Gallery Dürst Britt & Mayhew was founded in The Hague in 2015. For each of their exhibitions an art critic or curator writes an accompanying interview or an essay. These texts are printed on handouts. They deem it important that visitors can take away something analogue and tactile that contextualises what they have seen. The handouts have a fix format of an folded A3 and produced through risoprinting. A strict grid sytem and typesize (Patron by Milieu Grotesk) is a reaccuring element within the ever changing compositions, colours, forms and shapes. Resulting in unique expressions while maintaining a unity in the overall sequence. The collection consist over fifty handouts so far.

De Zingende Zaag is an experimental platform for poetry since 1989. A rich collection of publications has been published over the past 30 years. This jubilee edition (#42, 2019) embrases the celebrative character with a 12 meter long flag garland holding the archive of the De Zingende Zaag’s full history (containing newspaper clippings, pictures, presentations, articles, objects, ornaments, references, etc) alternated with photographic representation of all the preceding issues.

144 pages, 170 x 225 x 40 mm. Published by De Zingende Zaag Producties. Printed by Lenoirschuring (NL). Combination of flatbook and leporello binding by Voetelink & Zoon, Haarlem. Awarded Best Book Design 2019.

This self-portrait emphasizes the development of self-awareness and the inner conflict that accompany that effort. It’s created using traditional ink with digital elements.

In the last months I started to challenge me by trying to make one poster a day. Sometimes I just take a song quote and playing around with it. In this poster corona obviously took over and we deal with each other we just the eyes as a connector.

The search for self can at times feel like you are in a hall of mirrors. Realising that the self is illusionary and there is not a centre from where you experience the world means that you can become conscious and experience the world the way it is.

Created in 1974, the Sesc Melhores Filmes Festival is the first film festival in the city of São Paulo and offers the public the opportunity to watch what was most significant on the city’s screens in the previous year.
I was invited by Sesc São Paulo to develop the visual identity of the 46th edition of this festival, using the logo of previous years and designing several pieces of publicity, including the teaser video and the printed catalog of the winners.
Using the language of projection, blurred images are overprinted, while the warm colors bring references to the Brazilian cinema, highlighting its political importance in 2019.

I just sketched around during work on some privat project and thoght this might fit in. The fish is designed by some letters of the font PILOWLAVA (http://velvetyne.fr/).
Hope you like it, if not, please give me some feedback.

Meine große Liebe gilt der Collage – sie ermöglicht mir das Miteinbeziehen des Zufalls, den Moment der Selbstüberraschung und das Schöpfen aus einem schier unendlichen Fundus. Gern kombiniere ich auch Tuschezeichnungen mit Collageelementen. Am Anfang des Arbeitsprozesses steht das Sammeln, Ausschneiden und Ausprobieren – bis ich das Gefühl habe, die Komposition der verschiedenen Elemente stimmt. Später füge ich geschnittene, gemalte und gezeichnete Bestandteile und Ebenen meist digital zusammen.
Farbklänge sind mir extrem wichtig – sie entstehen durch Überlagerung verschiedener Schichten von Acrylfarbe – immer gemalt, pastos aufgetragen.

Let the creativity flow — das Originalplakat wurde anlässlich der Workshops zum Semesterauftakt an der ABK gestaltet und von Hand via Siebdruck gedruckt. Die eigens entwickelte Typografie durchkreuzt dabei die vielen bunten Kreativbereiche und verbindet diese. Im Original wurden die Farbverläufe durch einen Irisdruck erzeugt, wodurch jedes der Plakate zu einem individuellen Einzelstück wurde.

Poster was made for occasion of Exhibition Tomáš Rafa: Extremism Blockade in House of Arts in Ústí nad Labem. Iconic symbol with three flourescent direct colors printed by silkscreen
more info about exhibition https://duul.cz/en/tomas-rafa/
and https://www.instagram.com/p/B5sZzLjHrB6/

“Eyepanic” is a series of posters referring to op-art. Op-art is a style of painting which makes use of optical illusions and other kinds of unusual optical effects. The series is a contemporary form designed entirely in graphic programs and not on canvas.

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It all started with an elephant illustration for a product for children. The project was not implemented – the illustration and the knowledge that the graphic elements that make up the sketch offer a variety of possibilities remained.

The results are colorful illustrations, a font and numerous animations.

https://yasminkarim.de/project/hati

A unique addition to the K11 Art Mall membership program, Uth KLUB is created specially for the Gen Z population in Hong Kong. Focused on providing exclusive art, cultural, and career development experiences, Uth KLUB offers a wide array of privileges with youth appeal.Spotlighting individuality and identity, a series of six personalities were conceived to illustrate the dynamic realm of Uth KLUB. The Foodie, The Fashionista, The Intellect, The Aesthete, The Athlete, and The Techie are experiential embodiments of K11 Art Mall. Each personality is brought to life through vibrant illustrations of symbolic objects representative of the personas.

34 x 46 cm Programme for the Stellwerk Theater of Weimar for the 2018/2019 Season.
The motto of the season was “XXL”, so we decided to exagerate everything, to be loud with the graphics and the type. We used the Elastik font from Benoît Bodhuin as the main font for the programme but we decided to give a voice for each play with its own type and illustration. We streched type, we draw some, and used as well free fonts. The neon orange pantone was used to tigh everything together and was referencing as well the street posters for fleamarket, or to promote sales, where the font is usually stretched in order to maximize the space.

In colors we trust!

A collage made of photography, wildly mixed with different techniques:
– cut
– stamped
– colour inverted

This work is based on my memories and their textures. To construct a new position from various resources including photography and advertisement which i see in my everyday life. I find memories as the chunk of textures which are composed by colours, light, smell, temperature and so on. On my own project, I keep working with these thoughts and ideas.

What happen if colours were in an argument?

Made a lot of failed attempts when painting. While not perfect, the mistakes are actually interesting and can be seen as an art form itself.

“Digital is Dead,” especially now where we have become a binary world, while modern history disappears with the swipe of a finger—and more than ever due to current pandemic precautions. We need to get back to the days of having tangible publications to feel and physically connect with, to pull from your actual bookshelves.

To become equal to the aggressive character of acid, there is no getting away from the strong, almost exaggerated use of full tone colors. With the biting colors and the slightly asymmetrical composition, it is intended to hurt the eyes a little when viewed.
The poster was created as part of the Blankposter project.