Thonik: Why We Design

In this book, Thonik, the Amsterdam-based studio led by lauded designers Nikki Gonnissen and Thomas Widdershoven, researches eleven personal reasons why they design—from the need to create impact to a constant search for independence; from the benefits of systems to the urgency of play. Additionally Why We Design looks back on twenty-five years of design practice and speculates on the future of graphic design.

Thonik was founded in 1993 and specializes in visual communication, graphic identity, interaction, and motion design. To the studio it is important to create work that sets apart and differentiates, work that sparks discussions and initiates change—one design at a time.

Thonik: Why We Design

Publisher: Lars Müller Publishers
Design: Thonik
Contributions by: Aaron Betsky, Adrian Shaughnessy, Gert Staal, Nikki Gonnissen, Thomas Widdershoven
Dimensions: 17 × 24 cm
Pages: 352
Workmanship: paperback
Release: 2018
ISBN: 978-3-03778-556-0
Language: English
Price: 35,– Euro
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Typeface of the Month: Molto

Xavier Dupre’s Molto font family is a tonal master, creating tenderness in a slab serif and tempering toughness with flourishes. Slab serifs created their original niche by their ability to grab attention and overwhelm, which caused them to be seen as strong, dominant, and desired fonts, especially in advertising. Slab serifs are the result of placing defined edges on something meant to take up an inordinate amount of space, rather than meant to be graceful. Molto updates this concept to allow a greater, and gentler, range in the lighter weights.

Molto’s nine weights are defined by their intended use. The two extreme weights (Hair and Fat) act as display partners for magazines, titles, and posters. The Hair weight is runway ready with its sturdy serifs, breathy internal space, and stable lettershapes that were designed both to perform and impress. Molto’s Fat weight packs maximum punch in a believable way. Its wide and deliberate curves contrast against thin connections and landing strip stems. Molto can be put to perfect use in a fashion magazine using swashy Hair headlines set against its darkest weight.

Molto’s seven intermediate weights, with their classic and legible shapes, are meant for texts of all sizes. The notches on diagonals, distinct numerals, and acute terminals grant benefits from caption sizes up to headings. Molto’s refined light weights and punchy heavy weights set the stage for a swashy surprise — alternate capital letters act as refined garments laid atop its concrete skeleton.

The Molto font family rejects saving space in favour of intensifying shapes, placing maximum weight on the edges for better legibility and impact. Latin-based digital and printed designs will benefit from Molto’s design voice and breadth. This means UI, video, and online text, and print materials like dictionaries, packaging, advertising, and branding can all put Molto’s robust forms to multipurpose use. Molto successfully creates balance in a slab serif design: an opinionated and striking type family, stalwart in captions and exuberant in display, thanks to swashes which add some originality to the slab category.

Molto

Foundry: TypeTogether
Designer: Xavier Dupre
Release: 2018
Format: otf, eot, svg, woff, woff2
Weights: Hair, Thin, Extralight, Light, Regular, Medium, Bold, Black, Fat
Price: 44,10 € per style / 297,68 € the family

You can get a digital specimen here.

Adobe Creative Residency 2019

Working on your dream project for one year without any financial worries? To be supported in the realization of this project? Speaking at conferences and give workshops? To be celebrated by the design community? Sounds too good to be true? With Adobe’s Creative Residency Program, creative dreams really do come true! The next application phase starts today—and we’ll show you why you should definitely join in!

Adobe Creative Residency is a program that allows aspiring creatives to focus on their personal projects for one year and to start a career they’ve dreamed of. The Creative Residents will be supported with everything they need—including a salary, mentoring, access to Adobe software, and much more. But what should you bring with you to become a Creative Resident? And why shouldn’t you miss this opportunity under any circumstances? You’ll find out right here!

Isabel Lea’s typography-led designs show you what it’s like to be young and British today

Isabel Lea, co-founder of ATYPICAL and the first ever Adobe Creative Resident based in the UK, is an art director and designer. Isabel used living in the UK as inspiration for her project BRIT(ISH). The project is an attempt to explore being young and British during recent turbulent years. As part of her creative residency, in which Adobe empowers talented individuals to spend a year focusing on a personal creative project, she’s exploring how typography-led design can respond to a place, its language, and its cultural identity. She develops experimental fonts and designs that depict ideas, words and signs for which there is neither translation nor explanation. Lea supports her work with evidence from social research. Her works celebrate language and identity in an unconventional way.

Inspired? Then join in yourself! Everything you need to know is here!

This year you can apply for the Creative Residency from January 7th until February 7th. As every year, we’re looking for a variety of ideas, people, and projects to adequately represent the diversity of the Adobe creative community. This time, applications will be accepted from Canada, Germany, the United States, the United Kingdom, and, for the first time, Japan.

