Made in Egypt

In Egypt’s bustling streets, the toktok symbolizes daily life—simple yet essential, weaving through alleys to serve all. But what if this cultural icon leaped into the future? My work presents a satirical and imaginative vision of tomorrow’s Egypt, where the toktok hovers, carrying the same Egyptian spirit. Its witty slogans remain unchanged, even as its form evolves—an enduring reflection of Egypt’s identity, resilient through time, blending progress with timeless soul.

Paul Cézanne Book

“Paul Cézanne’s book was produced as part of a book design course, where the artist’s works were redrawn and reinterpreted in a modern way. Paul Cézanne, the master of Impressionism, inspired me greatly with his world of paintings and illustrations. Therefore, I redrew them in a brighter and more modern style, while designing the book and revising the entire content to reflect the artist’s journey.”

100 Beste Plakate 24

On December 16th, 2024, the competition 100 Beste Plakate 24 Deutschland Österreich Schweiz (100 Best Posters 24 Germany Austria Switzerland) kicks off. All details will be published on their website, via newsletter, and on their Instagram. Preparations are underway to send out information to those registered in the postal mailing list.

The selection of the 100 Beste Plakate 24 will once again be handled by an internationally renowned jury, this year comprising Adeline Mollard (CH-Zurich), Anouk Rehorek (Studio Anouk Rehorek, AT-Vienna), Hans Günter Schmitz (schmitz Visuelle Kommunikation, DE-Wuppertal), Stephanie Specht (Specht Studio, BE-Antwerp), and Jonas Manuel Wandeler (Atlas Studio, CH-Zurich).

The process remains the same as in previous years: eligible to submit are designers, clients, and printers from the three countries, with posters created in 2024 across all themes, formats, and printing techniques. Participation is subject to a fee (starting at €50, scaled by the number of posters submitted), with a 50% discount available for students and members of the 100 Beste Plakate association.

The visual identity for the new competition, including the yearbook (set to be published in June 2025 by Slanted Publishers), is being designed by Tristesse (CH-Basel). Starting in Berlin, 100 Beste Plakate 24 will go on a touring exhibition beginning mid-next year across the three countries, Korea, and additional locations.

Further information here.

Cairo

This poster captures the essence of Cairo’s dynamic fabric. The 3D text reflects the city’s dynamic skyline, while the street characters and patterns with it’s vibrant colors symbolize the layered complexity of a metropolis that is both timeless and ever-changing.

Amthal

Inspired by the streets of Egypt, Mai illustrated this art piece with vivid elements like the iconic red fez, pottery water jars, cracked walls, bright blue street signs, and colorful decorations. She also included countryside touches like the dovecote. The diverse characters at the center are surrounded by expressive slang proverbs in a handwritten style, conveying the wisdom and authenticity of the Cairene people throughout history.

Minaret of Ibn Tulun Mosque

In this illustration, Mai shows the beauty of the minaret of Ibn Tulun Mosque using both manual and digital techniques. The bright colors and textures highlight the minaret’s unique design and its historical importance. Mai used colored markers for a lively effect, while digital tools added depth and contrast. This artwork celebrates the mix of tradition and modern style, inviting viewers to appreciate the mosque’s grandeur.

The Caged Collection

he Caged collection embodies the six stages of rebirth, transforming the struggles and emotions of confinement into wearable art. Each piece reflects a journey of transformation, celebrating resilience, individuality, and inclusivity. Handcrafted by skilled local artisans, these designs turn music and emotion into timeless jewelry, offering a unique symbol of personal evolution.

Oddly Even Branding

Oddly Even balances minimalism and individuality, crafting a fashion identity that surprises within simplicity. The brand’s design merges clean lines and timeless aesthetics with unconventional details, creating a visual narrative for modern, stylish individuals who value sophistication with a twist. Each element reflects the brand’s ethos: minimalism reimagined with an edge of the unexpected.

Sahm Variable Typeface

This typeface was created as a pre-masters project, at the German University in Cairo. SAHM is a variable Arabic typeface that can be controlled through two axes. The first is a slant axis, which provides the ability to adjust the direction in which the letters are leaning, while the second axis controls the thickness of the letters’ baseline.

Freedom of expression

“Freedom of expression will be stopped with violence.”
The flag of the Egyptian army features two crossed swords. In the poster, one of these swords pierces the balloon that usually, in comics, contains the texts spoken or thought by a character. In Egypt, freedom of expression is repressed with force.

