Berlin. Paris. New York. These are all places where designer Lisa Deurer is present at Fashion Weeks with her brand LD-13. Somewhere between glossy and punk, her creations are always characterised by the avant-garde. To match this, we have customised a new look that is always loud where it is allowed to be, and takes a back seat wherever fashion and photos take centre stage.
“W Glitch” T-shirt
The “W Glitch” is a limited-edition t-shirt that delves into the interplay between our digital and physical identities, examining the effects when these two realms intersect. The shirt showcases a distorted typographic composition that introduces contrast and tension, yet maintains a harmonious and cohesive fashion piece.
Festival für Neue Musik
“The Festival for New Music” is a two-day event at the Konzerthaus Bielefeld for the free interpretation of classical music in the transition to improvisation and experimentation. New shoes for new paths. The somewhat differently staged admission ticket in the form of a Typo Chuck for a “meet & greet” behind the scenes.
Rise Up
In einem patriarchalem System gibt es keine Gerechtigkeit für Betroffene von patriarchaler Gewalt.
In a patriarchal system there is no justice for those affected by patriarchal violence.
rise up!
knotted wall hanging, 95 cm x 35 cm
rearrange
The idea of the workshop was combining random pocket founds via scanning and editing into posters. The concept of the workshop is from Sandra Doeller.
In the next step the designs were transferred onto scarfs. The most interesting frames of both were picked and then the colors on one scarf was changed entirely and on the other one the color scheme of the original poster was recreated.
The original pocket founds: astrology book, wrapping paper of a lemon fruit caramel, (diamond) card
BABA
Corporate Publishing: Understanding Printing Technologies and Production Processes
The third session of the IGEPA Academy webinar series Crossing Dimensions with the topic Understanding Printing Technologies and Production Processes in Corporate Publishing is approaching on May 7th, 2024.
In the seminar, you’ll learn about various printing techniques and their characteristics and peculiarities. Both conventional and digital printing methods will be discussed, and you’ll gain insights into the respective printing forms and the capabilities of each method.
Katja Kahn will explain how to define and maintain print quality despite different printing methods, as well as how to produce predictably and consistently.
Topics include natural materials and aesthetic perception, fundamentals of print media, and coloration.
You’ll explore various printing techniques, from traditional to digital, and gain an overview of the process.
In the following talk, Julia Kahl will interview three production experts about their daily work routines. Marko Hanecke will focus on sustainable media production, while Mario Drechsler will share insights from the realm of color management tricks. We look forward to practical and stimulating tips!
Corporate Publishing: Understanding Printing Technologies and Production Processes in Corporate Publishing
When?
May 7th, 2024
10-11.30 a.m.
Sign up here for the webinar.
Blinded by Nothingness
While living in a prototype for the typical German small city, K 0105. took several circumstances and moods as an impetus to find mindful methods for escaping the alleged “nothingness”. The concept of the Flâneur served as an act of taking off one’s blinders of monotony and simultaneously finding the unknown beauty in the known cityscape, like the bold “DAS BAD” neon sign on the facade of the municipal swimming pool next door. On the garment itself, it opens up another process of rediscovering.
Kleidografie – typographic exploration of a long-sleeved shirt
Collaborating artists Marie Walser and Louisa Grambole combine their specialities by experimenting with the placement and design of typography on garments. Analog and experimental they explore various methods how letters, words, sentences or even entire texts can be shown on the different parts of a long-sleeved white shirt. Beyond traditional paper mediums, clothing opens up endless possibilities of playing with different materials, textures and the dynamic relationship between text and body.
Zimile
Zimile is the image of an image. She is the visualization of a self-narration. A two-dimensional interpretation of a three-dimensional character of a four-dimensional person. She is confused by her role as a woman. Zimile struggles with her self-discipline to self-actualize in the shadow of fulfillment culture and its disenchantment spiral. She is a typeface, textile pattern, work wear and an attempt at a self-portrait in one.
Experiments in Type
A series that explores the variety of ways type can be utilized in the world of fashion.
MODE D’EMPLOI (photo n°1/2/3) HYBRIDE (photo n°4) MEMORIES photo n°5
Françoise Hoffmann creates original hybrid « nuno » textiles, combining felt –hand-made with a mix of carded wool fibres– and silk. After spending several years learning traditional felt, she then started inventing her own new techniques by playing with textures, materials, colour and prints, as well as her own photographic work, she explores a wide and varied artistic vocabulary.
n°1 Anna Solé
n°2 © Aldo Paredes
n°3 © Françoise Hoffmann
n°4 © Aldo Paredes
n°5 © Françoise Hoffman
Joy Display
Joy Display is eccentric, dynamic and unconventional. It is experimental and multi-faceted. Both the typeface and its earrings were inspired by the expressive hand-letterings and jewelry of the 70s, an expression of queer joy.
