When you look at this poster, you are a free bird that flies over a free Ukraine. You can see steppes, mountains, and rivers. You can fly very high or go down and almost touch the ground. You can speed up so the image below will blur or slow down and hover above the ground, examining all the tiny details.
This poster is a flight of your imagination that can last as long as you want.
The new jersey for Stuttgart Art Academy’s football club was designed using a fully typographic approach. A white jersey, custom letterings and numbers form the teams identity.
The longest journey typographic illustration for a fashion show
Gold swim wear typographic illustration for a fashion show
3VC typographic illustration for a fashion show
This project extends the idea of a T-Shirt to all the letters of the alphabet.
This project was Haocheng’s research during his time in Belgium. He seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Through collaborative efforts, Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu to push the boundaries of experimental design.
All Knit, No Quit on these custom Crew Socks made for the Designer who knows that (Point) Size Matters.
I created this bandana as a way to stay optimistic about the future. We were living in a time where masks were essential to everyday life. But I was hopeful there would be a future when we would not need them. This bandana was designed to have a life beyond the pandemic and could be worn over your face, around your neck, on your head or simply displayed as art on the wall.
This project was Haocheng’s research during his time in Belgium. This project aimed to explore body consciousness. It seeks to explore the dynamic visual language of bodily movement, capturing the structure between typography and the human form, while also delving into the emotional resonance of bodily expressions. Haocheng engages in cross-disciplinary exploration, collaborating with costume designer Bingyan Wu and model Anna Potsiluyko to push the boundaries of experimental design.
Keep yourself, your friends, your family and your pets(?) warm with this eye-catching tricolor scarf. Displaying its potential of detailed and varied glyphs, BT Flimmer adorns this scarf with its unique letters. On one side the letters are upscaled and are only shown in fragments. On the other side the full name of the Typeface is written out. The tricolor scarf is knitted with green, white and black acrylic yarn.
Woven typographic handmade rugs, as part of a campaign to raise awareness to the polluting fashion industry and Shopping addiction during Copenhagen Fashion Week.
The campaign took place in ILLUM, A shrine of consumer culture and shopping, located in the center of the world’s longest shopping pedestrian street.
read more here: https://rotemcohensoaye.com/FASTFASHIONKILLS
One year anniversary T-shirt design for the German record label TAU using a beta version of my custom typeface UNKNOWN. T-shirts are purchasable here. Photography by Felix Krüger.
The name ACUS is an inverted word SUCA, which stands for the Italian expression for suck (blowjob) originally from Sicily. The logo was founded from the process of creating denim shorts. Buying vintage original denim jeans at a flea market and then shortening them into sexy shorts
We’re very excited to announce our new Call for Submissions: our next Slanted Magazine #44 will be dedicated to the topic of TYPE FASHION!
Slanted Magazine #44—TYPE FASHION explores the intersection of typography and fashion. We’re seeking submissions that push the boundaries of conventional design, embracing cutting-edge typography as a dynamic canvas for fashion expression.
Rüdiger Schlömer is a graphic designer, educator, and book author based in Zürich. With Typeknitting, he explores the typographic potential of hand knitting techniques. As a dialogue between digital typography / type design and the analog craft of knitting, this results in knitting patterns, posters and typefaces. His book “Pixel, Patch und Pattern. Typeknitting“ received a Certificate of Typographic Excellence from the TDC New York. He gives workshops in schools, museums and knitting festivals.
Recognizing the falling off of genuine kindness in today’s world, Fight for Kindness is a global initiative calling upon the design community to harness the power of typography to promote the values of kindness. This project converges art and empathy to illuminate kindness, peace, trust, inclusiveness, and ethical integrity.
In its third edition of the non-profit Fight for Kindness campaign, TypeCampus urges any kind of visual designer to use typography to promote kindness values globally. Recognized for its impact, this award-winning initiative promotes typographical messages to inspire concrete forms of kindness. Sponsored by the Italian type foundry Zetafonts and with the support of the co-partners Cosimo Lorenzo Pancini, Francesco Canovaro and the TypeCampus team, Debora Manetti carries out this project alongside the talented designer Shrishti Vajpai, struggling every day with the time zone between Florence and New Delhi.
The success of this campaign is further attributed to the enthusiasm of the design community and thanks to the invaluable support of notable partners including Type Directors Club, C2Awards, Communication Arts, Indigo Awards, Typeroom, People of Print, Farmani Group, Hadath Alkhatt, the European Art Directors Club (now part of The One Club) and many more.
TypeCampus annually promotes a multi-location exhibition of selected posters to celebrate World Kindness Day in early November. The complete contributor’s catalog will be released in early 2025. Fight for Kindness seeks to demonstrate typography’s remarkable capacity to convey potent and transformative messages.
Be part of Fight for Kindness, let’s celebrate kindness together!
Fight for Kindness: The 2024 Call for Typographic Messages Is Open
When?
The deadline for submissions for the 2024 edition is May 31st, 2024.
Where?
Exhibitions will be worldwide, early in November.
Credits: Tina Touli, Emiliyana Kancheva, Bhoomi Mistry, Victoria Englund, Nathan Bell, Leagas Delaney Italia, Daniel Caetano, Akshita Chandra, David Jon Walker, Amer Alissa
DRP is a festival that celebrates urban culture and takes place in Paris. For this occasion, they ask Marc Armand to create the poster for the event. He decides to pay tribute to urban fashion and draws inspiration from the iconic fabrics and materials that compose it (jacquard, puffer jacket, all-over monogram), and creates various DRP logos. Laura Le Gal then develops these logos both as motifs and patterns on different materials to create a sort of clothing market heap.
Emerging out of a font designed especially for MIGLĖ by the Berlin-based graphic studio Hanzer Liccini, Letterchain is a collection which fuses jewellery with typography: a classic curb chain metamorphosizes into letters and symbols to form names and words.
Available in silver and gold, three customizable jewellery pieces – necklace, bracelet and earring – come with the dowloadable Letterchain font, combining the digital and the analog.
Rizo Masr is a risograph printing service based in Cairo. 40MUSTAQEL was tasked with the visual identity and branding for the studio. The name, translating to “Rizo Egypt”, draws from the typical style of company names in Nasserist Egypt and the nationalization of foreign companies at the time, adjacent to the introduction of the risograph printing technology in Japan. The typography is inspired by the style prevalent in cinema posters and tv title cards during that era.
Design for german indie band KYTES. Part of their merchandise collection from the “To Feel Something At All“ Tour 2024. The artwork is based on a typographic approach and plays with the attributes of classic football merchandise.