This year’s selection of Creative Residents focuses on the following creative disciplines:

  • UI/UX Design
  • Video
  • Digital illustration
  • Design (Digital and Print)
  • Photography

Do not despair: If your area of expertise is not listed above, we still look forward to receiving your application. If you take a look at our Alumni Residents page, you will quickly become aware of the variety of areas and styles that have been part of the Creative Residency in recent years. So: Make sure you take part, one way or the other!

Application made easy: Some tips!

Of course, the first thing you need to do is take your time and look at the Creative Residency website and all the help it offers. And then it is important that you really think through your dream project: What is your motivation? What should (and will) the project achieve? Which other material or support are needed? In any case, take your time to prepare thoughtful answers to the application questions.
You can also get further help in the video of Alumni Resident Anna Daviscourt, in which she gives you five tips for your application. And you’ll find many more detailed tips for a good application in the article by our colleagues from Adobe Create Magazine.

What does Adobe look out for?

In addition to the idea behind the project and everything that goes with it, the jury will also consider your creative work to date, flexibility in trying out new things, work experience, and willingness to take on new challenges. As a prime example of a fresh and unusual application that will remain in your memory, here is the application video by Aaron Bernstein, who presented his project concept last year with stop motion animation, audio and photography. And to top it all off, here are a few more questions you should be prepared for:

  • Describe your project, including your goals & what you want to achieve!
  • How does this project build on your previous work?
  • What creative tools are you planning to use?
  • Which workflow would you like to use for your project?
  • How do you plan to share your project with the creative community?
  • What should the creative community learn from your project
  • What are your long-term career goals and how will Adobe Creative Residency help you achieve them?

In addition to answering the above questions, you will need to share three previous projects and links from your online portfolio and/or Behance page. This will give Adobe colleagues a better understanding of who you are as artists. The applications from former Creative Residents Jessica Bellamy, Aundre Larrow, and Rosa Kammermeier are good examples to use as a guide for preparing your application.
We hope that this information will help you to make a successful application & wish you good luck!

APPLY NOW!

Jacques Devaulx. Nautical Works

Five hundred years after the historic French seaport of Le Havre was established, TASCHEN presents a facsimile reproduction of Les premières œuvres de Jacques Devaulx, pilote en la marine, first published by Le Havre-born “Naval Pilot to the King” Jacques Devaulx in 1583. This extraordinary illuminated manuscript, dedicated to the Duke of Joyeuse, collates nautical, astronomical, and cartographic ideas as well as Devaulx’s own extensive notes, observations, and records as a seafarer, hydrographer, cosmographer, and cartographer.

An encyclopedic reference for sailors, as well as a magnificent maritime showpiece for his royal employers, the elaborately annotated and decorated folios are a repertoire of naval and cosmographic tools and techniques, including astrolabes, nautical charts of the Atlantic Ocean, tabular statements of diurnal tides, astrological charts, and measurements for solar altitude. They also gather Devaulx’s volvelles, wheel charts made of rotating parts that are today considered an early example of the paper analog computer. Together, the folios encapsulate the state of knowledge at a time when sailors pushed the limits of sea exploration and offer a glimpse into the practical daily requirements of Renaissance seafaring.

This edition of Devaulx’s stunning document, produced in collaboration with the Bibliothèque nationale de France, reproduces each of the 31 folios in all their brilliant art and science, including the original colorful illuminations, in particular the volvelles. The volume features essays by Jean-Yves Sarazin and Gerhard Holzer, as well as commentaries from a team of experts coordinated by Élisabeth Hébert and Véronique Hauguel-Thill, contextualizing Devaulx’s work with fascinating insights into 16th-century seafaring and exploration.

The editor

Jean-Yves Sarazin (1967–2016) was a curator and historian. After completing advanced studies in history, paleographic archiving, and library conservation, he managed the Directory of French Cartographers at the Bibliothèque nationale de France, responsible for the conservation and restoration of cartographic documents. From 2010 he worked as director of the Department of Maps and Plans at the BnF. He also dedicated his academic career to the history of legal documents, and is the author of the Bibliographie d’histoire du notariat français, 1200-1815 (2004). He passed away on September 4th, 2016, following a lengthy illness.

The authors

Élisabeth Hébert is a mathematician and historian. She is the author of Instruments scientifiques à travers l’histoire (2004), a book about the usage of scientific, geometrical, and nautical instruments throughout the course of history; and Le Traité de Navigation de Jean-Baptiste Denoville (2008), an analysis and commentary of a reprint of Denoville’s nautical manuscript from 1760, which received a prize at the Nuit du Livre book awards in Paris, 2009. She is also President of the mathematical society Association Sciences en Seine et Patrimoine (ASSP) in Rouen and a retired Associate Professor of Mathematics at the IREM (Institut de Recherche sur l’Enseignement des Mathématiques) at the University of Rouen.

