In light of the conflicts that our world is experiencing, there are many conflicts over various reasons: race, religion, wealth, etc. Even since the beginning of creation, when man possessed everything and nothing, we have become so accustomed to conflicts that they have become a means of entertainment, whether they erupt between us or by watching them erupt among other beings. Are conflicts the evidence? That we are alive and why do we care so much?

It is a visual diary centered on a cat.
It represents the trust and connection between humans and animals.
Like Schrödinger’s cat, it embodies the inherent uncertainty of existence.
It acknowledges and empathizes with the complexity of human emotions.

It flows like a measured and deliberate stream.
It takes the form of an expansive, unending jazz composition.

It serves as a meditative reflection.
It conveys compassion and a profound understanding of life.
It is the sunlight of the seabed.

Trying to observe the beauty in everything, Even stairs.

The concept of “pattern” in modern architecture reflects a move away from understanding it as an open framework for creative work, instead of turning into a pre-defined geometric container that restricts the designer and distances him from the living system of life and the universe. Here, the spiral symbol with its creative cosmic pattern plays a pivotal role as a carrier of the genes of form and composition, and acts as a framework for the legitimacy of the composition from a cultural perspecti

The poster, created for an exhibition titled “Design by Nature,” showcases student-designed tiles inspired by plants in Cairo. The geometric patterns and hand-drawn botanical illustrations emphasize the fusion of art and the environment. The bold typography and structured layout effectively convey the exhibition details, creating an inviting and visually engaging design that highlights creativity

It is a contemplative call for a personal situation that invites adaptation and reflection on the surrounding environment.

The poster “FilBalkona” is designed for the imaginary Music Festival in Balconies in Egypt, capturing characteristics of the Egyptian culture in balconies. The poster was selected among the Hundred best Arabic poster 4th-edition and Cairo Prints, 4th-Edition.

The artist reflects his spiritual love for nighttime, as it provides him with a moment of peace to process his thoughts about the day, his emotions, or even life in general, offering him comfort, and vision.

The poster is inspired by Egyptian Islamic art.

The *Gelbab* project is designed to inform and inspire youth about the cultural significance of galabeyas from across Egypt. Through visually captivating animated videos and legend map posters, I bring to life the unique stories behind galabeyas from Nubia, Assuit, Coptic and Islamic traditions, the Delta, Wahat, and Siwa. This project aims to break stereotypes surrounding traditional clothing, making heritage accessible and appealing to a modern audience while preserving its essence.

رحلة خلال شوارع القاهرة و الاسكندرية

This project showcases a branding proposal for ArchiveLab, a new addition to Cimatheque, an alternative film center in Downtown Cairo. The logotype and branding thoughtfully integrate subtle elements inspired by both the Archive and the film industry, emphasizing the interdisciplinary essence of the Archive and its unique role in the cultural landscape.

The poster, created for an exhibition titled “Design by Nature,” showcases student-designed tiles inspired by plants in Cairo. Its vibrant green background reflects the theme of nature, while geometric patterns and hand-drawn botanical illustrations emphasize the fusion of art and the environment. The bold typography and structured layout effectively convey the exhibition details, creating an inviting and visually engaging design .

Purple Brain is a block-printed picture book featuring a collection of short poems and stories told from a melancholic perspective, paired with whimsical illustrations. It’s a year of dedicated craftsmanship, as every—illustration, carving, hand-printing, and binding—was completed manually by a single artist. The first edition consists of 20 copies, and we are currently seeking a publisher to bring the project to a wider audience.

This triptych explores the experience of growing up in Cairo, a city pulsating with energy and noise. It reflects the inescapable rhythm of a place that never stops, where stillness is a rarity. Cairo’s relentless energy serves as both a backdrop and a shaping force of one’s identity, highlighting how the city’s constant noise is intertwined with the personal journey of growth.

It is a satirical interpretation of the popular saying ‘Eating, grazing, and lack of craft.’ This artwork visually critiques the concept in a humorous and thought-provoking manner.

Cairo in the morning, where love blooms in silence. Amid the crowds, fleeting glances hold untold secrets. Love here mirrors the city—crowded with contradictions, vibrant yet hidden, beginning and ending quietly.

It is a satirical interpretation of the popular saying ‘Eating, grazing, and lack of craft.’ This artwork visually critiques the concept in a humorous and thought-provoking manner.

This poster documents the results of a design experiment that features letterforms created from grid patterns. The creation of letterforms is inspired by intricate grids derived from the landscape of Cairo. The design experiment celebrates the city’s visually rich patterns, through the use of urban elements that inform and enrich the design.

The artist was studying how to illustrate using only ornaments and also learning how to create bilingual calligraphy—writing in both Arabic and English in the same style without using a matchmaking technic.

The poster represents the Egyptian movie “Yawm Min Omri”, capturing the essence of love of Zubaida Tharwat and Abdel Halim Hafez and reflecting the film’s theme through the contract of black, white and red. Poster was selected among the Hundred Best Arabic Posters – 4th edition.

The idea is that when the screen turns black, you see your reflection on it. The artist was reflecting his feelings about doomscrolling for too long as a way to escape his dark thoughts. However, when he closes his phone, it ends with him seeing his reflection—depressed and sad—yet his thoughts remain.

Cairo’s nights, where each sunset begins a new tale. In this restless city, lives intertwine in fleeting moments that could last seconds or stretch into a night of endless encounters. The streets whisper secrets, strangers cross paths, and stories unfold under the cover of darkness. Yet, as dawn arrives, the rhythm resumes its monotony, and the magic fades. Under a sun that spares no one, we wake as strangers once more, bound by a city that forgets, yet holds us in its grasp.

Last winter in Berlin felt heavy, with tensions rising after the ban on pro- Palestinian protests and a growing sense of division. This atmosphere made me notice everyday objects differently, with a sense of nostalgia that brought new meaning to them. This inspired my zine, a collection of objects around the theme of “Home.” Each piece tells a personal story, like a mini museum of memories, inviting others to reflect on their own connection to objects and what “Home” really means to them.