Ugly Cute
Ugly Cute is exaggerated in every way: this typeface is wider, more important, better and worse than it has any right to be. Ugly Cute is fantastic, it’s annoying, it’s flamboyant, it is queer. The Ugly Cute Jacket is this typeface come to life – blown up, extreme proportions. A hand-sewn quilted jacket in contrasting, gaudy colors. Huge sleeves, ultra cropped & a collar standing so tall, it swallows its wearer up to the eyes. This ugly cute jacket is one of The most eye-catching pick-me pieces.
AH22
Re-imagined battle jacket, visually inspired from patched vests of various, glorious subcultures.
Content-wise a summary of and homage to the personal garderobe.
Concept-wise a change of hierarchical importance, to value up the obsolete artifacts into the main visual object.
Slanted Magazine #43—Ukraine
This Slanted issue is not about war. Instead, it delves into the lives of remarkable individuals within the creative industry in and hailing from Ukraine, as they endeavor to maintain a semblance of normalcy amidst their diligent efforts. This narrative underscores the inseparable bond between culture and design, raising the question of its feasibility.
During the NEED conference in Warsaw in early September 2023, the Ukrainian delegation motivated the Slanted team to initiate a magazine dedicated to the Ukrainian design sphere, advocating that “better now than never!” Without their invaluable assistance, input, and valor, such an endeavor would have been inconceivable. The editorial policy refrains from producing issues centered on a city or country if physical presence isn’t feasible, as the essence of a place cannot truly be captured from a distance. However, with each new connection established, the palpable tension among individuals becomes increasingly apparent, underscoring the universal impact of current circumstances.
The sheer volume of nearly 1,500 submissions was overwhelming, and the selection process inherently subjective. Despite meticulous deliberations, every decision, formulation, and work runs the risk of being perceived as flawed, insufficient, or misunderstood. The compilation features 20 interviews with designers and creatives both within and beyond Ukraine, offering diverse insights, responses, and perspectives.
Many of the showcased works and texts reflect upon the ongoing war, which has persisted for over two years. Despite this, there remains a glimmer of hope for its resolution, with a collective aspiration for design discourse to eventually transition to other topics. This issue serves as a significant contemporary time capsule, a testament to the profound impact of design, and an expression of Slanted Publishers’ unwavering commitment to this cause.
The magazine features three different covers with artworks by Mykola Kovalenko, Dasha Podoltseva, and Anna Sarvira (no selection can be made).
Also, check out our Limited Special Edition #43; it includes 10 stickers featuring designs by artists from Slanted Magazine #43—Ukraine. Stick your message! #standwithukraine
Slanted Magazine #43—Ukraine
Publisher, Editor, Design: Slanted Publishers
Cover Artwork: Mykola Kovalenko, Dasha Podoltseva, Anna Sarvira
Release: April 2024
Format: 16 × 24 cm
Volume: 224 pages
Language: English
Printing: Offset printing in full color with spot color, Stober Medien
Bookbinding: Swiss brochure with flaps with open thread stitching by Schaumann
Cardboard Cover: ina®star 1S, 330 g/sm
Paper Inside: Condat matt Périgord, 135 g/sm, distributed by Inapa Deutschland, Holmen Trnd 2.0, 80 g/sm, manufactured by Holmen Paper
Finishing: Glossy foil lamination
ISBN: 978-3-948440-71-8
ISSN: 1867-6510
Price: € 22.–
BUY the Issue
SUBSCRIBE to Slanted Magazine
BUY the Special Edition
connected archives
Sweatshirt for „connected archives“ an international collective of like-minded photographers.
22k
Merch, Jersey and Label design for the restaurant „22k“.
10 Jahre Area®
Design for the work jacket celebrating the tenth anniversary of the furniture design store, Area®.
die architektur
Branding and Merch Design for the Architecture Department „die architektur“ of the Kunstuniversität Linz, Austria.
Copyright by Steiermark
Coat design for the pop-up store of “Copyright by Steiermark” the intellectual property of Styrian winemakers from the winegrowing regions of Styria.
Junges Blut
In response to the climate strikes, I delved into the aspirations of the younger generation. Central to this exploration is the tension between self-discovery and forging a new collective identity. Uncovering the influence of generational paradigms, I uncovered youth movements intertwining politics with fashion history. The culmination: three prints and eight outfits, each intricately designed to symbolize distinct themes through fabric patterns and cuts mirroring data visualizations.
Ethereal Angels
Curated and styled by Annie Lian, “Ethereal Angels” is a performance piece featuring handmade chest plates formed from moldable plastic and skirts repurposed from discarded materials. Dancers Sofia, Chloe, and Zeema animate these creations with their fluid movements, infusing the stage with a sense of ethereal beauty. The captivating essence of the performance is skillfully captured by videographer Dan Aragon.
Good Bye
The two-part-blouse is made entirely of fabric handkerchiefs. The inner one is tight-fitting, the outer part is loose and made of pieces hanging randomly. On the fabric are song lyrics, poetry and quotes from various artists that show the range of farewells we go through in life: ones of separation, but also ones to stages of life, ideals or conditions. They can hurt, cling to us or constrain us, but they also shape us throughout our lives as realized via the diversity of tailoring.