EIKE KÖNIG

From January 8th until February 28th, 2020 the Heitsch Gallery presents neon-installations, paintings, and graphic editions by Eike König in the exhibition EIKE KÖNIG—THE PLEASURE OF EMPATHY. After the successful show at Context Art Miami in December, the award-winning graphic designer and founder of the Berlin creative collective HORT will be shown exclusively in Munich. His statements, which he transforms into images and text, reflect today’s digital society, which he examines aesthetically and constructively.

EIKE KÖNIG—THE PLEASURE OF EMPATHY

Where?
Jörg Heitsch Gallery
Reichenbachstr. 14
D–80469 München

When?
January 8th until February 28th, 2020
Tuesday to Friday 10 a.m. to 7 p.m.
Saturday 12 to 6 p.m.

More information

THE OPÉRA

Those in search for the essence of humanity will discover beauty and ugliness, light and shadow on the way towards it. For the eighth time, THE OPÉRA sets out to present the human body as it was created or independently formed and shaped. In their diverse works, the numerous photographers from all over the world once more share the same curiosity to explore human emotions. All of them, some reluctant and observing, others delightedly engaged and orchestrated, act out the great spectacle that is human existence.

THE OPÉRA – Volume VIII

Publisher: Kerber Verlag
Editor: Matthias Straub
Texts: Matthias Straub
Design: Romano Dudas
Release: October 2019
Size: 24 × 31 cm
Pages: 220
Language: English
Workmanship: Gatefold Brochure, 126 colored and 68 b/w illustrations
ISBN: 978-3-7356-0629-7
Price: 45.– Euro
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In a world full of confusion and debates about human identity, one truth always remains: Human beings are bound to their bodies and only their spirit can transcend these boundaries. In this sense, THE OPÉRA Volume VII is once again a search for the constraints on human corporeality and how they can be overcome by means of fantasy and knowledge. The numerous photographs and portraits strive to provide viewers’ powers of imagination with inspiring impulses, in which the narrative of being human is given unconventional perspectives. Since, at the root of art, this truth fundamentally also retains its validity: People are interested in people.

Artists: Agnès Lenglet (France), Anna Ritsch (Austria), Dario Salamone (Italy), Eric Kellermann (Netherlands), Gonzalo G. Bénard (Portugal), Marius Budu (Denmark), Pola Esther (Poland), Julia SH (Sweden), Thomas Sing (Germany) and many others

THE OPÉRA – Volume VII

Publisher: Kerber Verlag
Editor: Matthias Straub
Texts: Matthias Straub
Design: Romano Dudas
Release: October 2018
Size: 24 × 31 cm
Pages: 208
Language: English
Workmanship: Gatefold Brochure, paper,
147 colored and 44 b/w illustrations
ISBN 978-3-7356-0463-7
Price: 40.– Euro
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The magazine for classic and contemporary nude photography returns with a vibrant compilation of the most beautiful works from the field of the most intimate form of portrait photography. In selecting the works, it was important to the editor Matthias Straub to curate a bridge between the traditional approach to the human body and new, unusual perspectives. In the current edition, there are therefore both abstract works and also very classical nude studies. The familiar structuring of the magazine into the five acts of the opera, according to Gustav Freytag, guides viewers through the photos selected as a content-related leitmotiv.

THE OPÉRA – Volume VI

Publisher: Kerber Verlag
Editor: Matthias Straub
Texts: Matthias Straub
Design: Romano Dudas
Release: September 2017

Size: 24 × 31 cm
Pages: 208
Language: Englisch
Workmanship: Gatefold Brochure, bound, 151 colored and 28 b/w illustrations
ISBN 978-3-7356-0396-8
Price: 38.– Euro
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Grafier

Grafier is a variable serif typeface which was released in January 2019, published by Pangram Pangram foundry, founded by designer Mathieu Desjardins in 2016.

Grafier is a serif typeface that rethinks classic design in the digital era. The original source of inspiration was good old Baskerville, an English typeface from the 18th century. But Grafier went its own way and got some unique new features. The most obvious one is uncompromisingly straight serifs, which join inside the letters. This brutal linearity is also supported by distinctive flag-terminals, chopped shapes and squarish punctuation.

