(see explanation) (feel free to edit)

“De Belijdenis”
From the series “La clé du boudoir”
It doesn’t matter what we believe. What matters is that we are all human beings aiming for love and beauty.

“Roos op mijn schouder”
From the series “Histoire de l’oeil”
The emotional value of hugging eachother is only estimable on the day that we are not able or allowed to.

“Boezemvriend”
From the series “La clé du boudoir”
The emotional value of hugging eachother is only estimable on the day that we are not able or allowed to.

No title
Commissioned by P-Magazine
The emotional value of hugging eachother is only estimable on the day that we are not able or allowed to.

Transformers

Koexistenz beschreibt das gleichzeitige Vorhandensein verschiedener Systeme.

Verstanden wird darunter oft das friedliche, aber unabhängige Nebeneinander zweier oder mehrerer Dinge.

Wikipedia 2020

Technology

We must reimagine how to use technology in our daily lives. The COVID-19 crisis has demonstrated that it‘s impossible to ignore technological advancements as they are continuing to change business models and people’s everyday lives.

Ambivalent Times

Ambivalence occurs when there is a coexistence of opposing experiences and emotions that creates uncertainty.This is a list of antonyms – connotations to the actual COVID-19 crisis – symbolizing the uncertainty and ambivalence regarding the very quickly and very unpredictably changes that took place since the coronavirus outbreak. This Ambivalence will likely linger on for the foreseeable future.

Designpreis Rheinland-Pfalz 2020

Since May 1st, projects from the fields of communication design and media design can be submitted to this year’s competition Designpreis Rheinland-Pfalz 2020.

The main requirement for participation in the competition is a connection to the federal state of Rhineland-Palatinate. Projects that have been developed for a client based in the federal state (the design services may have been provided nationally or internationally) or creative services that have been developed by service providers based in Rhineland-Palatinate are eligible for submission.

Projects can be submitted in the categories Corporate Design, Editorial Design, Digital Design, Illustration, Photography, Moving Image, Communication in Space, Studies & Research.

Students and vocational students of all design disciplines who are studying / have studied at a university or technical college in Rhineland-Palatinate or who are resident in the federal state can also participate in the “Design Talents” section. Semester projects as well as research and final theses (diploma, bachelor’s and master’s theses,) which have been realized at universities or technical schools since January 2018, can be submitted.

As a reaction to the existing restrictions during the Corona crisis, the participation procedure was changed to digital submission only. Likewise, the participation fee will be waived this year.

The state of Rhineland-Palatinate has been holding the competition since 1994 and promotes actively the role of design as an economic and innovation factor as well as a source of inspiration for the economy. The Designforum Rheinland-Pfalz organizes the competition on behalf of the Ministry of Economics, Transport, Agriculture and Viticulture of Rhineland-Palatinate and is the central contact partner for all further questions.

Designpreis Rheinland-Pfalz 2020

Submission deadline: July 31st, 2020
Jury meeting: August 2020
Awards ceremony: November 18th, 2020 in Mainz
Further Information
Submit here!

You Are The Air That I Breathe

My take on “Coexist” was the visual representation of the fact that everything in this world seems to be interconnected. There is a delicate and vulnerable balance between humans and nature that must be kept and preserved. I visualized this principle by using and reinterpreting a quote from the song “The Air That I Breathe” by The Hollies, and visualized it using the system of Fractals, a pattern that reoccurs in our bodies’ anatomy, in nature, and in mathematics and geometrical patterns. To me, to coexist means to understand the symbiosis of technology as a product from humans as a product from nature and how the three influence each other. To coexist means to respect nature.

Mutation

The artworks investigate about what coexisting means nowadays and how our lives are impacted by COVID-19 spread.

Coexisting now means a transformation of our habits, a proper metamorphosis of our lifestyle. Our ability of adaptation and making space for the others – both metaphorically and physically – is key. During this pandemic people are called to mutate their routines, while the perception of life and expectations about the future and totally confused uncertain. Everything is different from what we expected: this pandemic is pushing us to evolve, helping others and the environment around us more than ever, in a completely different way from how we expected.

Balanced together

The image of rocks in a perfect balance comes from the idea of our relationship with nature in order to coexist in the future. The rock in itself is a symbol of strength and resistance, and it’s used by humans to build houses, where we feel safe. Rocks in nature are different from each others in shape and weight, like everything else in this world, like humans. But nature, unlike our society, does not make any discrimination. Even thought they are so different, with patient and dedication, they can coexist in a perfect balance.

[ rock balancing by Andrea Simoncini ]

komma#24

komma#24 revolves around the topic of censorship. Information supervision and surveillance through the government, self-censorship, societal pressure and freedom of opinion. On 160 pages and as a limited edition of 500 pieces the magazine reflects the independence of the editorial staff, which is entirely made up of students, within its content as well as its design: completely autonomous work meets topic-specific student projects, neon green takes turns with colored sections, coated paper intersects with uncoated paper. Freedom meets borders—a bright green, partly shredded Inlay marks the middle of the magazine and divides the showcased graduation projects. The neon green thread of the stitched binding consequently runs through the entire magazine. The way one communicates content as a designer, and how one makes people aware of certain issues plays an important role in today’s society—let’s use our freedom of opinion wisely.

Slanted is giving away 5 x one issue of the magazine komma#24! To take part in the raffle, write an email with the subject “komma#24” and your postal address (for dispatch) to [email protected] by May 15th, 2020, 11 a.m. (UTC+1). The winners will be drawn after the deadline and contacted by email. Whoever takes part in the raffle agrees to receive news from Slanted and accepts the privacy policy. Legal recourse is excluded. We wish you good luck!

komma#24

Publisher: komma Magazin, University of Applied Sciences Mannheim
komma on Behance

Editor in Chief: Selina Vix, Jakob Ostermayer
Editorial Staff: Camie Klein, Alessia Stenzel, Lazlo Weiß, Vanessa Hoffmann, Alina Wagner, Jo-Ana Breisinger
Volume: 160 pages
Language: German
Format: 17 × 24 cm
Colors: CMYK, Pantone 802C
Paper: Igepa: heaven42 & Clair-Rough
Order for free + shipping costs