goodies to delight the participants. These exhibitors were part of this year’s event: GF Smith, Igepa, The Paper Family, antalis, Berberich Papier, ClairefontaineDruckerei VoglFOILCOGmund PapierInapaKonica Minolta DeutschlandKURZ OberflächenveredelungWIRmachenDRUCK, Metapaper, WE.LOVE.PRINTBRAUN Denk und WerkF&W Druck & MediencenterFaviniFedrigoniForum DruckveredelungGMUND Papiershop by FLYERALARMin love with paperLenzing Papier / Arctic PaperSchmidt WerbeverpackungenWinter & Company

The optional evening event allowed speakers and attendees to connect in a relaxed setting over a delightful meal, further enhancing the sense of community.

It’s always a pleasure to participate in this inspiring event. A heartfelt thank you to everyone involved for making this conference a memorable experience! Looking forward to 2026!

creative-paper.de

© Photos by Julia Kahl & Burke Academy

Málaga Type 2024

Organized by Rayitas Azules, a top Spanish blog on typography and editorial design, Málaga Type v.5 will take place at the Cervezas Victoria Brewery in Málaga, Spain, on November 8th, 2024. This year’s event will feature prominent figures, including Spike Spondike, a type designer at Monotype; Laia Guarro, designer and studio founder; and Diego Obiol, journalist, graphic designer, and independent publisher. Laura Meseguer, type designer, and Ana Moliz, designer and typographer, will give a special presentation as the newly appointed AtypI delegates.

For the first time, Málaga Type is thrilled to have Monotype as a sponsor. Monotype, a leading global company in type design, is known for its dedication to advancing typography worldwide.

Now in its fifth edition, Málaga Type has successfully established itself in the exceptional setting of the Cervezas Victoria Brewery. This venue, along with an impressive lineup of speakers from typography, calligraphy, lettering, and editorial design, positions Málaga Type as a key reference in the industry.

The event is organized by designers Ana Moliz, Salva Cerdá, Esther Sepúlveda, Cecilio Cobos, and Lidia Pinta. Ana and Salva, both designers and educators at the La Gauss design school, have extensive experience and balance teaching with their careers as graphic designers. They also co-founded Rayitas Azules, a nationally recognized blog on editorial design and typography. Esther Sepúlveda, designer and communications specialist, contributes to organizing, content creation, and event calendar management. Cecilio Cobos, designer and teacher at La Gauss, manages social media for Rayitas Azules. Lidia Pinta, designer and photographer, creates audiovisual content and graphic materials for Málaga Type.

This year, Málaga Type’s sponsors include Cervezas Victoria, Málaga City Council, and Glyphs, along with Valencian printing company Impresum, La Gauss design school, and Gràffica, Spain’s leading design, creativity, and visual culture media outlet. Key collaborators for this edition include Campgràfic and Jardín de Monos, two publishing houses specializing in editorial design and typography; Typerepublic, a type foundry by designer Andreu Balius; Slanted, a German publisher known for independent publishing; and design studio LISA, formed by designers Antonio Libert and Tamara Samuel, who developed the visual identity for Málaga Type’s fourth and fifth editions.

Málaga Type 2024

Where?
Cervezas Victoria Brewery, Málaga, Spain

When?
November 8th, 2024

Further information here.

100 Jahre Gestaltung in Mannheim

The Faculty of Design celebrates its 100-year journey alongside this year’s annual exhibition. From its beginnings as the Free Academy of Fine Arts to today’s Faculty of Design at Mannheim University of Applied Sciences, its story is on display at the Mannheim Kunstverein under the title, „100 Jahre Gestaltung in Mannheim—Rückblick, Einblick, Ausblick“ (“100 Years of Design in Mannheim—Retrospective, Insights, and Outlook”)

The Retrospective section explores the founding by Karl Stohner, Albert Henselmann, and Helene von Heyden. It showcases collected documents and stories that trace the institution’s growth into the Faculty of Design we know today.

In Insights, visitors will see the best student projects from recent semesters and final projects. These works reflect today’s cultural moment, highlighting how the designer’s role is rapidly evolving with digital advances and societal shifts in economy, culture, and technology. Designers are now tasked with envisioning the future, designing environments to meet human needs, and making positive societal impacts.