Gerhard Holzer studied history and geography at the University of Vienna and graduated with a thesis on the German-Austrian geologist Ferdinand von Hochstetter. Since 1989, he has been curator of the Woldan Collection at the Austrian Academy of Sciences in Vienna and has published a number of papers on scientific history, in particular on the history of discovery and cartography.

Jacques Devaulx. Nautical Works

Jean-Yves Sarazin, Élisabeth Hébert, Gerhard Holzer, Véronique Hauguel-Thill, Marie-Thérèse Castanet, Françoise Doray, Josette Méasson
Hardcover, 27.6 x 39.5 cm, 264 pages
ISBN 978-3-8365-3923-4
Multilingual Edition: English, French, German

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Bringing Color Fonts to Messaging

Color fonts—where font letters can have multiple colors, shapes and texture—are still fairly new. Even though they’ve been around since 2016 many typographers have yet to really experiment with color fonts or even hear about them at all. That said, their use is growing and now being adapted for use in mobile messaging for the first time. The first mobile app to adopt color fonts for messaging is Fontmoji.

Fontmoji uses color fonts to allow people send expressive messages or “fontmojis.” Their iOS keyboard converts messages from iMessage’s default San Francisco font to over 80 available fonts. These color fonts have letters shaped out of birthday cake, balloons, fire, water, chocolate, and pencils, to name a few. Some of these fonts use the older Truetype font format, but most of their available fonts are color fonts, using the Opentype SVG format.

Interestingly, they’ve recognized that color fonts allow fans to engage with their favorite brands. Previous font formats didn’t allow brand logos with complex texture or multiple colors to be rendered into a font—any complex texture or multiple colors would be lost. Now smash hit TV shows like Game of Thrones and Stranger Things to video games like PUBG & Fortnite can be rendered as completely identical fonts.

It will be interesting to see how color font technology further evolves our modern day communication.

Get the App here.

Begel, der Egel

Most children’s books deal with wild animals such as bears, lions and tigers or with cute dogs and cats – Nele Brönner puts the leech into the focus of her latest book. A leech? Right, a leech. And he lives in a veterinary practice, where he pursues his daily work for medical purposes. In the morning he does his gymnastics exercises, then he treats the patients, and in the evening he takes care of the river sand bottom of his glass. That much depends on him, that’s clear to Begel. That’s why he does not understand why he suddenly has to share his cozy glass with the slender leech Ögel. Of course, Begel does not know anything about the huge dog patient and how uncomfortable it can be outside his little home …

A great book printed with bright special colors for small and large readers!

Slanted is giving away 3 issues of Begel, der Egel. To participate, simply write an e-mail to [email protected] til January 7th, 2019, with the subject “Begel.” The winners will be drawn after the deadline and contacted by email. Who participates in the raffle, agrees to receive news from Slanted and agrees to the privacy policy. The legal process is excluded. We wish you good luck!

Begel, der Egel

Illustration: Nele Brönner
Publisher: Luftschacht Verlag
Release: October 2018
Version: Hardcover
Language: German
Format: 19.0 x 25.0 cm
Volume: 32 pages
ISBN 978-3-903081-31-4
Price: € 22,–

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Disappearing Objects

Disappearing Objects is a book, featuring 32 photographs of magicians’ secret tools, hidden between the pages of a short fiction story by american writer Jordan Hruska.

Disappearing Objects
Louis De Belle

Publisher: bruno
Designer: bruno
Dimensions: 16 × 22 cm

Volume: 144 pages
Release: 2018
ISBN: 978-88-99058-22-7
Language: English
Price: 25,– Euro
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Programming Posters

The printed poster, the major medium for visual communication in public space for centurys, experiences fundamental transformations. The “Poster 2.0” is much more than a surface with type, colors and images on it: It is an interactive application, animated, audible, data driven and intermedial. It involves all senses and disciplines. And it melts together graphic design with cutting edge technologies. Watch an expressive process video here.

Designer and educator Tim Rodenbröker teaches Generative Design at Rhine-Waal University in Germany. To prepare his recent course titled “Programming Posters,” he developed more than 40 generative design-systems to showcase the visual possibilities of algorithmic graphic design.

Thank you …

We are about to leave for some christmas holiday and will be back in the office on January 7th, 2019. Thanks to all of you who shared pictures in our social media channels from around, showing the magazine in stores, shelfs, living rooms, offices … Through your awesome online support, we got connected and through this stayed updated about new projects from all of you.

We started Slanted as a blog back in 2004, as a magazine back in 2005. After all these years, the publication has undergone a bunch of evolutions to become a serious, competitive publication in the field of graphic design and typography.

We are truly grateful for your continuous support. Thanks to all the contributors and readers, for your interest in our blog (after more than a year of effort, the new responsive & bilingual website is online finally), social media, and magazine.

We wish you, your families, and friends merry christmas and a happy new year. Let’s think of design as an always evolving process. Let’s recognize the interdependence, power, and influence of our role as professionals, and let it resonate with the world around us and within ourselves!