The family consists of ten styles: five weights from Regular to Black in two contrast variations. All the styles are also available as one variable font with two axes. Straight letter shapes makes Grafier a good pair for sans serif fonts. The typeface works perfectly in big and medium sizes; low-contrast styles are suitable for short texts as well. In such cases the readability can be improved by using stylistic alternatives that disconnect serifs.

Grafier

Type foundry: Pangram Pangram
Designers: Alexander Slobzheninov, Mathieu Desjardins
Release date: January 2019
10 styles: 5 weights × 2 contrasts
File formats: otf, ttf, web fonts, variable font
Test version available: Yes
Price per style: starting at $ 30 
Price full family + variable font: $ 250
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Daniel Sommer—People Of Rwanda

The journey continues. After we travelled to Kigali, the capital of Rwanda, together with Daniel Sommer in February 2019 and visited different artists, studios and workshops, there will be a solo exhibition of the outstanding photographer at Soda Munich: Daniel Sommer—People Of Rwanda. While the Slanted Special Issue—Rwanda is the result of this collaboration, Daniel Sommer now presents together with Canon Germany more photographs that focus on his personal experience with Rwanda. Carefully produced, printed on pieces of wood and cardboard, as you would find them in the streets of Kigali.

When?
January 11th, 2020, from 5 p.m.

Where?
Soda, Rumfordstr. 3, 80469 Munich

Origen México

This book originates from the most profound love of land and identity. Origen México is a convergence of talents, passions, thoughts, textures, flavours, creative forces, and unique sensibilities with an innate character, inherited from the indigenous cultures that have formed and illuminated Mexican culture.

Structured alphabetically, the book chronicles Mexico’s rich contribution through a curation of subjects ranging from Luis Barragán and Frida Kahlo to Voladores de Papantla and the invention of color television. Giving an overview reflective of the diversity of Mexico’s influence on the world, each subject has a written summary of its unique qualities and impact at large. Imagery and playful color weave throughout in a discovery of thoughtful randomness. The end of the book uses pink carbon copy paper and includes a timeline, offering secondary context to this atlas of illumination.

Origin México honours the inherent beauty of a country and gives immense gratitude to those who have moved us to see further and deeper. All funds from the sale of the book will go to Fundacion BECAR, a non-profit supporting and providing accessible education in Mexico.

The design and curation of Origen México has convinced us very much. The selection of carefully described objects, people and traditions gives a loving insight into this ancient culture and thus conveys knowledge in a subtle, easy to grasp way.

Origen México

Design: Blok Design
Author: Claudia Espinoza García
Editors: Paola González Vargas, Adriana Sánchez-Mejorada
Publisher: Paola González Vargas
Typeface: Inter RH by Robert Huber
Release: November 2019
Volume: 560 pages
Format: 17 × 24 × 4 cm
Language: Spanish
ISBN: 978-607-7896-60-9
Price: 70.– Euro
Buy:  Email [email protected] to purchase internationally

Relaate

Relaate is a multi-genre type family by Alex Slobzheninov. It’s a bundle of fonts which share certain features while each of them is much more independent and unique than it might be expected from a type family.

Each member of the Relaate family is an individual: Elegant serif, brutal slab, and quirky tall grotesque. For now—the family might get new styles in future. All of the fonts treat the family characteristics in different ways which are natural for each genre. It’s easily visible by comparing such letters as a, e, t, f, r—and many others.

This approach gives the Relaate a wide range of use. The fonts are meant to be used together, independently, or in combinations with others. But Relaate is not a workhorse; actually quite the opposite—a specific type for specific projects. Obviously, its main use is headlines, posters, logotypes and other eye-catching display usages. Nevertheless, the Serif version can handle mid-sized body copy surprisingly well.