Poster Cult by Dafi Kühne

The first sentence of this book reads: “The poster world is in crisis.” It was written by Angelina Lippert, Chief Curator and Director of Content at Poster House in New York City, the first museum in the United States dedicated to the art and history of the poster. But is the poster truly in crisis?

Dafi Kühne is one of Switzerland’s foremost poster designers, whose bold and diverse work seamlessly blends traditional production tools with modern design processes. While his posters are printed on presses from the 1960s, they defy the typical aesthetic of letterpress prints. Instead, his work connects with the rich history of letterpress production while challenging the boundaries of long-established graphic and typographic techniques. Using analog printing presses, computer software, laser cutters, and freshly cast hot-metal type, Kühne creates wildly inventive, large-format posters.

Kühne’s first monograph with Lars Müller Publishers, True Print, introduced readers to his work from 2009 to 2016. Poster Cult delves deeper into the processes, background, and context of his more recent poster designs.

Looking at the book, it’s hard to believe that the poster is in crisis. The introduction is, of course, a celebration of the medium, but it also highlights the evolving media landscape. While poster art itself is not in crisis, the poster as a mainstream medium certainly is.

“As posters sit on the meeting point of art, design, ephemera, and commerce, not easily categorized into any single genre, those that make them embody a similar enigma. Dafi is as much an artist as he is a designer, an artisan, a craftsman, an entrepreneur, and an educator. His work encompasses the breadth of descriptions, reflecting the man himself—constantly evolving and creating new visual languages to communicate to the world.”

This book is a must-have for anyone who loves posters, appreciates craftsmanship, and values exceptional design—a true collector’s piece for design enthusiasts.

Lars Müller Publishers (pub.), Dafi Kühne (concept & design), 163 pages, 24 × 30 cm, English, ISBN: 978-3-03778-777-9
Buy it here.

SHkhBta 044 [The Cheapest]

This portrait encapsulates the collective experience of a society shaped by powerful forces of control and limitation. It serves as a profound reflection on Cairo while extending to the broader condition of Egypt, offering a contemplative lens on the tension between resilience and submission within an unyielding system.

* This portrait was improvised while listening to “Ali Phi – Endelah”

كشك

مرحلة نعيشها، مكان نلتقي فيه، وأفكار تتراكم مثل الصناديق فوق بعضها البعض.
هذا الكتاب ليس مجرد حكايات عن الأكشاك المنتشرة حولنا، بل هو انعكاس للذكريات، التفاصيل الصغيرة التي تشكل هوية الأماكن وأثرها فينا.

“كشك” رحلة تأمل في عوالم بسيطة بعمق كبير. يجمع بين النصوص والصور، بين الحنين والإبداع.

اكتشف التفاصيل المخفية التي تمر أمام أعيننا يوميًا دون أن ننتبه لها.

leserlich.info

In April 2017, leserlich.info launched as a digital guide for designing texts accessible to both people with and without visual impairments. The site now features updated content, a refreshed design, and an English translation to increase its reach and impact.

Leserlich.info offers practical tools and advice on factors like fonts, font sizes, spacing, layout, and contrast—elements that improve text readability. The site benefits not only the one million visually impaired people in Germany, but also those facing stressful situations, poor visibility, reading difficulties, or age-related challenges. It shows that inclusive design can be both accessible to those with visual impairments and appealing to sighted individuals.

The relaunch aims to expand the site’s international audience. Since design professionals often work in English, leserlich.info has gained international interest. The updated version seeks to fill a gap, as no similar platform exists. Popular features like the Font Size Calculator and Contrast Calculator are now even more user-friendly, with interactive graphics and micro-animations.

The platform has been supported by MSD since its launch. MSD’s Patient Advocate, Xenia von Maltzan, states, “We were happy to support the relaunch to make leserlich.info available internationally and reach a broader audience.”

The guide was developed by designers from adlerschmidt, led by Prof. Florian Adler, in collaboration with experts from the German Association for the Blind and Visually Impaired (DBSV). It is based on current research and recommendations from the DIN 1450 standard for text readability.

In its seven and a half years, leserlich.info has become an important resource. It offers tools like the Font Size and Contrast Calculators, which help designers choose the right settings for accessible text. The platform has been recognized by publications like PAGE magazine and the German government’s online style guide. In 2022, it received the Werkbund Label from the German Werkbund.

Leserlich.info proves that inclusive design benefits everyone, not just people with visual impairments. It improves readability for all users.

Further information here.