Typography 39 – The World’s Best Type and Typography

Amidst the sea of design competitions, there is only one that shines brighter, one that’s more clearly positioned, one that doesn’t keep adding disciplines to earn more money, but remains true to itself and its quality aspirations: the TDC Competition of the Type Directors Club of New York. This award results in Typography – The Annual of the Type Director’s Club New York.

It focusses on type and typography and uncovers new talents around the world every year. Furthermore it does not concern itself with the financial assets of the competition and draws participants by low submission fees and the chance to present their work to a genuinely independent jury, who rewards skilled craftsmanship and innovative ideas.

“Awarded for Typographic Excellence” is one of the highest honors a designer can receive and the 2018 annual Typography 39 gathers once more the world’s best type and typography! It shows the lengths you need to go to be world class. And it inspires you on your way there.

Typography 39
The World’s Best Type and Typography

The Annual of the Type Directors Club 2018

Author:: Type Directors Club of New York

Publisher: Verlag Hermann Schmidt

Design: Triboro Design, New York

Volume: 352 pages with more than 500 images and 18 new typefaces

Language: English


ISBN: 978-3-87439-912-8

Price: 69,90 Euro
Buy

Saturday Type Fever!

Saturday Type Fever! NoFoundry invites you to a Type-Marathon on the 11th and 12th of January. For 30 hours, (design) students and typographers from all over Europe will gather at the HfG Karlsruhe to work on their unfinished fonts side by side. Everyone is welcome, whether you have an almost finished font that needs that last push or you want to work on a one-day font project. It's a great opportunity to finally finish that one font that's been sleeping on your hard drive for months!

The event will start on Friday, the 11th at 18:00 and will end exactly 30 hours later, on Saturday the 12th at midnight. During the 30 hours, there will be various talks from type designers and talented students, mini-workshops as well as a creative cool off program. After all the hard work we will celebrate with music and drinks! You will also have the possibility to upload & sell your finished font directly on NoFoundry if you want to. 100% of the profits go to the designer.

Participation to the event and the talks is free for all, and cheap good food and drinks will be available at all times!

The idea of the marathon is to work through the night, however there will be chill areas to rest in for power-naps, and some closeby student appartements open for longer sleep just in case.

About NoFoundry:

NoFoundry was developed by students of the HfG Karlsruhe discussing concepts of contemporary font publication. Under the direction of Professor Michael Kryenbühl and Ivan Weiss we created a platform for the distribution and exchange of student typefaces.

Outside of established circles we aim to bring cross-university attention to student works. Trying to build a network of young type designers we offer you the possibility to sell or show your fonts, buy fonts from other students or to get in touch with other designers.

NoFoundry offers students the opportunity to sell their fonts without the waiver of any rights. You decide for yourself how much you want to charge for your font, and you keep 100% of the earnings. You can also upload early versions of fonts, inspirational drawings, pictures and scribbles. NoFoundry presents all its fonts, drawings, ideas and inspirations on a map. After the upload your font gets its own coordinates on the map, so that it can be rediscovered at any time or be shared with others.

nofoundry.xyz

Slanted in Dubai: Slash

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Nuno has more than 20 years of experience creating and managing brands. In 2012, he established Slash in the UAE, and later in the US, shaping a network of companies and professionals passionate about brands, design thinking, and architecture: The Ripple Collective. Today he leads Slash globally, always looking to fulfill the company’s core purpose; to impact the lives of those who are touched by these brands.

Take a look at the Slanted #32—Dubai to get an idea of Dubai’s creative environment. Additionally you can find several video interviews on our video platform to get a deeper insight in the designer’s thoughts.

Adobe Stock Visual Trend “Touch and Tactility”

In the fast-paced world of the 21st century, only a few will last a long time. Adobe Stock is aware of this rapid change process and has therefore defined six #VisualTrends for 2018, thus creating trend forecasts for brands and artists. These should give them an outlook and a suggestion on how to attract the attention of the consumers.

After “Silence and Loneliness,” “The Fluid Self,” “Multilocalism,” “Creative Reality,” and “History and Remembrance,” the last visual trend of the year 2018, “Touch and Tactility,” which we would like to present to you today, follows at the end of the year. Most of the time we operate devices or look at screens and are unlikely to notice the loss of haptic experiences and interactions, but unfortunately this is the reality. To make up for this loss, Adobe Stock has focused on the theme of touch and feel by creating a selected gallery.

Visual art is more and more about not only seeing the images, but in a certain way being able to “feel” them. Well-known structures such as wet hair or dry grass are emphasized. Also, images of people touching, hugging or kissing each other are receiving more attention. The need for touch and warmth as well as personal relationships are clearly in focus. We are increasingly craving haptic experiences, but not nearly enough is preserved. This trend creates a great opportunity for brands and designers to create something that creates real moments of connectedness. A wonderful way to spoil our neglected sense of touch.

