Cotton blanket blanket with Ukrainian typography. It’s inspiring text is extremely important in cold and dark times, when missile strike outside your window. It helps to cope with this at home in Ukraine.

Publication for fashion brand Hannes Roether that appears twice a year.
Printed on 60 g/m2 newsprint (24 x 36cm).

Publication for fashion brand Hannes Roether that appears twice a year.
Printed on 60 g/m2 newsprint (24 x 36cm).

In a mother tongue, one finds identity. It is natural, familiar, and easy. A foreign tongue feels unnatural, strange, and clumsy. Everything about a foreign tongue, especially when one deals with East versus West, is alien – alphabet, grammar, culture, and flavor. When one identifies a mother tongue, any other language becomes the “other.”

My Body,
beyond this world
Vibrating Energy
I am more than skin and bone and internal organs
The Universe is represented by me
Personified
A garment, close to my frequency
Rays of sun infuse me
What belongs to me, will simply find me

Part of Words Clothes Expression project
Klasse Roberts @klasseroberts
ABK @abkstuttgart

I was commissioned by Ms. Lauryn Hill to design her merchandise. In the design process I had direct contact with her. Ms. Hill continues to perform at festivals and always offers a wide variety of merchandise. I designed apparel graphics for her that were meant to be a homage to Jean-Michel Basquiat. For this reason, Ms. Hill was illustrated with the simplest means and depicted in combination with handlettering. The 2 dimensional representation made it optimal for screen printing the graphics on

Known for experimental cuts and flexible silhouettes. TONGWANG embracing “reconstruction” as the core concept, the new visual identity balances aesthetics with rationality. The redesigned logotype and BW Gradual typeface reflect the brand’s avant-garde nature. The sustainable hangtag design embodies TONGWANG’s environmentally friendly philosophy. This rebranding effort aims to convey a vivid brand story while preserving traditional fashion techniques and exploring new design inspirations.

Murphy’s Magazine
Apparel Graphic Design, Custom Lettering and Illustrations
Murphy’s Magazine approached me for a collaboration. We worked together to create a small drop of hoodies, sweaters, and t-shirts. Murphy’s Magazine embraces a digital and futuristic aesthetic. While developing the graphics, we focused on using a pixelated grid. We intentionally incorporated rounded corners to achieve a Y2K look and stay current with the zeitgeist. I customized and implemented the “Halo” logo and the Ke

I was hired as a special talent and was asked to design graphic concepts for Calvin Klein’s main line. The Goal was to bring Calvin Klein’s heritage back on the mind of their customers and representing New York. In Addition were Logo Iterations designed.

Regards is a new brand that focuses on high-quality, simple clothing. However, I was asked to showcase the brand differently. For this collaboration, I was tasked with creating a playful T-shirt design featuring an illustration of a rose. It was basically the opposite of what defines the brand. They wanted to prove that they can do things differently and also serve as a platform for collaborations! This collaboration was a big success.

Voor dit project maakte ik live visuals in Touchdesigner, waarbij ik typografie en jachtbeelden heb gecombineerd. Dit door een fascinatie voor de puurheid en concentratie in jachtbeelden. De typografie die live uit deze combinatie van beeld en woorden kwam heb ik op t-shirts gezeefdrukt.

In her research, Hailee Talbot grapples with the similarities of Haute Couture and Catholicism, and their connection to graphic design through harmony, balance, and rhythm. This garment is a manifestation of that research with a circle skirt reading: “FASHION IS RELIGION IS,” with the intention of it being read as both, ‘Fashion is Religion’ and ‘Religion is Fashion.’ The capelet, headpiece, and fabric colors are signifiers of various Catholic regalia.

“Laced” is a revolutionary series that redefines sexuality, reclaiming it from societal norms. By intertwining lingerie with letterforms, it distorts the male gaze into the female, empowering women to own their sexuality. It celebrates intimacy and femininity, asserting our right to autonomy over our bodies and choices. In a world where equality is often lacking, “Laced” stands as a symbol of empowerment and defiance, inviting us to embrace our desires and rewrite the narrative on our terms.

The poem “Einsamer Tag” (1965) by F. Wetzel, set in lead type, served as the starting point for the fabric print. The text, which was initially printed on paper, was deconstructed and digitally transformed into a pattern.

In this series of screen-printed text works I respond directly to Slanted Magazine’s open submission #44. The word FASHION is abused and interrupted with the words FASCIST, ADDICT and VICTIM. Presented in Futura typeface — crossover type of the fashion and art world — the present text works, hanging explicitly from chrome clothesline pegs, are realised via a combination of designed and destructive processes, including screen-printing, stencilling, pleating, cutting and drilling.

The No Talent Studio “Studio Scarf FW23” is inspired by an unclean and blurred scanner aesthetic. Its lettering dissolves and fragments into abstract shapes. The two-tone scarf is made from merino wool and is produced in Germany.

Series of ready-to-wear and accessories blending a minimal aesthetic designed by Studio 5115.

Components:
100% originality +
50% creativity +
50% dyslexia
–––––––––––––––
200% Studio 5115

As a hommage to the jeans with its origins in workwear and todays characteristics of that field, this knit fuses these two worlds together by using the highly durable kevlar yarn as playful tool to „print“ the words wear and we are as a hint to the title. „Priniting“ these words by using heat to partially melt the greyish coat of the kevlar yarn, only leaving a solid black core creates a contrast between washed out grey ground and bold black letters symbolising the to merged worlds.

The fashion collection “Namak-e Safar” (The Taste of the Journey) talks about the distances and made to support the project “Type & Politics – Depoliticizing Arabic Letters.”

For joining different worlds based on a mutual interest in typography.
The designs on display make use of square Kufic letters – in Persian, limited editions in silkscreen, by G.Kat.Berlin. They show the names of Middle Eastern cities, where the Arabic alphabet is originated & their distances in kilometres to Berlin.