Looking ahead, the Outlook section celebrates successful alumni. Some have made global contributions, while others have launched businesses in Mannheim, creating jobs and nurturing the city’s creative potential. These alumni address current and future needs in user experience, markets, and technology, continuing Mannheim’s design legacy.

The annual exhibition features socially relevant projects across film, photography, print, digital media, and conceptual design from the Faculty of Design. Open to the public, the event includes lectures, workshops, portfolio reviews, and panel discussions. This showcase not only celebrates student work but serves as a place for inspiration and dialogue.

A new publication accompanies the exhibition:
“100 Years of Design in Mannheim”
Written and researched by former professor Jürgen Schwarz, designed by Veruschka Götz and Luisa Forberger.

100 Jahre Gestaltung in Mannheim—Rückblick, Einblick, Ausblick

Where?
Mannheimer Kunstverein

When?
November 8th to 10th, 2024

Further information here.

Slanted Magazine #44—Type Fashion

Slanted Magazine #44—Type Fashion explores the intersection of typography and fashion. The issue explores the boundaries of conventional design, embracing cutting-edge typography as a dynamic canvas for fashion expression. It presents art pieces, conceptual works, unconventional positioning, bold messages, weird concepts, and off-road applications that challenge the status quo of fashion industries. 

If Slanted were a fashion brand, our mission would be clear: to inform, provoke, and ignite the imagination—championing freedom, research, and creativity, where fantasy becomes reality, aspirations are achieved, and culture is constantly evolving. 

In addition to showcasing outstanding works, this issue features insightful essays by Christina Donoghue, Ann Marie Wainscott, Graphéine, Jelena Drobac, Ian Lynam, Jimmy Henderson, Kylièn Bergh, and Karmen Samson. Furthermore, interviews with Golnar Kat-Rahmani, Mirko Borsche, Jochen Smuda and Martin Fussenegger (Ucon Acrobatics), as well as Jean-Baptiste Levée, provide valuable insights into the intersection of typography and fashion. The issue concludes with an extensive appendix, listing all participating contributors.

In collaboration with the Berlin-based brand Ucon Acrobatics, we’re excited to additionally present a limited special edition on occasion of the release of Slanted Magazine #44—Type Fashion. It includes the magazine alongside an exclusive bag which draws inspiration from the bold design of the new issue, blending typography and fashion into a stylish and sustainable statement piece. 

Slanted Magazine #44—Type Fashion
Autumn / Winter 24 / 25

Publisher, Editor, Design: Slanted Publishers
Cover Image: W:A.R. – Walter van Beirendonck, photographed by Ronald Stoops
Release: October 2024
Format: 16 × 24 cm
Volume: 224 pages
Language: English
Printing: Offset printing with spot colors, Stober Medien
Bookbinding: Swiss brochure with flaps, open thread stitching by Buchbinderei Spinner
Cardboard Cover: WestRock Crescendo® C1S, 340 g/sm
Paper Inside: Arto®gloss, 150 g/sm, lona®offset, 110 g/sm distributed by Inapa Deutschland
Finishing: Glossy foil lamination with matte spot varnishing
ISBN: 978-3-948440-76-3
ISSN: 1867-6510
Price: € 22.–

Buy Magazine here.
Buy Magazine + Limited Special Edition here.
Subscribe to Slanted Magazine here.

Making of Yearbook of Type #7

We’re very excited, that the upcoming Yearbook of Type #7 is in production and almost finished!

After month and month of work we’re nearly at the finish line and can’t wait to publish this 7th edition of one of our greatest classics: the Yearbook of Type! The classic Yearbook of Type is the ultimate resource for discovering the latest in typeface design and typography trends. With a fresh design and a plant-themed focus, this edition offers a distinctive take on typography.

Each featured typeface is showcased across three pages, featuring a visual specimen, detailed characteristics, language support, and background information. A comprehensive index allows for quick reference, while the online microsite enables easy browsing and direct purchases.

The strong and loud colors, which result in another color by overprinting, make us particularly happy this year!

Preorder your copy now, to be sure to have it in your hands when published, and/or even as a Christmas gift to yourself or a fellow typography enthusiast!