Relaate

Designer: Alex Slobzheninov
Foundry: Future Fonts
Release: November 2019
Prices: Slab & Grotesque: $ 20, Serif (3 widths/variable): $ 25, Family $ 60
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Contemporary Elderly

Contemporary Elderly is a series of colorized photographs of older people shot by Louis De Belle in the streets of Milano. An insight into the status of senior citizens in modern times, through close-up crops on postures, clothing details and specific gestures, emphasized by the selective process of colorization—a method of manually adding color to a black-and-white photograph. The catalog, designed by Matteo Gualandris, was published on the occasion of the eponymous exhibition.

Contemporary Elderly

Photography: Louis De Belle
Designer: Matteo Gualandris

Text: Maud Marron-Wojewodzki
Release: October 3rd, 2019
Language: English / Italian
Format: 29 × 38 cm
Volume: 32 pages
Price: 15.– Euro
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West-Berlin Graphic-Design

Together with his students at the Department of Design at the Dortmund University of Applied Sciences, Jens Müller researched the history of West-Berlin graphic design. The posters of the Berlin International Filmfestival, the logo of the IFA, the iconic posters of the Sender Freies Berlin or the design system of the Berliner Verkehrsbetriebe, which is still visible everywhere in the city today, are some of the best known examples.

The students met and interviewed numerous contemporary witnesses who reported on the history of many design classics. At the end of the 1970s, for example, young graphic designer Roland Matticzk simply drew the striking paw of the newly founded left-wing newspaper “Die Tageszeitung;” on a beer mat while having after work drinks in a Kreuzberg pub. While Erik Spiekermann and his team at MetaDesign had been working with BVG for years to establish a professional design system. A project that only came to fruition after the Berlin Wall came down and the transport systems of the east and west part of the city had to merge.

West-Berlin Grafik-Design documents in nine chapters the most exciting personalities and themes from the time of the Berlin Wall between 1961 and today. More than 500 different design works were collected for the book—in addition to iconic designs still in use today, the publication also shows numerous works that have fallen into oblivion. Many designers opened their archives for the first time: Volker Noth, the long-time designer of the Berlinale posters, is for example portrayed with much lesser-known works for the Schiller Theatre or the Europe Day. The designer duo Ott+Stein, responsible for the graphic design of local museums, present early works created right after their studies at the Hochschule für bildende Künste. A chronology of the city’s history integrated in the book cover provides the necessary context and information about the turbulent past of West Berlin, a city that no longer exists.

West-Berlin Graphic-Design

Author: Jens Müller
Design: Vista, Düsseldorf
Release: 2019
Volume: 152 pages
Illustrations: 500
Languages: English/German
Edition: 1,000 copies
Print: Offset, Brochure with poster cover
ISBN: 978-3-00-063546-5
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Supernett revised

Supernett by FaceType is now available in three weights, two widths, Uprights and Italics. The handmade family is tailored for large font sizes but also impresses with seamless legibility in small type sizes. The extensive character set supports 209 Central and Eastern European as well as Western European languages.

Supernett is a versatile handmade text- and display-family and is perfect for space-saving headlines. All letters and numerics are available in three variants which alternate randomly with OpenType Contextual Alternates activated. One of Supernett’s key features is “Wiggling jumping letters”: letters jump around the baseline or tilt forward and backwards without a plan. Combine this feature with OpenType Contextual Alternates and let Supernett look truly hand-drawn with a maximum effect when applied to big typesetting. Further features include small caps, glyph alternates, case sensitive forms, fractions, symbols, and more.

Single weights are available for $ 19.90, the family (all 12 styles) is $ 89.–

Supernett Font & Feature Guide

Blank Poster Volume 1—Experimental Poster Book

Blank Poster is an experimental platform where designers and visual creators can create posters based only on a randomly generated word. Anyone can participate in the exercise and the participants themselves choose how they want to interpret the random words and then visualize posters in their own way. Every week, all submitted posters are published at blankposter.com and a new word gets generated.

The goal of setting up this platform was to create an informal visual playground where creativity and experimental design would be the focus. This would allow creatives to try out new techniques and visualize creative ideas without restrictions.

Blank Poster was started in 2014 and has so far resulted in more than 12,800 posters created by people from all over the world. Now they have made their first publication, Blank Poster Volume 1 which contains 700+ posters by 393 designers from 53 countries and 5 interviews with participants.

