Together

Step back to zero and think about how we can work together for a slightly better future of coexistence. Times of elbow society should be over. Charity and solidarity are more important than ever before. We need each other, so team up!

Identity between imposition and deduction

Putting together a map of the Ringrastaße in Wien with some of its buildings and some graphs and data about the contemporary migration in Austria, the poster aims at questioning what’s the meaning of monument nowadays. Epitaphs, palaces, cathedrals and equestrian statues were erected in the past in order to assert an identity. Nowadays, in a time where everything get counted and measured, statistic deserves the role to delineate identity. In a post-monarchical and post-ecclesiastical, where power doesn’t (or at least shouldn’t) belong to a single person or restricted group but should rather be held by to the whole population, identity is not an imposition anymore but rather a deduction.

History Is Always Happening

HISTORY IS ALWAYS HAPPENING

As an exercise in word play and text management within a predefined grid systems,
I created an eight column by eleven row grid prior to formulating any textual content.
I had only a vague idea of both the message I wanted to impart and the designs overall aesthetic quality. Mentally roaming around the English lexicon I ran into 16 words that complied with the grid system and formed a simple message that pertains to our current global state of affairs as well as our future efforts to coexist with one another.

WE ARE NOW
INVOLVED
IN A TRULY
HISTORIC
ENDEAVOR
THAT WILL
DEFINE US

PLEASE BE
CREATIVE

Guidelines and Standards for Visual Design

Less than a quarter of a century after the end of National Socialism, Otl Aicher was commissioned to design the “cheerful” XX. Olympic Games in Munich, 1972. He took a systematic and scientific approach, liberating visual communication from national pathos and reducing it to the essential, in the spirit of the Bauhaus: purpose. The manual Guidelines and Standards for Visual Design, completed in 1967, is an astonishingly clear set of rules, a flexible system of colors, forms and writing that allowed Aicher’s team and partners to “play freely” and saved “unnecessary preparatory work and time-consuming detailed decisions.”

Aicher had a comprehensive requirement: everything should be able to be designed. With the results from more than 100 design areas, he succeeded in creating an extraordinary broad effect of the appearance and, in addition, in setting new standards in corporate design. To this day, Guidelines and Standards for Visual Design for Munich 1972 is considered the most successful design project of all the Olympic Games.

Otl Aicher (1922–1991) was an internationally acclaimed graphic designer and educator, renowned for his corporate identity work, visual communication systems, and typography. With concise corporate designs for commercial enterprises, for example the Deutsche Lufthansa, his visual communication system for the Munich Olympic Games of 1972, and in particular as co-founder (together with Max Bill) and rector of the Hochschule für Gestaltung Ulm—an experimental design school in the spirit of the Bauhaus—he achieved a high reputation worldwide.

Guidelines and Standards for Visual Design

Author: Otl Aicher
Publisher: Niggli
Volume: 44 pages
Language Book: German, Booklet: English, French, and Spanish
Format: 22.5 / 63 × 30 cm
ISBN: 978-3-7212-0999-0
Price: € 78.–
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Blurry

How we see ourselves and how we are seen by society is all blurry in these days of a pandemic.
We are the hope for one and a threat to another.
Our vision for the future is blurred.
The ‘big’ picture is blurred.
Life as we know it no longer exists.
Our values and habits are getting different than before.
If nothing will remain the same, how can we coexist the same?
We must change.
We must invent a new way of living. Now!
How is it going to be? It is up to us.

Synco

Synco lettershape, based on OCR, pays homage to Viafont, 1969, by Harry L. Preble for viatron, a producer of OCR machines. It was designed for a London based sportswear brand in 2015. Synco is now ready to be released. However we believe that as a Designer it is important to understand the distinction between a project based on historical references and strict revival methods from which we want to distance ourselves as we consider them to be more archaeological than design-related.

Altiplano aims to commercialize new and original designs. For this reason we are sharing it with our audience to allow designers to take advantage of it using the font or learning type design from observing, modifying and then creating new shapes. Synco is available under the SIL Open Font License.

Open call
Altiplano is looking for talented designers to make Synco project grow, reflecting the typographic needs of our time: character set, design statement, distribution goals, etc. Altiplano is glad to offer educational support, by focusing on method, tools and design during the troubled social distancing times we live in. Please apply by email to [email protected]. Share with us your work on Synco and let’s talk about type!

Synco

Foundry: Altiplano
Design:  Raphaël Verona
Release: soon
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United We Stand

Coexisting means collaborating, if we don’t work together we won’t be able to overcome the challenges we are up against as a society. The message on the poster is the classic motto ‘United We Stand, Divided We Fall’ but only ‘Divided We Fall’ stands because the first part of the sentence ‘United We Stand’ has collapsed, showing the fragility of the concept of Unity.

Mut zur Wut X Compendium

Since 2010, Mut zur Wut has organized poster exhibitions in the public space in Heidelberg, Germany. Within the framework of a competition, an international jury awards 30 posters per year. The winning posters are then exhibited throughout the city.

A collection of the winners from 2010–2019 have now been published in this anniversary catalogue. In line with the the brand name Mut zur Wut, wich translates as “Courage to Anger,” the posters critically deal with social, political and / or personal issues. Their motifs include expressive, bitingly humorous statements on current events, alongside visual memories of dramatic political situations. Uncompromisingly and freely the designers devote themselves to uncomfortable topics, thus pushing the medium of the poster back into the context of the thought and discussion.

Mut zur Wut X Compendium

Publisher: Mut zur Wut
Volume: 313 pages (showing 296 posters)
Edition: Limited to 500 copies
Language: German
Price: € 39.–
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Hang On

Today, holding a little longer has become a daily struggle, the only and most important. By way of claim. Letters with a strong expression, with a spirit of resistance, of unity, where perfection is left aside, and only the message matters in its most primitive state. Alive!

To All Things Alive and Dead, To My Feelings, Your Feelings, Us.

As a totalizer, I want to encapsulate everything I am feeling, thinking, reading, archiving, etc., into what I am creating. I want democratization of language, validation of other forms of inquiry and knowledge. I want interspecies collaboration. I want to convey to the deepest feelings that connect us all. Us as in you, me, the living organisms within this universe, the decaying leaf, the book collecting dust, the portals that take you to other worlds, the things you cannot explain.