AGI Open 2024

From October 3rd to October 4th, the AGI Open welcomed attendees to spend two inspiring days in Basel. The AGI Open is an international design conference that brings together designers from the Alliance Graphique Internationale. This year, it was held in Basel, Switzerland, the hometown of two founding members of the Alliance Graphique Internationale. This connection greatly enhanced the spirit of design over these two days. Founded in 1951 by two Basel-based designers, Fritz Bühler and Donald Brun, along with three French colleagues—Jean Picard Le Douc, Jean Colin, and Jacques Nathan Garamond—AGI’s mission is to promote graphic design through talks, publications, and educational activities. Currently, AGI has 534 members from 47 countries. Many influential figures in the history of graphic design are or have been members, including Saul Bass, A.M. Cassandre, Wim Crouwel, April Greiman, F.H.K. Henrion, Armin Hofmann, Josef Müller-Brockmann, Paul Rand, Paula Scher, and Massimo Vignelli, among others, as well as outstanding contemporary practitioners.

Since 2010, under the presidency of Paula Scher, the members decided to share their knowledge and expertise with the world, leading to the creation of AGI Open. Each year, members of the Alliance Graphique Internationale gather in a different city for the AGI Congress, where they meet in a spirit of friendship, eager to learn about each other’s activities, discuss the profession, and explore their host city. These conferences, focused on both industry professionals and students, have been held in Porto, Barcelona, Paris, Seoul, Biel/Bienne, São Paulo, London, Hong Kong, Mexico City, Rotterdam, Trieste, and Auckland. Central to the success of AGI Open is the active participation of members in talks and events that extend knowledge and inspire generations of students and designers in attendance, some of whom may become members in the future.

This year, attendees had the honor of being warmly welcomed by Paula Scher in the marvelous Stadtcasino Basel, which added a special touch to the design conference. Later in the day, Thorsten Kemper from Herzog & de Meuron provided an exciting insight into the renovation and restoration of the building, allowing it to regain its esteemed charm.

The first day started off with the Perspective of Practice, where Liza Enebeis took us into the world of motion design that Studio Dumbar from the Netherlands is bringing to the global stage. Studio Dumbar is an award-winning international agency of Dutch heritage that specializes in visual branding and motion design. She shared interesting insights into their visuals for Exterion Media, an international outdoor advertising company that commissioned Studio Dumbar to create motion graphics for railway station platform screens across the Netherlands. Enebeis provided insights on the process and the flexible, creative concept for mainline railway stations in cities like Amsterdam, Rotterdam, and many more.

Another highlight was April Greiman’s presentation, followed by a discussion where she answered questions from the audience. She offered a personal reflection on what it was like to start her career as a woman in a male-dominated industry and discussed the fine line between design and art. It was also fascinating to revisit the early days of digital design through her experiences.

In contrast to the impressive presentations by the masters of design, the contributions from young talents provided students and recent graduates from Swiss design schools with the opportunity to showcase their work in front of an international audience of experts and to establish initial connections on both days. This created a wonderful opportunity to promote exchange between the young and the experienced, enriching the experience for everyone involved.

The first day flew by, with one presentation after another, each filling us with fresh insights. For those still eager to continue, an evening program followed at various locations, including a tape performance by Niklaus Troxler at the Stadtkino Basel, accompanied by Korean jazz singer Song Yi Jeon.

The next day focused on perspectives in education and technology. Attendees gained valuable insights into alternative approaches to education and how to share knowledge fairly without stifling creativity. A great example of cross-generational collaboration followed immediately after, as Vera van de Seyp took the stage after Zach Liebermann in the Perspectives of Technology segment. Van de Seyp is a recent graduate from the MIT Media Lab, where Liebermann teaches. Despite nearly two days of packed programming, Liebermann delivered a presentation that truly engaged the audience, immersing them in his unique augmented reality world. He offered fascinating insights into his latest projects, discussing how he uses AR to create confusing memories, and his examples had the crowd chuckling. Afterwards, Vera van de Seyp  addressed the question of how AI can assist designers, concluding with the statement that designers should be less fearful of AI but remain critical.