The publication features posters that demonstrate the wide variety of designs within the online poster archive. Furthermore, it aims at showing the creative potential found in the experimental exercise of doing what you feel like within a short timeframe with minimal guidelines.

Book and more information here available blankposter.com.

Publisher: Blank Publishing
Authors: Anders Bakken, Ole M. Ødegaard
Release: October 2019
Volume: 272 pages
Format: 21.3 × 29.8 cm
Language: English
ISBN: 978-82-691706-0-3
Price: 29.– €
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Slanted Winter Break

After an eventful year 2019, we are leaving for our annual winter break to find new inspiration and ideas for 2020. From January 7th, 2020 we will be available for you personally again.

We would like to take this opportunity to thank our readers, media partners, supporters, cooperation partners, friends, the editorial staff, and all contributors who make Slanted possible in all its aspects. This year we have again experienced and achieved a lot. A big thank you from the bottom of our hearts!

As we scroll through our social media channels, it regularly warms our hearts, because we see that our work is appreciated by creative people from all over the world. That’s why we’ve collected some impressions of the past year here.

Please note that from now until January 7th, 2020 there will be no shipping from Slanted Shop (also subscriptions) and therefore there will be longer delivery times. In the meantime we will gladly accept your orders and process them as soon as possible after our return. Thank you for your understanding.

We wish you all a merry Christmas and a happy start into the new year!

Your Slanted Team

ILLU20—Illustrators Festival

From April 30th to May 3rd, 2020 the ILLU20—Illustrators Festival will take place for the fifth time in Cologne. In the art spaces of the Michael Horbach Foundation in Cologne’s Südstadt, illustrations from various fields will be on display for four days. In addition, guided tours, lectures and presentations by individual artists, as well as discussions and live music will be on the program.

Illustrations can now be submitted online to register for the competition. The closing date for entries is January 31st, 2020. The best illustrators will be selected online by a top-class jury.

Jury members for the ILLU20—Illustrators Festival are this year:
Dr. Petra Hesse (Director of the Museum für angewandte Kunst, Cologne), Michael Heitschötter (Focus Magazin, Hamburg), Sandra Renz (StadtRevue, Cologne), Dirk Schulz (Illustrator), Kerstin Mende (Scholz&Friends, Hamburg).

More information about the event and the application/registration documents can be found here.

The Infographic Energy Transition Coloring Book

The Infographic Energy Transition Coloring Book (IETCB) is a unique visual communication and education tool that uses infographics to engage people of all ages in the conversation on climate change and renewable energy.

Created by Ellery Studio for Creative Strategy and Institute for Climate Protection, Energy and Mobility (IKEM), this award-winning publication breaks down hot topics in climate and energy into an enjoyable activity, helping to understand and absorb information in a fun, refreshing new way. In this newly-launched 3rd edition, The IETCB is reborn with latest facts and figures, and with an additional spread on the global movement Fridays for Future.

The Infographic Energy Transition Coloring Book

Publisher: Ellery Studio for Creative Strategy
Author: Ellery Studio for Creative Strategy / Institute for Climate Protection, Energy and Mobility (IKEM)
Design: Ellery Studio for Creative Strategy
Release: December 2nd, 2019
Pages: 80
Format: 26.9 × 20.5 cm
Workmanship: Produced using environmentally-sensitive printing processes. Softcover, open brochure
Language: English
ISBN: 978-3-9819978-1-1
Price: 25 Euro
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Das Akkordeon

The accordion. Fascinating, diverse and awesome. Unlimited sound colors and endlessly different possibilities in usage—from classical to tango to rock. Are you reading this for the first time? No accordionist would be surprised. Because accordion players often get to hear: “Funny, you play the squeeze box?” or “Do you play folk music?”

No, only a few accordionists still play that today. Now is the time to help people to overcome their prejudices and to show what the accordion really is. An instrument with which one can accompany oneself. The accordion is a multifaceted and wonderful community instrument. The accordion offers the opportunity to experience the most different styles of music. Classical music, jazz, waltzes, tangos, Latin, film music and folk music, just to name a few. It’s so much fun to play an instrument that has that many different possibilities and where the entire timbre can be changed by the touch of a button. But unfortunately many people do not notice this diversity and still dismiss the accordion as an instrument for folk music exclusively.