Many people today work all day in a digital world and have more or less lost touch with haptic experiences. But many try to recover this loss in their free time, in which they make something with their bare hands and then stroke it proudly about the product. So in recent years, a huge DIY scene has emerged. As a result of this continuing trend, portals such as Etsy, where the handcrafted products can be sold, have become successful. Your buyers are not only interested in the material they are made of, but also in the development process. Even on TV, this trend is present. At NBC, the show “Making It” was very successful this summer, in which the participants created their own products using simple materials such as paper, clay, wood and felt.

Adobe Stock has therefore definitely hit the bullseye with the visual trend “Touch and Tactility” and the year 2019 will be full of stimulating, new #VisualTrends. For example, we can look forward to topics such as Natural Instincts, Creative Democraty, Disruptive Expression, and Brand Stand. Especially in the digital age, images have a special meaning for brands, to address customers and to respond to them. Adobe Stock has therefore stretched out its antennae and diligently researched to define the new trends.

We are very excited about the Adobe Stock #VisualTrends of the coming year and look forward to exciting ideas for our creative work.

Negotiation Matters

Students from the Berlin University of the Arts and the Shenkar College of Engineering, Design and Art in Ramat Gan, Israel, present the results of a six-month project in which they worked on the topic of difficult diplomatic and political negotiations. The exhibition “Negotiation Matters” shows a poster and an infographics on twelve socially and historically important negotiations of the recent past and present. The poster exhibition will be shown from December 13th to 31st at Shenkar College and then, according to the plan, also in Germany.

The project was initiated by Dr. Wolf Iro of the Goethe-Institut Tel Aviv and the content was supervised by two of the best-known German and Israeli illustrators: Henning Wagenbreth and Itzik Rennert, graphic designer and former member of the comic group Actus Tragicus. The six German and eight Israeli illustration and graphic design students had met in Berlin for a kick-off workshop and were able to talk to experts. The exhibition was conceived by Dekel Bobrov of Shenkar College.

A conference event with leading Israeli, Palestinian and German diplomats and researchers will accompany the event in Tel Aviv on December 12th.

The project was supported by a grant from the Stiftung Deutsch-Israelisches Zukunftsforum.

Negotiation Matters
Poster Exhibition on Critical Negotiations in Recent History

When?
Exhibition opening:
Thursday, December 13th, 2018, 8 p.m.

Exhibition:
December 13th to 31st, 2018
Sunday–Thursday 10 a.m. –10 p.m., Friday 9a.m. –1 p.m.
Free Entry

Where?
Shenkar College of Engineering, Design and Art
Lorber Gallery
Yeda Am 8
Ramat Gan, Israel

Get more information

Social Design

Social design is design for society and with society. As social innovation and on the basis of dialogue and participation, social design strives for a new networking of the individual, civil society, government, and the economy. Social design is thus a response to a global growth economy and its consequences for humans and the environment: The means of production and resources are becoming scarcer, setting off discussions about the need to redesign social systems and living and working environments. Architects and designers have always played a vital role in shaping this social culture.

Social Design thus presents a long-overdue survey of current international positions of interdisciplinary breadth, ranging from new infrastructures to the re-conquest of cities by their inhabitants. Some twenty-seven projects in the areas of cityscape and countryside, housing, education and work, production, migration, networks, and the environment are framed by three research studies that trace the historical roots and foundations of social design and look at today’s theoretical discourse as well as future trends. Social Design features projects such as Fairphone, Little Sun (Olafur Eliasson, Frederik Ottesen), Paper Emergency Shelters for UNHCR (Shigeru Ban) and many more.

Social Design

Publisher: Lars Müller Publishers
Editor: Museum für Gestaltung Zürich, Angeli Sachs
Essays: Claudia Banz, Michael Krohn, Angeli Sachs
Dimensions: 16,5 × 24 cm

Pages: 192
Release: 2018
ISBN: 978-3-03778-570-6
Language: English
Price: 25,– Euro
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Mitteleuropa

From November 23rd to December 21st, 2018, the “Cavò” of via San Rocco 1 in Trieste—Italy, hosts Mitteleuropa: a multidisciplinary project conceived by Studio Iknoki for Cizerouno as part of Varcare la Frontiera #6. An installation composed by eight flags and some limited edition objects to bring forward memories.

Habsburg “Lions”, old and new mythologies, nostalgic dissidence, eurovision idents, a typeface, 8 flags and a gift shop: all of these elements shape our fictional tale of the Mitteleuropa.

The speculative project, between reality and fiction, aims to inquire the contemporary processes of collective narrative and shared beliefs based on a mythology from the past: the one from the Habsburg and the “mitteleuropean” heritage.