Another highlight of the day was the performance by the two AGI members André Baldinger and Toan Vu-Huu from baldinger•vu-huu, a Swiss-German graphic and typographic design studio founded in 2008. It was a blast to watch as they presented their corporate identity and the Dina Chaumont typeface for the French city of Chaumont, the City of Graphic Design, in an old-fashioned way using posters and wearing RGB overalls.

After more exciting presentations, the AGI Open concluded with a lively party night at the Campus of the Arts Basel, where the love for design was celebrated. We experienced two days filled with inspiration and networking and are very grateful to have participated in AGI Open 2024. The exchange of ideas and connections made during this event are among the greatest gifts, and we are glad to have been a part of it. Here’s to many more years of AGI!

Images: © zvg IDCE HGK Basel FHNW, © Greta Landmann

Photodarium 2025

The PHOTODARIUM 2025 is here—and it’s our 13th edition! We’re beyond excited to bring you this unique calendar once again, filled with stunning works from photographers all around the globe. A fantastic community of professionals, newcomers, and Polaroid enthusiasts have contributed their most intimate and artistic moments to make this edition truly special.

Each day reveals a new analog Polaroid photo, printed in its original size with a glossy finish that perfectly captures the true Polaroid feel. On the back, you’ll find a small text telling the personal story behind the photo, along with details about the photographer and the Polaroid film used. Hand-glued and bound with the finest quality, the Photodarium continues to be a must-have for any lover of analog photography.

This carefully curated gem is a real eye-catcher for your desk, windowsill, coffee table, or nightstand—and of course, the perfect Christmas gift for all your analog-loving friends!

Safe your copy now!

PHOTODARIUM 2025

Publisher: Seltmann Publishers
Art Direction: Boris Kahl
Author: 
Lars Harmsen, Raban Ruddigkeit
ISBN: 978-3-949070-50-1
Format in cm (w × h × d): 12 × 8.8 × 10.7
Volume: 370 pages

Workmanship: Tear-off calendar with high-gloss varnish finish, incl. paper display and collector’’ box

Price: € 30.–

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Frankfurter Buchmesse 2024

The Frankfurter Buchmesse 2024, held from October 16th to 20th, was a vibrant hub for global publishers and book lovers, and we were glad to have visited again!

Italy, the Guest of Honor, took center stage with the theme Roots in the Future, showcasing a dynamic blend of literature, art, and culture. The Italian Pavilion, designed to resemble a traditional piazza, was a lively space for discussions and exhibitions. Over 100 Italian authors participated, including notable figures like Carlo Rovelli and Francesca Melandri, offering insights into contemporary Italian literature. Highlights also included exhibitions like Young Pencils Between Illustration and Comics, reflecting Italy’s rich literary and artistic heritage.

The fair introduced Frankfurt Connect, a new digital platform to enhance networking beyond the event, allowing participants to connect with potential partners year-round. Another standout was the introduction of a young adult literature pavilion, reflecting the booming popularity of genres like romance and fantasy, especially driven by social media trends.

In the vast amount of books, we were happy to spot some of ours as well, i.e. REBEL PRINTS—The Poster Rex Manifesto by Lars Harmsen and Markus Lange which we only recently published, the beautifully crafted Timewarp by Lorenzo Petrantoni, 100 Beste Plakate 23, and of course our Slanted Magazine #42—Books, featured at the booth of Stiftung Buchkunst on the Shortlist of the competition for the most beautiful German books, as well as COLLISION and Das Plakat Isst eine Fläche. on the Longlist.

As a publisher, our visit to the fair proved fruitful, gaining lots of insights and inspiration from the thousands of exhibitors and books and magazines on display! As always it is an exciting experience to witness all the new trends, techniques, and possibilities in the book universe.

Call for Submissions: Yearbook of Lettering 2

After the amazing response to Yearbook of Lettering #1—with 134 artists from 35 countries, rave press reviews, and tons of social media buzz—we’re back for round two! Yearbook of Lettering #2 is set to drop in autumn 2025, showcasing the very best in lettering from around the globe, from classic calligraphy to bold street art and graffiti. Ready to be part of it? Get your submissions in and help us make this edition even bigger and better!