The 142-page coffee-table book Das Akkordeon is created to show the world what an allround-talent the accordion really is! In order to reveal the haze covering the accordion, the book exclusively contains quotations from various accordionists in order to create an objective point of view. The photographs were taken exclusively in situations in which the viewer is right in the middle. The idea to create honest moments that inspire and convince worked immediately for every player through their own fascination for the instrument.

“Das Akkordeon” is the thesis of Marlene Kobel in her communication design studies at the HfK+G Stuttgart, supervised by Prof. Michaela Köhler and Sarah Chand.

100 Best Posters 19

At December 13th the competition 100 Best Posters 19 (100 beste Plakate 19) starts by unlocking the registration. The deadline (online registration with upload of the designs) is January 20th, 2020, followed by an online pre-selection and, at the end of February 2020, the selection of the 100 best posters by the jury consisting of Michel Bouvet (Paris), Benjamin Buchegger (Studio Beton Vienna), Götz Gramlich (gggrafik, Heidelberg), Julia Kahl (Slanted, Karlsruhe) und Isabel Seiffert (Offshore Studio, Zurich).

The procedure is the same as in the previous years: designers, clients and print shops from Germany, Austria and Switzerland are invited to submit posters covering all topics, formats and printing techniques designed and printed in 2019. The participation is not free of charge (Starting from 50 €, staggered according to the number of posters), students and members of the 100 Beste Plakate e. V. get a discount of 50%.

Starting with Berlin, the 100 best posters will be shown on an exhibition tour at several locations in the three countries starting in the middle of next year. Information about the participation as well as the online archive of all posters since 2001 can be found here.

The visual identity of the new competition is designed by Lamm & Kirch, D-Leipzig/Berlin.

Off the Grid

In Off the Grid, graphic designer Sara De Bondt explores the history of graphic design from the sixties and seventies in Belgium. The exhibition is on display from 25 October 2019 in Design Museum Gent and features a lot of original printed materials, logo objects, book objects and posters — most of them never exhibited before.

The history of graphic design in Belgium is uncharted territory for the most part. Sara De Bondt combines the creations of well-known and lesser-known designers, such as Sophie Alouf, Fernand Baudin, Jeanine Behaeghel, Rob Buytaert, Boudewijn Delaere, Corneille Hannoset, Paul Ibou, Herman Lampaert, Luk Mestdagh and many others in this exhibition.

Off the Grid starts from the iconic 1958 World Expo in Brussels and ends in the early eighties, with the emergence of PCs. Curator Sara De Bondt used her own practice as a starting point for her selection, organising the objects in the exhibition according to ten key principles that are also relevant in her own work: economy of means, format, colour, education, pattern, surface, collaboration, seriality, social relevance and typography.

A large chunk of the graphic design from that era has been lost. Brochures were disposed of, ended up in archives or were shredded. That’s why Sara De Bondt has also interviewed some of the designers whose work is on display, to make their work accessible and to preserve it. Sophie Alouf, Rob Buytaert, Boudewijn Delaere, Herman Lampaert and Paul Ibou discuss their work with her in videos.

Design Democracy

Design Democracy is an online platform that encourages designers to design political and social posters. The posters are distributed by Design Democracy on social media, with deliberately undemocratic hashtags. This way filter bubbles are to be broken in order to counteract the increasing social division.
Those who donate a poster take part in a competition and have the chance to win a publication that deals with design and society.

Design Democracy sets an example for responsible design and wants to point out to graphic designers their options for action. Anyone can engage in civic engagement with just a single poster.

The project was founded in 2016 by communication designer Ravena Hengst. Shortly after the so-called “refugee crisis” the idea arose out of frustration, how few of us from the privileged circle of graphic designers use their skills for political engagement. From this, the urge to do something with graphic design grew. And along with it the wish to show other designers, that one can bring about change with one’s own expertise.

