Personal project of experimental typeface that takes as a reference the KITSCH style as a stereotypical sample of the Latin American popular culture called the “Aesthetics of Bad Taste” whose name parodies the name of the street gang known worldwide as the LATIN KINGS!
GOD IS AN ALIEN?
Poster for the Haapsalu Graafilise Disaini Festival (HGDF) 2016 in Estonia with the theme: ALIEN
Onomatopoeiaaa
A design enable character to speak for themselves, delivering loud phonic experience with a touch of playfulness.
FOCUS
2023 VIDAK International Spring Invitational Exhibition : Way of Design
What are the emerging standards as the times change?
Design has to go through various forms over the past century to find new modeling.
Selected Poster in the Golden Bee 15 Moscow Global Biennale of Graphic Design. Moscow, Russia 2022
Excellence Award in the 2020 KICD International Invitational Exhibition with the theme New Normal Era Design, organized by the Korea Institute of Cultural Product & Design in South Korea.
disTRUST
Peace is a process that consists in building trust among all human beings.
Designed poster for the Gwangju Design Biennale 2019 International Invitational Poster Exhibition with the theme: Humanity.
Winner an Excellent Award in the International Poster Biennale for Peace Nanjing, China 2019
Exposed in the Haapsalu Graphic Design Festival (HGDF) 2020 with the theme: Contact at Haapsalu Cultural Center in Estonia.
DELETE
The Victory of Peace over War is the eternal yearning of the humanity that is aware of the consequences of the war.
CONDEMNATION
DOSTOEVSKY 200 / BEAUTY SAVES THE WORLD for the 200th anniversary of the birth of Fedor Dostoevsky 2021. Exhibition as a special project of the Golden Bee 15 Moscow Global Biennale of Graphic Design. Moscow, Russia.
Concept: The text of the poster is an excerpt from the novel Crime and Punishment. In which the metaphysical-religious background that nourishes this work is revealed. This “divine-human” nucleus highlights in Dostoevsky’s novels the existence of a real portico that in every man gives access to his original and mysterious unity through the long way of the human, the suffering that strips man of the material ballast and guides him on a path of detachment towards himself.
BARDEJOV CITY
International Poster Invitation with the theme: City of Bardejov (Slovakia)
City of Bardejov: Royal Free Town – Spectacular City Walls – Magnificent Basilica – Unique Town Hall Gothic Architecture – Majestic Castle – Deep Rare Forests and more as UNESCO Heritage 2019
BORDER
A consequence of human evolution should be the Elimination of the borders of all sorts, from territorial borders until of the mental type, which would demonstrate that mankind has acquired greater awareness.
#SayTheirNames
Tribute to all victims of police abuse and racial violence in the United States!
#BlackLivesMatter
#SayTheirNames
Posters on Politics exhibition in The Charles H. Wright Museum of African American History. Detroit, USA 2021
CHAINS
In order to raise awareness about the problem of consumerism, child exploitation and unnecessary over-indebtedness especially during the holidays Christmas. This work is part of the international Project Ficciones Typografika that is dedicated to the typographic exploration in a public space curated by Erik Brandt and of the Ficciones Typografika book. Formist Editions. Australia.
The video version (2018) was selected in The 4th Shenzhen International Poster Festival 2020 in China. Category Motion Poster and won the Golden Bee Award in the Golden Bee 14 Global Biennale of Graphic Design Category Supershort Video. Moscow, Russia
Memory
The construction of memories, the structuring, the loss of them, the failed reconstruction and the disappearance. Analog and digital work
Undo
Experimental typographic work
In stone
Sculpture and typography project made in talc stone, extracting or cleaning its natural forms and allowing the text to be carved in it.
Haptic
The hand – is the first writing tool. History is recorded there, it is the trace of the personal journey. In it, words are articulated that form a rhizomatic cartography, without a particular center. The texts have to do directly with experience, subjectivity, with the creation process from analog to digital
Veins
Experimental typographic work
Album of affections
The business card, visiting card or carte de visite, has been a memory object. Many of them preserved in another object, the album. This project takes up the essence of these two objects, as containers of memories, in this case of my affections, reflected in some people
nearby, other passengers, passers-by, who become part of the space; natural elements and the architecture of oblivion.The cover takes up the idea of a frame. one frame over another
&
Several elements intervene in the subjectivity of language, it is not born spontaneously from the subject,
It is mediated by society, by culture, by biological aspects, by the mass media. It is there where the rhetoric using resources discursive and metaphorical, persuades and takes special force. Always the messages are endowed with signs that connote and denote the linguistic message it can also be iconic and endowed with countless meanings. In reading, the perceptive message -cultural- and the literal message -message support-. This book could fit into many of the typologies of an artist’s book, it is writing, accumulation, tactile… It is also a book under construction.
&c.
Entering the book, devoid of its format, being able to feel it and explore its possibilities in an exponential way, smell it, hear it. Open book, complete, without content and order restrictions, to read in as many ways as you like. Paper, the base material, a sensitive substrate, which allows the contents printed on it to be endowed with meaning. Papers arranged in two ways, eighty-eight hanging, imply looking towards. On the floor, shredded paper, documents are recycled,drafts, sketches, processes. The numbering of the pages is detached from above, hangs, and is placed interchangeably. Letters as plastic support
Technorealism
With each passing day, computer systems are becoming increasingly organic and integrated seamlessly into our lives and the natural world. These machines, which were once seen as cold and rational, are now capable of imitating touch, emotions, and thought. Despite being made of inanimate matter, they are capable of imagining worlds that seem just as real as ours.
I went on a mission to create a typeface, bold yet whimsical, playful yet structured. created only in a digital space. The vector files are put through a custom CAD process, rendering them in an organic skeleton and metallic material. An imitation of reality made visible through computer envisioned light ray bounces.
GS_2022
GS_Valerie
The typeface GS_Valerie is a grid based font and moves from very light to extremely bold in four steps. The line width fills inside the letter shape.
Digitalised in 2022
This Typeface is available at
[email protected]
GS_2020
GS 2020
This typeface is designed as an ode to Bauhaus and the fascination to work with simple geometric shapes and the defining grid.
Digitalised in 2022
This Typeface is available at
[email protected]
GS_2014
GS 2014
This typeface was first designed in a simple cut in 2007 and used for the 2008 calendar of the studio gebr.silvestri and finally re-designed in 2016 for the use of the 2017 calendar. This typeface has 6 weights and ranges from light to bold, and in these bolding the letter creates an outline.
Digitalised in 2022
This Typeface is available at
[email protected]
GS_2013
GS_2013
This typeface is inspired on Gothic typefaces and is used for the 2013 calendar of the studio gebr.silvestri This typeface is available in two different cuts, solid and outline.
Digitalised in 2022
This Typeface is available at
[email protected]