The work represents contemporary form of calligraphy, never attempted before with Gujarati script. This extensive repertoire illustrates how stereotypical typographically-composed texts from poetry are transformed and detached to present a pictorial representation of form. This adds an extended, personalized level of meaning to the expression by methodology: considerations regarding text content, rhythm and depth of language, graphic contrast and coordination of color and grey values.

This year’s unofficial 36 days of type were again a nice reason to come up with a set of characters and try a new technique. I am using magnets on a triangular grid to manipulate ferrofluid, a magnetic liquid that reacts depending on size, distance and polarity of the magnets. Before I actually used the ferrofluid, I sketched my characters on a triangular grid and created a rough preview on Photoshop. In reality, there are different kinds of structures that made me chose this unusual medium.

WF Node is a experimental mono-line, semi-monospace typeface. The anchor points of the construction are used as a stylistic elements. The structure of the letters is turned outwards. The nodes are adaptable in the axis large to small and square to round.

These images are created using physical photographic processes. Through a photographic enlarger, transparent packaging is projected onto light sensitive paper, which then goes through all the chemical processing. No computers are used in this process. All the images are “monotypes” since they are not made from negatives.

Where is the boundary when a letter becomes an abstract form? At what point does an abstract form become a letter? The letter Y turns into a graphic. Graphics become letters.

Book cover for a crime noir novel by Miron Zownir, about a cocaine deal gone awry. Published by Golden Press

These images are created using physical photographic processes. Through a photographic enlarger, transparent packaging is projected onto light sensitive paper, which then goes through all the chemical processing. No computers are used in this process. All the images are “monotypes” since they are not made from negatives.

These images are created using physical photographic processes. Through a photographic enlarger, transparent packaging is projected onto light sensitive paper, which then goes through all the chemical processing. No computers are used in this process. All the images are “monotypes” since they are not made from negatives.

Median is a contemporary typeface that features elements from before the historical differentiation into two alphabets. It embodies an intermediate form, neither uppercase nor lowercase, neither majuscule nor minuscule, neither fish nor flesh, neither man nor woman. Visual references of Median may lie in history (around the 8th century AD); however, the final form exists independently as a reaction to the zeitgeist. This design challenges our binary thinking by blending the boundaries between.

Experiment with letter shapes. Lettering made on the basis of scissor handles.

AKAAR is a typeface combining the worldof the Latin letter and the Devanagari alphabet, rooted in the Indian art of the Warlis tribe, the geometry of the characters evokes both the simple formsof their paintings and the rigor of the West.

This unicase uses the iconic head bar, characteristic of Devanagari, in its ligatures. Each letter is closer to one universe than the other, creating a harmonious, balanced and unique whole.

This project started in 2022, after watching too much sci fi in lockdown and thoughts about what letters would look like in a parallel world. Using a Wacom pen, the letter C was made by mark making and utilising fragments of the curved letter. This idea of fragments and mark making was taken further to create the whole alphabet. Exploring fragments and marks can lead to an innovative typographic design and a deeper understanding of letterform construction.

Visual identity for the Exhibition “Invisible Until It’s Broken” at Künstlerhaus Dortmund.

A mix of digital and analogue technics.

This poster is dedicated to jazz and features a playful vector font. The light and dynamic typeface reflects the free spirit and energy of jazz music, conveying its improvisational nature and emotional richness. Each letter dances like jazz notes, creating a lively and captivating visual composition.

The shimmering font reflects the grandeur and sophistication of Chopin’s music, reminding us of his remarkable contribution to the world of classical music. Each letter gleams like notes played on a piano, creating an unforgettable visual composition.

This poster showcases the delicacy and transparency of a watercolor font, capturing the lightness and elegance of classical music. The semi-transparent letters seem to dissolve into the air, creating a sense of fluidity and harmony. Each word flows like a musical melody, drawing the viewer into an atmosphere of art and beauty.

The experimental brush-written font conveys the rhythm and harmony of musical compositions, reflecting their elegance and emotional depth. Each letter seems to dance to the sound of music, creating a unique visual symphony.

The experimental brush-written font conveys the rhythm and harmony of musical compositions, reflecting their elegance and emotional depth. Each letter seems to dance to the sound of music, creating a unique visual symphony.

This poster is part of my personal project. It’s about how the time passes away, it’s unpredictable and for the creatives is particular hard to manage. Worked over this idea to create a layout that express how time works in my personal experience.

This poster is part of my personal project is about the creative process of looking for new shapes to express, communicate. I’ve worked on a layout that illustrates this process, with is not lineal, it’s kinda messy in a way and unexpected.

“24” is an experimental typographic lettering influenced by Chinese calligraphy.

This work is part of an ongoing project which aims to be presented in the future as an independent self-publication.

Considering the graffiti background of the artist and his path in the field of visual communication, this work is a way of direct expression and stress release after work.

Quick naive lines compose words and under the sounds of music, soothe the mind and wrist from the pressure of daily routine.

Le Tartare is a typeface inspired by the shapes found on butterfly wings.