Participation in the project via a form on the website works independently and is free of charge. In just three steps, a poster is submitted. You choose yourself from the previously curated hashtags. After the upload & review the posters will be shared on www.designdemocracy.de and the social channels of Design Democracy.

Team: Johanna Dietrich, Ravena Hengst, Ingo Lemper, Vanessa Stern, Hanna Vogel

Visions of the Bauhaus Books

Johannes Rinkenburger is an art director and graphic designer based in Munich, Germany. He is deeply inspired by early 20th century art history and studied architecture as well as visual communications at Bauhaus-University Weimar. In his book project, Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice, he examined and researched the contents and key concepts of the 14 Bauhaus books, edited by Walter Gropius and László Moholy-Nagy, which were published between 1925 and 1930.

Based on design experiments, new links and correlations are established and methods shown that reveal and apply the legacy of Bauhaus, one of the historically most important design schools worldwide, to contemporary design. In the visual illustrations, which make up a large part of the publication, individual concepts and methods of the Bauhaus books are combined, contemplated on and implemented using today’s graphic design methods and techniques.

Alex Marashian, who served as a guest professor during Johannes’ time at the Bauhaus University, posed three questions to him regarding the book:

Alex Marashian: Johannes, congratulations. You’ve managed to create a visual world that feels fresh and different and strangely engaging. I quickly got lost inside this book. How did this come about?

Johannes Rinkenburger: While researching my master’s thesis, I went deep into the very fruitful Bauhaus Books series (1925-1930). The more I studied it, the more impressed I was with how different the books and approaches were compared to our current graphic design—and how similar. It was so refreshing to see how they achieved their results without any of the means that we take for granted today. And I was surprised at what aesthetic diversity they achieved as a result. In my opinion, it is precisely this aesthetic diversity that is often lost today, largely due to the global hegemony of graphics software. In Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice, I set myself the goal of breaking out of the uniform trend in graphic design and opening up new methods and aesthetics—if only for myself—on the basis of the Bauhaus Books.

It’s one thing to set a goal, quite another to achieve it. What were were the practical steps you took to open up “new methods and aesthetics?”

A key characteristic of work at the Bauhaus was to take unusual paths and explore them for oneself in an autodidactic way. In keeping with this tradition, I learned of all the techniques necessary to realize my ideas independently—for example, the programming language Processing or Cinema 4D. But this means that it’s possible for anyone to discover or invent new visual methods and detach him- or herself from mainstream aesthetics. One of the most important requirements for conducting and designing of experiments is therefore the urge to progress and the strong will to acquire technical knowledge. My publication offers help in this respect—for example through an appendix containing program codes that introduce readers to the the subject’s potential and, I hope, inspire them to go beyond my experiments and develop their own.

Any advice for your fellow designers, especially those just starting out?

Always stay critical about contemporary tendencies, progressive about technology and restless about creating. At the same time, appreciate the past because it never fails to be more contemporary and surprising than you expect.

Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice

Publisher: Niggli
Author: Johannes Rinkenburger
Release: June 2019
Format: 18 × 23 cm
Volume: 256 pages
Language: English
ISBN 978-3-7212-0992-1
Price: 35.– €

BUY HERE

Slanted in Rwanda: Timothy Wandulu

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

Timothy Wandulu is a multi-disciplinary, visual artist who was born and raised in Uganda. After finishing high school and learning more about his Rwandese father, Wandulu moved to Rwanda to meet a side of his family that he hadn’t yet known. Like many of the artists working in Rwanda, Wandulu is self-taught. He is a full time practicing artist since 2009, a tutor and facilitator since 2014 and practicing furniture design with interest in architecture.

The exciting work of Timothy Wandulu can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Timothy about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).

Will Feel Eyes on

The photo book Will Feel Eyes on by Kai Jünemann, internationally renowned photographer, represents a colorful and spontaneous visual diary with 113 photographs taken during his first and intense stay in Teheran, Iran.