In Yearbook of Lettering #2, each artist is given at least one full page, where only their artwork is featured, allowing the visuals to take center stage. The clean, open design ensures that the lettering speaks for itself, giving space for the unique styles and techniques to shine.

What truly sets this edition apart is the extensive index, which holds all the essential details—artist backgrounds, style descriptions, materials used, and contact information. Whether you’re looking for inspiration or searching for the perfect artist, the comprehensive, alphabetized index makes it easy to explore the talent behind each piece.

Designed as both a source of inspiration for graphic designers and agencies, and a practical guide for clients seeking the perfect artist or style, Yearbook of Lettering #2 will appeal to anyone interested in the vibrant world of contemporary lettering. We can’t wait to bring this second edition to life with your incredible work!

lt is possible to book one single page or up to three spreads! The presented artworks may not have been published earlier than 2020. Artworks can be submitted via our website until December 8th, 2024. 

Producing a book like this requires significant resources. We believe in its sustainability and the real value it offers, which is why we aim to make it accessible to as many people as possible. To maintain high quality, we ask participants to contribute a small production fee to help cover costs (while still maintaining a selection process). This fee is intentionally kept low to encourage broad participation, especially from young artists, and covers only a small portion of the overall project costs. In return, each participant will receive a free printed copy of the book (plus shipping).

It is especially important to us to give the younger generation of lettering artists access to this opportunity. That’s why we offer students (with proof of enrollment) a 30% discount on the regular price. All submissions will be reviewed by a curatorial board of professional lettering artists to ensure quality. Please note, we reserve the right to reject submissions that do not meet our standards, which include technical aspects, originality, depth, context, and more. We strive to maintain a high level of quality throughout the content, so each submission is carefully reviewed, and we provide personal feedback on every application.

Early Bird rate (EB), excl. tax, available until November 20th, 2024
Regular rate (R), excl. tax, available until December 8th, 2024 

1 page: € 99.– (EB) + Vat / € 119.– + Vat (R)
= 1 Artwork

2 pages / 1 spread: € 189.– (EB) + Vat / € 209.– + Vat (R)
= 2 Artworks (big) OR 1 Artwork big + up to 4 small ones

4 pages / 2 spreads + 1 IG Story: € 339.– (EB) + Vat / € 369.– + Vat (R)
= 4 Artworks (big) OR 2 Artworks big + up to 8 small ones

6 pages / 3 spreads + 2 IG Story: € 499.– (EB) + Vat / € 539.– + Vat(R)
= 6 Artworks (big) OR 3 Artworks big + up to 12 small ones

For those who book two double pages or more, we are pleased to offer a feature in the form of an Instagram Story on the Slanted Publishers channel, which currently has 127K followers. This is a great opportunity to share your work with a broader audience at no additional cost.

Get detailed information about the book, special rates for multiple spreads in combination with all Slanted online features, and our media reach from this PDF. 

HOW TO reserve and book a space: 

1. Send an email to [email protected] with the number of spreads you would like to book and links or samples of the artworks, so we can review them and get back to you.
2. Receive a link and pay the submission fee.
3. Now your space is booked. We’II get in touch with more information about the upload.
4. Upload the requested files and information until December 8th, 2024 (latest!) and you will be guided step-by-step through the process.

Join Now!

© Visuals by Xesta Studio, Dave Towers, Ken Barber, Büro Ufho, Julie Solvstrom, Merle Michaelis, Luke Smile, Jan Šabach, Johannes Schleicher, Ying Chang and Melissa Pierce

Principles of Serendipity

The Principles of Serendipity conference, taking place on November 8th and 9th, 2024, will bring together a diverse range of perspectives from designers, artists, and theorists who are deeply engaged in (expanded) graphic design and creative research, with the aim of advancing and critically examining the field of communication design. The conference speakers represent a broad spectrum of international design discourse, using design as a tool for knowledge production and engagement with visual culture. Speakers include: Anke Haarmann, Anne Büttner, James Langdon, Nina Sieverding, Tereza Ruller, Laucke Siebein, Maureen Mooren and Na Kim.