2018 marks the 100th anniversary of the end of the Habsburg Empire and the “Habsburg myth” (extensively covered by contemporary authors such as Claudio Magris) seems to be alive more than ever. Not just an historic, literary or cultural event but also a popular and political one, linked to a romantic, nostalgic and idealized past.

The impossibility to imagine new models in todays always changing and uncertain society (but also generally speaking the impossibility to think about new utopias—as stated for example in Bauman’s recent book “Retrotopia”—), made this past and circumscribed experience a sort of catalyst for different visions and ambitions.

Mitteleuropa as a term is ambiguous and uncertain too. It doesn’t only define a geographic or geopolitical area, nor only an historical period. It’s something more. It’s a sort of “floating signifier” whose meaning depends upon the relationships with different material or immaterial elements. And as a result of this condition, through cheap and vulgar oversimplification, it became a stereotype, a sort of fictional and false myth for the masses for conservative political exploitation and commercial and “pop” reasons. However after a more in-depth study of Mitteleuropa as a term, it should be argued that it was more linked with a metaphor of protest, dissidence and criticism of the status-quo. Mitteleuropa should be a discourse in progress for different and contemporary topics.

We have to re-think the nostalgia of the Mitteleuropa, because, as stated by the media and art critic Svetlana Boym (who wrote the seminal book “The future of Nostalgia”) “Nostalgic dissidence is the only antidote against the dictatorship of nostalgia.”

When?
November 23rd to Dezember 21st, 2018

Where?
Cavò
via San Rocco 1
Trieste
Italy

Slanted in Dubai: Ramy Alawssy

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

At ing, they are passionate about inspiring you and helping you to become the best possible maker. They believe in shifting the existing paradigm from consumerism to creativity. They push for this change through an annual creative festival and workshops throughout the year.

Take a look at the Slanted #32—Dubai to get an idea of Dubai’s creative environment. Additionally you can find several video interviews on our video platform to get a deeper insight in the designer’s thoughts.

True Originals

Stuffed with the rarest original adidas® models of the 60s, 70s, and 80s. 32 quartet cards take you through the “golden era of sneakers”– a time when Hip Hop, breakdancing and graffiti made their way to Germany and the term “sneakers” was yet unknown. This quartet features the role models of today‘s retro wave.

An absolute must-have for all sneakerheads, adidas® admirers and style lovers out there. A special piece for every fan of quartet!

Want to win a True Originals quartet? Take part in our lottery! Send an email entitled “True Originals” to [email protected] until December 14th, 2018. When taking part you agree to our privacy policy and that you’ll be receiving news from Slanted via our newsletter. There is no right of appeal. Good luck!

Editor: Marlon Knispel
Publishing house: seltmann & söhne
Format: 6,5 × 10 cm
Volume: 32 cards with 32 super rare sneakers
Language: English
ISBN: 978-3-944721-50-7
Price: € 14,80

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Slanted in Dubai: Elephant Nation

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

A Dubai-based branding and digital agency, Elephant Nation is a group of young, inspired minds from all over the world. They love what they do and believe in doing it well. They share their passion for creating and launching brands. With a multi-platform thought process, their goal is to create meaningful visuals and verbal conversations between the audience and the brand.

Take a look at the Slanted #32—Dubai to get an idea of Dubai’s creative environment. Additionally you can find several video interviews on our video platform to get a deeper insight in the designer’s thoughts.

Review Zukunftsforum Zeitschriften

We were for you on December 4th, 2018 at the Zukunftsforum Zeitschriften, which took place in the Literaturhaus on Salvatorplatz in Munich and was an event of the Akademie der Deutschen Medien. The event focused on “the customer” or “customer centricity.”

German text:

Wir waren für Euch am 4. Dezember 2018 beim Zukunftsforum Zeitschriften, welches im Literaturhaus am Salvatorplatz in München stattfand und eine Veranstaltung der Akademie der Deutschen Medien war. Im Fokus der Veranstaltung stand »der Kunde« oder auch die »Customer Centricity«.

Wir waren sehr neugierig, was wir dort zu erwarten hatten, da wir schließlich selbst Herausgeber eines Magazins sind. Um 10 Uhr begann der erste Vortrag von Erhard F. Heinold, Geschäftsführer von Heinold, Spiller & Partner, um uns ein Update des Zeitschriftenmarktes zu geben und zeigte uns ein recht ernüchterndes Bild der momentanen Lage. In den letzen 50 Jahren hat sich der Mensch zu einem medialen Wesen entwickelt und nutzt im Durchschnitt die digitalen Medien zehn Stunden pro Tag, 1964 waren es nur drei. Das gesamte Medienzeitbudget der Bevölkerung bleibt relativ stabil, obwohl über die Jahre immer neue Medien hinzukommen. Zudem sind die Verkäufe von Zeitschriften und Büchern stark eingebrochen. Doch die nachfolgenden Redner gaben Einblick in ihre Verlage bzw. Strategien, um die Situation wieder verbessern zu können.

