This poster design draws inspiration from a quote from “Ya Msafer” by Ghalia Benali. It conveys the theme of longing for someone while paying homage to the original singer of the song, Mohamed Abdel Wahab. The title, “Ya Msafer Wahdak wa faytny”, meaning “Oh, Lone Traveler, leaving me behind” is depicted using the typeface I designed, Qaws. The letterforms are intentionally separated and appear to float, symbolizing the emotional distance between the subject and the person they long for.

This personal project explores traditional Egyptian tattoos, reflecting my artistic vision and experiences. Each piece merges historical elements with contemporary expression, using a bold color palette inspired by vibrant folk culture. Modern decorative patterns, rich details, and typography inspired by the hand-drawn script of folk artists bring these motifs to life. Join me on this journey to appreciate the beauty and depth of Egyptian heritage through the lens of traditional tattoos.

This project captures Cairo’s iconic landmarks as vintage postal stamps, blending history and art to celebrate the city’s cultural identity. Featuring the Talaat Harb statue in Downtown Cairo and the Ibrahim Pasha statue in Opera Square, the illustrations highlight their historical significance with intricate details and nostalgic textures. These designs reimagine Cairo’s streetscape, turning its landmarks into collectible symbols of heritage and pride.

This work reimagines the profound wisdom of Rumi’s quote, “You were born with wings, why prefer to crawl through life?” in a modern Kufic scribble style. The abstract, layered design mirrors the tension between untapped potential and self-imposed limitations. The bold, angular Kufic script contrasts with the freeform scribbles, symbolizing the journey from restriction to liberation. A fusion of tradition and modernity, this piece inspires self-discovery and growth.

Contained Infinity is an immersive interactivrartwork that explores the philosophical themes behind Khayamiya, the art of tentmaking. Khayamiya art represents a visual embodiment of the collective identity and shared cultural heritage of the Egyptian community. The fundamental idea is to arrange several geometric, curvilinear, and arabesque shapes symmetrically to depict how everything harmoniously revolves around one center.

In 2020, a simple Eid poster designed during the COVID-19 lockdown evolved into a standout creation. After attending a silkscreen workshop with Qaaf, the “Eid Saed” design caught attention, sparking a collaboration with @jamela_el to transform it into a functional tote. The original “one pound” concept was rebranded as “33 Pound” under @thrtythree_, becoming part of the “ROLL THE DICE” collection. Featuring indoor shoots by @ahmedalarabyphoto and outdoor work by @adrygraphy and @saddam.mky, the

The main inspiring source for me is not only the visual but the overall aggression that stimulates without reason, and from which you cannot hide. I have overcome my initial revolutionary ardour – which was quite uplifting as it addressed everybody – or at any rate found my place between the current situation and utopia.

Cairo in Green is a poster designed as a heartfelt tribute to the city of Cairo. Inspired by the aerial view of its landscape, the creator was struck by the overwhelming presence of red bricks, a sight they found unappealing. This inspired the use of bold Arabic typography to envision a greener, cleaner Cairo. The poster also serves as a symbolic award, honoring those who work to transform the city into a vibrant and sustainable space, free from the dominance of red bricks.

An exploratory approach to design in relation to technology. Focusing on three aspects “Distortion, creation and configuration”. Using different media and tools to achieve these three aspects. The book will be exploring new techniques disciplines and have fun with it. This project will highlight research, process results and personal insights in an organic manner that intertwines within each other.

Alongside the Elbe river, Rana started a research journey during her residency at Kunstlerhaus Lauenburg on rocks and nature. A journey which lead her to explore many mediums for research including: audio, moving image, still image, drawing and writing, as tools for documentation and exploration.
This research project is simply a reflection of her design and art practice and her speculative methodology towards art and design.

This project explores digital immortality, simulating life after death to provoke reflection on this emerging reality. The poster represents its final stage, offering a glimpse into a digital afterlife. The chaotic design reflects the limitless, rule-free nature of digital existence.

Dystopia is an editorial project exploring how humans misuse power and push beyond their limits, questioning the consequences of assuming roles beyond their nature. The book includes six chapters, including “Humans vs. Gods”, which the poster is about, a chapter that delves into real-life crises and human limitations.

This poster emphasizes the undervaluation of designers, challenging the misconception that their work is effortless or insignificant. It suggests that this lack of appreciation may stem from envy or a misunderstanding of their talent, possibly driven by jealousy rather than genuine critique.

Khayamiya, an ancient Cairo-born craft that once adorned tents and pavilions, now faces the brink of extinction. Yet, its dedicated craftsmen persevere, weaving intricate beauty and hope for its revival. “Beauty in What is Hidden” delves into this artistry, featuring French folds with poetic verses co-written with artisans and handmade covers crafted with the tent’s fabric, dak. It invites viewers to see through the craft, unveiling channeled years of practice, experience, and dedication.

Inspired by the iconic folk song ‘Yama Hamamy Sarah’ this handcrafted Khayameya celebrates Egyptian traditional folklore. Titled “Flight of Longing”, this piece dives into the depths of longing and tradition echoing through generations. Central to the design is the silhouette of the Borg Hammam, standing steadfast as a bridge connecting the past to the present, where the song of a single pigeon whispers tales of resilience, nostalgia, and the eternal dance of the human heart.

This postcard collection, explores the intersection of culture and food. Each postcard mimics a recipe card, featuring instructions for preparing dishes. The focus is on Tteokbokki, a Korean dish of cylindrical rice cakes in a sweet chili glaze. This project delves into both the physical and design aspects of cultural cuisine, offering a unique perspective on the connection between food and creativity.

This publication, born Branding Design course, evolved into a three-volume series exploring agriculture and the environment through storytelling. Each volume, 1.historical narratives, 2.challenges, and 3.acknowledgments, connect chronologically through symbolic colors: red for narrative allure, brown for depth, blue for calm, and green for closure. Combining photography and text, it blends editorial and artistic elements, questioning the balance between aesthetics and functionality.

This project is a chaotic personal memoir captured through six moments, using postcard frames and symbolic elements to evoke emotions reflecting each scene. Tied to the Khaat Sakaker typeface, a blend of Arabic calligraphy and personal heritage. They collectively explore themes of vulnerability, family, and grief. Khaat Sakaker serves as both a tribute to home and a reflection of identity, blending sophistication and sentimentality

Last winter in Berlin felt heavy, with tensions rising after the ban on pro-Palestinian protests and a growing sense of division. In this atmosphere, I began noticing everyday objects with a sense of nostalgia, as if they carried new meaning. This inspired my zine, themed “Home,” a collection of objects that tell personal stories. Like a mini museum of memories, it explores how thoughtful curation makes the mundane significant, inviting others to reflect on their own ties to “Home.”