From the editorial by Dirk Gebhardt:

“On the street, patterns and signs shape a unique space of non-verbal communication. The Western gaze recognizes them in part by recalling familiar pictorial patterns. Porcelain horses, cheetah prints, and the last supper directly reference the sociological and symbolic significance of the Occident. In combination with the curved writing of Koran suras on pillows, covered hair, and colorful printed fabrics, they develop a new, unknown meaning. To confront Iran photographically, while remaining unaffected by its political dimension, is a challenge.

Kai Jünemann circumvents a personal statement through the coded, playful exploration of visual surfaces. The details, frames, and harsh exposures of his images, cut objects, people, and situations out of reality with the precision of a scalpel. Jünemann’s world is reduced to patterns and rhythms, thereby metaphorically representing the merging and cross-influencing of cultures.

The unusual is so mundane that the familiar astonishes the viewer, who is immediately confronted with the question of his own clichés and habits of seeing. Symbols of status and pride, elegance and banality, power and eroticism collide with each other in a colorful and mixed way, thus forming a cosmos of humanity—comprehensible and emphatic. What was once foreign ground is transformed into home territory, despite or maybe even because of the exoticism of many pictures in Jünemann’s visual Iranian diary.”

Will Feel Eyes on

Publisher: Slanted Publishers
Photographer: Kai Jünemann
Designer: Ulrike Brückner
Volume: 128 pages with 113 photographs
Format: 18.5 × 26.5
Language: English
Specials: Multicolored paper
Edition: 350 copies, signed
ISBN 978-3-948440-03-9
Price: 27.90 € (International)

BUY HERE 

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR is part of the project AUTHENTICITY AND FEEDBACK which discusses future forms of authorship, explores new modes of existence in literature, and culminated in a festival at the ESPACE DIAPHANES in Berlin from the 21st to the 23rd of November. The texts will be presented at the event and will form the entirety of a special issue of the print and digital magazine DIAPHANES.

In the face of fast-changing writing cultures, DIAPHANES is venturing an experiment: 100 authors from the most diverse backgrounds and languages are invited to produce a text of exactly 1,000 words in the first person.

This combined with 41 Photographs by Julian Röder and a Poster campaign present the content for the Website. All the elements are displayed randomly and are seemingly in no connection to each other. The aim of the designers from Studio Last was to built a website tailored to this concept without being random or redundant but surprising.

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR

Design: Studio Last
Photos: Julian Röder
Code: Jimi Alexander Semino

 

I’d write OR The Setting Sun of the Alphabet

The question “Does writing has a future?” is the starting point for contemporary archaeological and experimental research on the subject of writing and its visual appearance. Berenice Gaß, a graduate of the Stuttgart State Academy of Art and Design, examines this important question of the future with her diploma thesis “I’d write OR The Setting Sun of the Alphabet,” which consists of different media.

How will the current writing systems—after their development to the present day—develop in the future? What answers does the chatbot of a so-called “AI”-App give to questions about the future of writing? What influence do time, technology, materiality and scaling have on maintaining legibility? What will remain of today’s digital writing culture in several thousand years? How does translate.google.de interpret the gesture of hand writing inspired by Cy Twombly and detached from content? And what happens if the font developed from it continues to generate “characters” from a font design program beyond a defined point, i. e. into the unknown?

Berenice Gaß’s diploma thesis comprises a dialogue in paperback form (I’d write OR The Setting Sun of the Alphabet), two 3D-printed objects and a silkscreen (Rosetta Stone 2019), a booklet (font relicts), two headline fonts and a corresponding website, as well as a variable font with the parameters readable—unreadable (Cy) and a video (Lost in Interpretation).

I’d write OR The Setting Sun of the Alphabet
Paperback
Design: Berenice Gaß
Volume: 144 pages
Format: 12,5 × 19 cm
Language: English
Material: dust jacket: plastic foil; cover: Caribic 250 g/sqm; paper inside: Holmen TRND 80 g/sqm 2.0;
Print: digital print

Rosetta Stone 2019
Material study on the transitoriness of legibility, comprising two 3D-printed objects and a screen print in 140 × 97 cm format.

