“Roses ‘R’ Red” is composed using the processing computer language. Utilizing the Geomerative library, generative floral designs have overlayed this letter R. The type is meant to demonstrate growth and relationships in life. Each flower is unique at different stages, but they are all connected through the stroke of the R.

“Growth” is a series of floral type expressions created with Processing. the code utilized floral illustrations paired with type to form the letters. The designs thematically reflect the words, which center around celebrating beauty and new beginnings, just like flowers.

This series of paintings is created using a combination of spray and mounting foam, resulting in a unique and uncontrollable texture. To apply the foam to the canvas, the artist created a specialized tool. The foam produces an organic 3D surface with protruding, expansive forms. The paintings are then enhanced with fluorescent or metallic sprays that add depth and transform the foam into a new material altogether. The resulting effect is a fascinating interplay of different textures and colors, creating an innovative and captivating visual experience.

Bodies can do a lot, but not just look good.

While working on a fun personal project which focussed on experimenting with type, I found some hex/allen keys and arranged them into a few letters. Using this one shape of tool forced limitations on me and I really enjoyed the problem solving process of trying to create letters from these with as few keys as possible. I loved the unusual look of these letters and decided to build them as vectors before developing it into a fully functioning font.

Experimental typography is a unique approach that merges two distinctive font types, namely serif and sans-serif, along with a combination of digital, analog, and texture-based techniques. The improvisational nature of this mode of visual inquiry allows for a creative exploration of typography, resulting in unexpected outcomes. In particular, the use of interactive paper textures to export the object of the typeface adds a layer of complexity and depth to the final product. Overall, experimental typography represents a bold and innovative form of design that pushes the boundaries of traditional typography conventions.

The design idea plays on a visual inversion. Books are notoriously made up of words and letters: the graphic design overturns this idea and the letters become books.

LOUFR isolated point
Record Sleeve
A Close Close2 5 LOUFR isolated point Record Sleeve

The album isolated point by LOURF is drawing on elements from club music, IDM, and noise as well as vocal manipulation. Behind LOUFR is Polish composer Piotr Bednarczyk who lives and works as a musician and physician in Warsaw. His sound collages focus mainly on instrumental electroacoustic and electronic music. We designed a biometric LOUFR lettering. The materiality of our keyvisual should not be assignable — somewhere between synthetic material and natural product. A kind of biological growth of a non-biological species.

Highly experimental and intuïtive works with collage and handmade elements

1. Rough Posca marker lettering
2. Artwork collage style
3. Handlettered quote with Posca and heavily post-processed digitally
4. Rough Posca handlettering, post-processed with bevel/emboss effects in Photoshop
5. Collage style letter M, remixed a lot of old collage parts
6. Misprint due to way too much ink on this linocut piece

SLAM is an art performance held at the Neubad Club in Lucerne, Switzerland. Language artists celebrate an evening of poetic capers ranging from sound art to literature.

Time Flows is a handmade book that documents my inner thoughts and struggles for my first four years of design practice after graduation, for my parents, for their long-suffering.
It is not necessary about going to a certain place or arriving at a certain goal in life, the most important thing is about what you learn along the way in that journey, destination may not be important. Life will make its turns and you just have to learn to go with the flow and learn how to be ready for that, stay curious and the life force inside of you.

In an increasingly virtual world, we are asking ourselves what the role of the designer nowadays is. Do we leave the creative process to technology, programs, AI or automated processes or do we use these techniques to implement our design ideas? At what point in the design process do we use technology, for how long, and when do we use analog design methods to influence our creative process? Particularly in Typography, a sense of subtlety and details is important. Can we develop this sensitivity on the screen or are analog ways the better guide for this? The truth probably lies in the middle. The project is all about the playful and creative moment in working with Typography.

LeOsler is a playful and spirited handwritten font with an illustrative imprint. It has Light and Regular weights and a wide range of graphic styles: Sharp, Rough, Stamp, Inline, Border, Shadow, and the unusual Sprinkles texture, having 12 font styles in total.
Most styles have rugged and textured designs, whereas the ‘Sharp’ fonts have the cleanest outlines of this type family, with perfectly smooth contours and polished intersection of strokes.

Escalope is a hand-drawn font with a quirky and unique personality: low midline, unicase, all-caps, matching icons, textures, and the playful Stylistic Sets.
The poster is set in ‘Escalope Crust One’. This style is relatively clean but rugged, with an ink stamp outcome.

Cumbre is a slanted display type with unorthodox anatomy, a dynamic rhythmic structure, movement expression, and intense visual language. An eccentric rebel with ribbon-like moves, a balanced extrovert that makes meticulous use of ink traps.
Cumbre Stamp has textures that are irregular as if thick ink had spread out unevenly when printed. It has heavy swelling at intersections. This jagged style is an advocate for the overall intense feel of the typeface. Cumbre’s bumpy outlines were carefully crafted to ensure high-quality contours and allow large point sizes.

Cumbre is a slanted display type with unorthodox anatomy, a dynamic rhythmic structure, movement expression, and intense visual language. An eccentric rebel with ribbon-like moves, a balanced extrovert that makes meticulous use of ink traps.
Cumbre Sharp has perfectly smooth outlines and sharp-angled terminals, with a blend of curves and pointy straight lines that make this type distinctive in its construction.

PoiL Ueda is a musical creation between the French rock band PoiL + Benoit Lecomte and the Japanese traditional satsuma biwa player Junko Ueda. In the design of the poster for their concert at Neubad Lucerne, we mix mythical symbolism with handmade typography that defies cultural circles and definitions.

Escalope is a hand-drawn font with a quirky and unique personality: low midline, unicase, all-caps, matching icons, textures, and the playful Stylistic Sets.
This poster is set in ‘Escalope Crust Two’, which is harsh in texture, with large coarse grains in its jagged outlines.
Escalope includes a set of 150 icons consistent with the four styles of the typeface. They share weight, texture, and font characteristics for a perfect match.

A connected, glowing type that can be programmed with an Arduino and greets visitors to an exhibition with a “hey”.

Palinopsia (Greek [pælɪˈnəʊpɪə]: palin = again and opsia = seeing) is a type experiment that challenges commonly held notions of legibility.

Circular shapes animate along paths to complete the form of known glyphs, leaving visual artifacts. Since individual letters will never appear complete at any given moment the viewer is required to focus in a way that is foreign to the usual act of reading.

A new kind of reading however can be achieved with a rapid succession of individual letters where the viewer remembers the previous letters to form the intended word. The process is similar to a child learning to read, wherein they read each letter rather than scan words for memorized visual cues.

Sarah Wild promises a dynamic club night with energetic music between acid basslines and piano elements. Such an event needs a poster with wild and playful typography – obviously!

An excerpt from a short video series exploring of the visual language between video game dungeon maps and 8-bit lettering. I use the drawing of a (mostly) single line to transmute the conceptual space between lettering and maps into a single digital object by equating the process of drawing a line with the through navigation of all this dungeon map’s nooks and crannies. In the case of this drawing, I immerse myself in the merged role of micro-cartographer and 8-bit letter to explore these visual cues as a way to hopefully provide a moment of respite, escapism, or ‘visual ASMR’ to the weary internet traveler.

Devastated that Slugs ate my Cabbages, I turned their work into mine. A typeface entirely formed from the natural shapes created by pests.