The hosts interpret the title Principles of Serendipity as both a core research principle and a theme for the conference: not all discoveries are planned or predictable; often, it is the open and exploratory approach to a research subject that leads to valuable insights and creative outcomes. The conference is free! Please register by November 4th at [email protected]

Principles of Serendipity 

Where?
Hochschule der Bildenden Künste Saar, Galerie, Aula, Foyer,

Keplerstraße 3–5, 66117 Saarbrücken

When?
November 8th to 9th, 2024

Further information here.

Film Festival Cologne

The colorful, radiant logo of a stylized sun on the cover says it better than words: it’s time to shine. Culture not only fulfills the task of enlightenment, it also offers the opportunity to let our creativity and our hopeful side shine. And they do: as every year, the brilliant minds of contemporary filmmakers and artists gather at the Film Festival Cologne. They let us dive deep into their craft, their inspirations and the dynamic interplay of storytelling and aesthetics.

The annual publication FFCGN – Die Macht der Bilder Vol. 4 accompanies the festival with many photos, insightful essays and intimate interviews. Through the lens of cinema, the editors provide an insight into the diverse perspectives and innovative approaches that shape today’s cultural landscape and pop culture. Whether the filmmakers are exploring themes such as identity, social justice or the human condition, they illuminate the world with their unique views and perspectives and invite us to accompany them.

FFCGN — Die Macht der Bilder Vol. 4

Publisher: Slanted Publishers
Editor in Chief: Martina Richter
Art Director: Holger Risse
Editors: Emilia Stein (Head), Elmar Freels, Sven von Reden
Design: Lena Buhl, Juliane Lipp, Slanted Publishers
Publishing Direction: Lars Harmsen, Julia Kahl
Release: October 2024
Format: 16 × 24 cm
Volume: 176 pages
Language: German, English
Printer: Stober Medien, Germany
Workmanship: Softcover with flaps, Swiss brochure, thread-stitching, full-color printing
ISBN: 978-3-948440-75-6
Price: €18.– (DE)

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Shooting for the Stars

Last week we had the great opportunity to attend an ADC Design Talk while being in New York City: the book launch of Shooting for the Stars by design legend Richard Danne, who captured his life’s work in a comprehensive book.

Richard Danne is best known for co-creating NASA’s iconic “worm” logo, a minimalist masterpiece that has left a lasting mark on modern design. His pioneering work spans decades, with notable projects for organizations like FIT, Paramount, and AT&T, showcasing his visionary influence on visual culture. At the event, Danne shared insights from his groundbreaking career, which has left a lasting impact on modern design, along with humorous anecdotes and personal insights.

What left a special impression was his answer to the question of what he (as a designer) does NOT want to do anymore (after he has listed all the things he would still love to do): he does not want to stop. Even after 90 years in this world and many eventful years in the creative industry, he has no intention of stopping and putting an end to his creative career.

As a former president of AIGA and a tireless advocate for the power of design in business, Danne’s work has inspired generations of designers. Shooting for the Stars honored his enduring legacy and the profound influence he continues to have on the world of design.

The One Club for Creativity supports and celebrates the global creative community, believing that creativity drives business success. It fosters spaces for writers, designers, technologists, and artists to thrive, promoting diversity and collaboration. By connecting established leaders with emerging talents, the organization nurtures growth and innovation. As a non-profit, The One Club reinvests all its resources into inspiring and strengthening the creative world. Thanks for having us!

Making of Slanted Magazine #44—Type Fashion

Exciting News! Slanted Magazine #44—TYPE FASHION is in production and explores the intersection of typography and fashion! This issue pushes the boundaries of conventional design, using cutting-edge typography as a dynamic canvas for fashion expression. Expect bold messages, conceptual art, unconventional positioning, and off-road applications that challenge the fashion industry’s status quo.

Printed in spot colors only by HKS, this issue features a radical 2-color canvas with sharp embellishments. Printed by our long-time partner Stober Medien and supported by Inapa Deutschland, it also includes an 8-page cover and open thread-stitching, showcasing its striking red block, beautifully crafted by Buchbinderei Spinner.

Preorder your copy now—either as a single issue or together with the limited special edition bag by Ucon Acrobatics! Or, subscribe to Slanted Magazine and always get it right at release!

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