This work explores density through typography, where rigid, grid-based letterforms collide with a chaotic image captured in Ecuador.

This work stems from the idea that being love is a supreme creative act. The typography is conceived to transmit the vibrational presence of love as a state of consciousness rather than a romantic gesture. Each letter embodies an inner, soulful condition that transcends cultural conventions and becomes a universal language. In a context marked by global violence, the piece asserts love as an active, urgent, and political force.

Menu is a custom display script typeface designed for the installation Design Menu, presenting the Innovation Design Studio team of the Department of Design (Faculty of Arts, Technical University of Košice) at Designblok in Prague. In its experimental form, the typeface expands into large-scale letterings that shape the installation’s distinctive visual identity.

“Alien Cereal”, was inspired by a photograph taken at a lab with a coffee machine. The mechanical appearance of the drip tray was also accompanied by a face. This Pareidolia effect prompted me to create this font, as part of my semester project for the course “Experimental Design Basics” supervised by Professor Christian Stindl. This course was all about the iterative process of design, and creating a font from scratch.

Poster for the play “Mistero Buffo” by Italian theater Teatro Comunale. The letters are made of foam sealant.

The poster is dedicated to Shakespeare’s tragedy “Hamlet.” It features lettering made with black paint and a texture created using nail polish.

The artwork depicts a figure playing a flute, formed by the letters “AI”, symbolizing AI’s ability to spontaneously generate music.

The fall of the Berlin Wall, We need no more.

Disabled man is not unable to work. They need an opportunity more than the normal persons.

The world would become a better place when you think we instead of me.

Water is the origin of life.

We can only see pixels landscapes which ancients could actually live in it.

Future is Now.

Choose your mood. Don’t let them choose you.

The ambivalence between readability and fun.

creativity comes from outside/von draußen

To translate the layered, atmospheric nature of trip-hop into a physical, typographic form, there is an emphasis on density and overlapping to reflect Massive Attack’s immersive sound. Through analog processes and material layering, the design mirrors how the beats and vocals drift in and out of the main focus, allowing meaning to emerge gradually from the noise. Materials/tools used :: Gelli Plate, Velum paper, Epson Scanner.

Experimenting is a way of allowing yourself to start again.

Created as part of the Posters x Gaza solidarity initiative, this poster contributes to the collective effort to support Doctors Without Borders through graphic design promoted by ADG-FAD The composition centers on a tree of life constructed through language. Words are woven into form, spelling out a single message: Life for Gaza. Drawing from Palestinian tatreez, the piece reinterprets this ancestral embroidery as a contemporary graphic system, where repetition functions as an act of resistance

No Body Knows uses process-led typography to explore distortion and
truth. A tape-pull technique creates a warped reflection of the type,
drawing on grunge and punk-inspired aesthetics. An ink scrape
highlights the tape as a natural ink repeller, acting as a window through
the distortion. While language appears fractured and unreliable, the
work suggests the body itself remains honest and instinctively truthful.

solit is a sound-based writing system and typeface for the english language aiming to close the gap between spelling and pronunciation.
taking advantage of the fact that when reading, we only perceive segments of letters and our brains fill in the rest from memory, solit leverages the readers’ familiarity with the latin alphabet by combining segments of those letter shapes to new characters that represent sound units.

Interaction with typography on a screen using a stylus, where meaning and motion influence each other through direct touch.

Interaction with typography on a screen using a stylus, where meaning and motion influence each other through direct touch.