Direkt im Anschluss sprach Stephanie Walter, Geschäftsführerin Legal von Wolters Kluwer, darüber wie sie ihr Unternehmen mit neuen Entwicklungen für die Zukunft fit machen will. Bei Wolters Kluwer setzt man auf digitale Lösungen und verabschiedet sich von der »Loseblattsammlung«. Stattdessen arbeiten sie daran ihr Onlineportal immer weiter auszubauen um Online-Verträge und Online-Recherche von juristischen Werken anbieten zu können. Zudem probiert sich Wolters Kluwer in der Entwicklung von Apps und baute eine KI-Abteilung von 40 Leuten auf.

Nach der kurzen Stärkung zeigte uns Klaus Kallenbrunnen, Chief Digital Officer von Martin et Karczinski, dass man sich auf die Bindung seiner Kunden konzentrieren sollte. Angefangen mit der Zielgruppendefinition, weiter mit dem Zielgruppenverständnis um Zielgruppenemphatie zu entwickeln und zur Zielgruppentreue zu gelangen. Wenn man weiß wer seine Kunden sind, kann man sich in sie hineinversetzen und die eigene Perspektive ausschalten. Ein langer Weg, der sich aber lohnt.

Anschließend hörten wir Christian Hanke, Creative Director von edenspiekermann, der sich häufig für seine Polemik entschuldigte, da er der Verlagsbranche mit einem Augenzwinkern vorwarf, dass diese ihre Kunde nicht kenne und appellierte, alte Verlagsstrukturen aufzubrechen, um ein Teil der Zukunft zu sein und nicht durch Mitbewerber abgehängt zu werden.

In der folgenden Mittagspause wurden alle Teilnehmer von der im Erdgeschoss liegenden Brasserie OskarMaria verköstigt. Im Nachmittagsprogramm berichtete Dr. Klaus Krammer, Geschäftsführer vom Krammer Verlag, dass er seine Zielgruppe ganz genau kenne. Es seien Handwerker mit denen das Unternehmen auf andere Weise versuchen muss Umsatz zu generieren. Sehr erfolgreich ist der vom Krammer Verlag gegründete Fernsehsender SHK-TV. Die gedrehten Sendungen werden in einer App für Handwerker ausgestrahlt und geben Rat zu Montage, Produkten, etc. Alles frei von Werbung und finanziert über ein Abonnentenmodell.

Anschließend fand eine Interaktive Workshop Session statt. Es wurden drei verschiedene Workshops angeboten, wobei wir uns für den Workshop »Paid Content: Analyse Best Practices« von Dr. Marco Olavarria, Geschäftführender Gesellschafter von Berlin Consulting, entschieden. Nach einer kurzen Einführung in das Thema und einen Beispiel aus dem Publikum, erarbeiteten wir eine Paid-Content-Canvas. Ein sehr spannender Bereich, doch leider reichte die Zeit des Workshops nicht, um zu einem Ergebnis zu kommen.

Die letzten beiden Redner waren Dr. Benjamin Wessinger, Geschäftsführer Deutscher Apotheker Verlag, und Michael Höcker, Leiter Online Marketing Strategie des Landwirtschaftsverlag. Dr. Benjamin Wessinger wurde von vielen mit großen Erwartungen empfangen, da er seinen Vortrag »Rezepte gegen den Abo-Schwund: Wie der Deutsche Apotheker Verlag die Leser auf allen Kanälen anspricht« angekündigt hatte. Eine seiner Strategien ist es, weiterhin neue Zeitschriften zu gründen, um Leser differenzierter anzusprechen, da die Leserschaft der »Mutter-Zeitschrift« Deutsche Apotheker Zeitung sinkt.

Michael Höcker, Leiter Online Marketing Strategie des Landwirtschaftsverlag, erzählte von seinem Erfolg vom Posting von Traktorbildern in Social Media Netzwerken und hatte damit die Lacher auf seiner Seite. Besonders der Versand von Schweinepreisen per WhatsApp brachte einige Aufmerksamkeit von der Seite einiger Bauern. Einer sendete eine amouröse Nachricht an den Verlag zwecks Kennenlernens eines bestimmten Schweines. Doch Spaß beiseite, diese Beispiele zeigten, dass man mit Kreativität seine Kunden zu erreicht, relevanter Content eine zufriedenstellende Reichweite erzeugt und durch aktives Community Management eine enge Kundenbindung erzeugt wird.

Am Ende des Zukunftsforum Zeitschriften hatte noch einmal Erhardt F. Heinold das Wort und danke allen für die Teilnahme.