Schriftrelikte
Magazine, two headline fonts, and website.
Design: Berenice Gaß
Volume: 32 pages
Format: 31 × 22 cm
Material: cover: Ispira Mistero (black) 250 g/sqm; paper inside: Ispira Mistero (black) 150 g/sqm and metaphor Extrarough Coldwhite 150 g/sqm; print: opaque white in digital print and digital print black + riso print red.

Lost in Interpretation
Variable font and corresponding video.

New Queer Photography

Art, more than anything, opens up the possibility of approaching one’s own sexuality beyond the limits imposed by taboos. Not only does it allow for a risk-free, playful exploration of gender and forbidden desires, but it is unique in capturing its contradictions. Benjamin Wolbergs works as an editor and art director in Berlin and asked himself what a book on contemporary, gay and queer photography would look like. Which photographers, themes and styles would be included in such a book today? He now wants to answer these questions with the publication New Queer Photography, which will be published by Kettler in spring 2020.

We have already asked Benjamin a few questions in advance:

What do you love most about photography? What makes a good photo story?

When it has the power to stand out from this omnipresent flood of images that we are all most of the time surrounded by … which does not mean that it has to compete necessarily through “loudness,” exaggeration, or provovation.

You’re currently focusing on “New Queer Photography”—so is the title of your upcoming publication which is currently being crowdfunded at Kickstarter. How did that happen?

Around three years ago, I was working for Taschen on the layout of a book about physique photography with photos from the 1950s, whose aesthetics and visual worlds were clearly intended to appeal to a gay audience. In the course of this work, I asked myself: what would a book with contemporary gay and queer photography look like? What photographers, topics, and styles would be included in such a book today?

Around that time, I became aware of the works of Matt Lambert and Florian Hetz, and I started to look for other gay and queer photographers. As my research intensified, a universe of incredibly talented LGBTQ photographers emerged in front of me, characterized by a wide variety of different styles and visual worlds beyond clichés and preconceptions. This is how the idea of New Queer Photography was born.

Of course, it’s very difficult to fund such a project. There was not one institution or foundation that supported the project, which is in a way quite distressing. That’s why we, the publisher and I, launched a crowdfunding campaign at Kickstarter. It’s up until December 22nd, 2019, and people can preorder the book for a reduced price.

A sensitive topic—how do you make sure it gets the depth it needs?

I am not sure, if it is a sensitive topic, and I do not want to see it this way which will only put it again in a certain “corner.” I think it is a topic that has to be “told” from many different perspectives and through many different media, and for me as a book designer I wanted to tell it through an art book.

The themes and images in this book were “screaming” to be seen and recognized by a wider audiance so I wanted to bring them literally from the margins into the focus. That’s why I am very happy that I’ve found with Verlag Kettler a publishing house that is not an explicit queer publishing house but has a great reputation in the field of art and photography books.

The most important part was of course to chose the themes and photographers for the book very carefully which ended up in a very intense research that took almost two years.

But also the texts for such a publication are very important and I found with Ben Miller (a writer and researcher from Berlin who is a member of the board of the Schwules Museum, the world’s largest institution devoted to archiving and presenting LGBTIQ histories and visual cultures) a great contributor.

I guess all of these components together—the editing, the writing, the layout and in the end the well chosen publishing house—will give the content of this publication the depth that it deserves.

Who are the photographers featured in the book?

These are some already well-established photographers but also plenty of unknown and less well-known talents. Each of them with a very unique style and visual world. In total, the publication will feature more than 40 contemporary photographic positions which gives the book a certain importance.

Publishing house: Verlag Kettler
Editor: Benjamin Wolbergs
Idea, Concept & Design: Benjamin Wolbergs
Release: April 2020
Format: 24 × 30 cm
Volume: 304 pages
Language: English
ISBN: 978-3-86206-789-3
Price: € 45.– (pre-order), € 58.– (regular)

Pre-order the book now at www.nqp-book.com!

Slanted in Rwanda: Nelson Niyakire

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

We visited Nelson Niyakire, who was born in Burundi in 1990 and started painting when he was 17. Since then, he has been working tirelessly, switching between different media such as painting, sculpturing, installations and photography with a strong presence of materials. His work has been exhibited in Africa and abroad.

The exciting work of Nelson Niyakire can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Nelson about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).