Let’s celebrate women’s beauty with flamboyant colours.

Just a publication of events run by PIB, that plays with colours, shapes and gradients with a lost Vistula River in background.

The Guerilla social campaign of 21 Posters created for the 40th anniversary of Solidarność strikes in Poland.
Nowadays the young people fight agains oppression and discrimination by writing 21 postulates for the equality, freedom and respect regardless gender, sex, orientation, religion or race.

Cover for our JUX magazine – a lookbook of senselessness. It’s the mirror a generation dealing with banalities and beautiful things without any depth.

A fun work that shows on how many different ways one can do what I do most of my day: sit on a chair.

Everything is decay. All is passing by, nothing is permanent, all is just temporary. That is okay because it is natural, a fact of life. Through the stimulating colourful treatment (at which I was advised by my 6 year old son) I want to encourage the viewer to accept and embrace this simple fact. The positivity of a yes, a yeah, of an affirming ay is the shared part of both words. For this an RGB-Color-Treatment is the best suitable printing technique. Life itself is rgb, at least we perceive it that way, with our rgb eyes. Life is colourful and constant decay. That’s okay. AyAy.

It expresses my character with drastic contrast that only implements the primary and secondary colors, explaining that some things can be simple but the mind can play it in a more complex way

The faces represent emotions that are often hidden. The viewer is confronted with expressive colors and emotional expressions.

Poster announcing a triple electronic set performed by music producer Martin Stimming featuring Martin Gretschmann (Acid Pauli) and Brian Zajak (Fejká) at Uebel & Gefährlich, Hamburg.

In April 2020 the consequences of the worldly spreading corona virus had hit hard almost everywhere on the globe. Anxiety and insecurity crept in on nearly anyone. I wanted to make a poster that at the same time mirrors / acknowledges this uncanny feeling and at the same time tries to lift the viewer up a little. The poster was always intended to be printed with fluorescent varnish so that the message would also be conveyed in the night. The message as the light in the dark. As a grain of hope, as a means of therapy (some sort of). Graphic design probably will not save the earth, but it can help us to remember that we can.

Global Climate Strikes became a regular necessity in order to remind the politics and the public of the need to change our lifestyle on a fundamental scale. Only a healthy planet can provide us a sustainable home. In order to mobilize as many strike participants as possible we designed BW-Poster templates for everyone, provided as a free download, for unrestricted use: #nomoreemptypromises #socialjustice / One Earth One Strike / Less Work More Earth / Global Climate Strike … Download, print on coloured paper or colour yourself and customize (e.g. by adding handwritten dates). Feel free to placard. Spread the message and create publicity. For more awareness for what’s urgent and what’s good.

I love to work intuitiv. Therefor most of my works have no specific topic or meaning in a conceptual way. But they leave space for unspoken thoughts, random jokes and surprises which always keeps me interested in the outcome. Sometimes even in the process building their own story or twist by working out the colors or the final compositon.

This is a design for a Riso print to play with gradients. Came out beautiful!

For this project I have collected/written 5 types of texts. I asked people what color came into their heads when they read the different texts. With those different answers I made a data visualization per text on posters. This particular poster is the combination of data about a Bible text:

When you offer a meal or a banquet, do not ask your friends, your brothers, your relatives, or your wealthy neighbors, expecting them to invite you in return to give something back. When you receive people, invite the poor, the lame, the paralyzed, and the blind. Then you will be happy, they may not do anything in return for you, but you will be rewarded for it at the resurrection of the righteous.

Signage, we’re not going anywhere.

From photographs, paintings and other types of images produced in a physical format, different digital textures are born that contradict their “origin”.

Stay Creative, a campaign using contemporary imagery and shapes, to communicate inspiration and motivation to young post and undergraduates in a design degree, to carry on and stay creative despite the current lockdown and restrictions covid-19 and the government has caused. The vibrant colour theme represents strength, youth, power and creativity. My own experience of lockdown inspired this project. I experienced a lack of motivation and creativity at the start of lockdown and had major anxiety in my prospects and skills as a graphic designer. It was only once I started seeing passion projects from other creatives that my confidence and motivation came back, which inspired this project.

This piece is inspired by the theme “Fauna and Flora” for a show at Giant Robot Gallery.

Die Neue Vernunft offers strategy consulting for brand and corporate development. With a focus on the individual strengths and a deep understanding of their clients, Die Neue Vernunft helps companies to transform on the long run, sustainable and in cooperation with the employees. Die Neue Vernunft doesn’t stick to buzz words, it is brave enough to create new ways for positive transformation processes. The logo shows the concentration on the purpose, while the colorful gradients are a symbol of the transformation itself.

In my concrete paintings I study the visual suggestion of the third dimension.
An image can float in between reality and illusion. This intermediate area is what interests me.
Cognitive and sensual observations have lots of interconnectivity. The recognition of depth seems to be on a tipping point, while the impression of colours is inexplicit.
Working with spacial and color perception simultaniously I aim to discover and uncover the equivalence of both patterns of recognition.
It forces the viewers to become aware of their conditioned observation. Questions rise like: What do I expect? What do I see because I want to see it? Wat do I actually see?