Logitech CRAFT Keyboard

Logitech have announced CRAFT, the first keyboard ever with a creative input dial, setting a new standard for computer keyboards. CRAFT looks and feels better than anything you have typed on and offers a whole new way to immediately access context-specific computing tools with a smart aluminum dial. For example, with a touch, tap or turn you can adjust image brightness, contrast and saturation in Adobe Photoshop, or create and adjust charts in Microsoft Excel. Or simply turn the dial to move up and down font sizes in document programs like Microsoft Word. The creative input dial gives you the ultimate control and input at your desk for precision, efficiency and uninterrupted creative flow.

“Our new flagship Logitech CRAFT keyboard is for all of us who spend time creating using photoshop or building powerpoint slides and want to work with greater precision and feel connected to their work,” said Art O’Gnimh, global head of keyboards at Logitech. ”The creative input dial gives you instant access to the functions you need, the moment you need them, allowing you to increase your productivity. CRAFT puts you in your creative element—every time you sit at the desk.”

The touch-sensitive aluminum creative input dial, called the Crown, recognizes the apps you are using and gives instant access to the tools you need. With a slight touch of the Crown you can instantly access context-specific functions—like brush size, brightness, chart type, font size—tap to change the function and turn to change the selected function’s value. Installing custom profiles in Logitech OptionsTM Software maximizes the creative process when working with Adobe Photoshop CC, Adobe Illustrator CC, Adobe Premiere Pro CC, Adobe InDesign CC and Microsoft PowerPoint®, Excel® and Word® (Microsoft functionalities work on PC only at this time). The Crown brings comfort, immediacy and convenience to your creative process and allows for increased two-handed interactions. You can also use the Crown to change desktops, navigate between apps, or adjust volume—and assign one additional Crown function in each of your favorite apps.

CRAFT also features smart illumination with backlighting that detects your hands and adjusts lighting automatically depending on the room conditions. The keys are crafted for comfort, in a full-size familiar layout, with each individual key engineered for stability and precision. CRAFT looks great alongside other premium desktop accessories by Logitech, such as the Logitech MX Sound, Logitech Spotlight Presentation Remote and Logitech MX Master 2S.

Additionally with the touch of an Easy-SwitchTM button, you can switch between—and type on—any three connected devices, whether you are using a Windows® PC or Mac®. Select from either a Logitech Unifying™ USB receiver or Bluetooth® Low Energy technology to connect to your computer.

Want to win a Logitech CRAFT keyboard? Take part in our lottery! Send an email entitled “Logitech CRAFT Keyboard” to [email protected] until December 13th, 2018. When taking part you agree to our privacy policy and that you’ll be receiving news from Slanted via our newsletter. There is no right of appeal. Good luck!

Slanted in Dubai: Martin Giesen

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Born and schooled in Germany, Martin Giesen studied Art History at Heidelberg University. After interning at the Metropolitan Museum of Art in New York and completing a PhD, Giesen entered into a career of university teaching. He has taught in Lebanon, Saudi Arabia, Canada, and most recently in the UAE where he was founding dean of the School of Architecture & Design at the American University of Sharjah.

Take a look at the Slanted #32—Dubai to get an idea of Dubai’s creative environment. Additionally you can find several video interviews on our video platform to get a deeper insight in the designer’s thoughts.

MEGABOOM 3

Ultimate Ears released the new generation of portable wireless Bluetooth® speaker: super-powerful and immersive 360° sound, thundering bass, water, dust & drop proof, and stunning high-performance fabric. It’s the ultimate speaker, redefined: MEGABOOM 3!

Because we like music in every life situation, we are raffling one MEGABOOM 3 speaker in the color“Lagoon Blue”. To take part in the lottery, just send an email to [email protected], subject “MEGABOOM 3” until December 7th, 2018, 11 a.m. (UTC+1) and add your postal address for shipping. There is no right of appeal. When taking part, you agree to our privacy policy. Good luck!

MEGABOOM 3 features powerful, immersive sound. But it’s also carefully balanced and perfectly clear. Featuring Ultimate Ears unique sound processing, it produces audio faithful to the music you love, and at every volume level. In MEGABOOM 3, Ultimate Ears perfected the iconic cylindrical design they pioneered to deliver immersive, stereophonic audio that radiates evenly in all directions. MEGABOOM 3’s extra size and larger woofer create intense bass you can both hear and feel – 50% deeper than BOOM. But unlike most other portable speakers, it’s true to your music. No exaggeration or distortion.

MEGABOOM 3 is built tough and ready for adventure. Ultimate Ears put it through more than 25 rigorous durability tests including 1000s of button pushes, tumbles, drop tests and more. You can drop it, kick it, headbang with it, even spill your drink on it, and your MEGABOOM 3 speaker will take it all like a champ. Rock on.

With MEGABOOM 3 you can play, pause and skip tracks directly on the speaker. Just push for convenient control of any streaming music. Or program and navigate custom one-touch playlists for Apple Music® and Deezer® Premium. Match the moment with the vibes without reaching for your phone.

Get your own MEGABOOM 3 now!