This piece recreates the apathy of a person and the lack of connection outside the mobile / TV screen.

Inspired by the precision of a ruler, the Scale typeface embodies the principle, “If you cannot measure it, you cannot improve it.” This font also serves as a measuring tool, with each character capable of representing a unit of measurement—be it 1cm or 1inch. By enabling precise measurements through its characters, Scale supports both creative and practical applications. Beyond its beauty, the interactions it encourages during use uncover deeper meanings, enhancing understanding and performance

Anger is a difficult emotion to express, particularly for someone who has always been shamed or even threatened for showing it. This work serves as a powerful means to articulate this emotion through carefully crafted typography and bold statements. At the heart of this piece, the depiction of animals amplifies the ability to channel and express emotions, emphasizing the theme of strength.

The Cyrillic letter “b” is hand drawn with marker and a pencil. This in an ode to the creative process made by hand.

Kukhva means flower pot in Ukrainian. That’s what the author named his font, inspired by the violets (the flowers) in his mother’s garden.

Anti-Alphabet – a study on subjective and abstract visual language inspired by the shapes of letters.

A person should experiment for fun.

Inspired by the letterforms adorned with spiraling swirly roots and leaves in “Kunstrichtige Schreibart,” a seventeenth-century German calligraphy publication. The graphic is a altered version of an almost unreadable capital “E” (of “Experiment”) that appeared in the book. The letterform was scanned, photocopied, then rescanned again while rotating the printout in the direction of the spiraling ornaments, with the distorted end-result showing visible traces of analog and digital editing.

Poster for Intangible Festival a festival about art and tecnology

The Designers Task was to create an article on a topic relating to mistakes while incorporating “mistakes” in the typography and choose to make it about videogame glitches. To match the topic the designer used ascii art for illustrations and Textboxes.

TG – Vienna Type is a project about gates in Vienna and how their function became more important than their appearance over time. As a result, a font has been created that consists of components extracted from gates in Vienna, based on a grid system, resulting in a flexible visual system.

Catalogue and exhibition about Maria Sanmartí, a mid-20th century painter. Mother of the painter Antoni Clavé, she was highly recognized in Europe and in our country, but was absurdly forgotten. In this project, we have sought to create a dialogue between the created identity and the irregular forms, as well as her innocent and carefree brushstrokes.

Scroll is a manually created experimental typographic book that reflects the amount of time we spend on social media platforms every day. The book reflects on this scrolling. The total time spent is represented by the weight and thickness of the book – it’s like an encyclopaedia, and the momentary attention is represented by the fact that we can ‘read’ this book, scroll through it, in 5-10 seconds – just like we do with an Instagram reel.

Paris brutal typeface, shifted, destructed system.

States grotesque
States G works with the ever-relevant quirky elements of early american grotesques which in the
process of visual synthesis were tamed to the perception and expectations of modern spectator.
During reserach, while prawling late 19th century type specimens my attention got caught by
“bitten” letter t. Just about time when in the capital of United States Statue of liberty got erected,
dosens of various type foundries were struggling to come up with best serifless font.

Difraccions is an experimental music festival for which we have designed the visual identity. In 2023, the festival revolves around reinterpretation. Inspired by concrete poetry of the mid-20th century we created dynamic forms that interact with the theme of this edition.

Helvetica is considered to be the perfect font. However, is perfection possible? Is there a one and only one answer to a question? What if we consider all possibilities. This font is the result of using all the different weights of Helvetica at once. A vain effort to find the grey between the absolute white and black.

I let KI do all the work and extracted a set of glyphs from dall-e and playground AI. EEVA is for juicy headlines for crazy album artworks, cool shape patterns for your next publication or make funky posterstuff for your BFF’s birthday party at the secret location next week – 

This is an experimental typographical cover with Bulgarian letters for a poetry book.

The town hall butt — Numerous stone sculptures are characteristic for the historical town hall in Bardejov. They go also alongside the renaissance oriel, where you can find the most bizarre one — a little boy with his head between his legs, protruding his naked butt into the square.
According to a legend, it was a peculiar revenge on the town council for refusing to pay the builders of the town hall even though they had done their work well and on time.

The store opening graphics prepared for the Sneaks Up brand, titled ‘Sneaks Up Coming Soon,’ announce the news of their upcoming store openings to their target audience with powerful typographic illustrations carrying traces of sneaker and street culture.

Large, smiling face emoji with overlapping generative letter S. This composition creates a dynamic and engaging visual narrative, blending digital culture with traditional typographic elements. The work reflects the emotional and expressive power of emojis in contemporary communication.

The Creativity Workshops (in Portuguese: Oficinas de Criatividade) at Sesc Pompeia have existed since the beginning of the 1980s with the aim of democratizing art through courses on a wide range of subjects: from carpentry to embroidery; from comics to analogue photography. The whole visual identity is based on the word “workshops”. Written in a font with features that allude to the architectural design of the space, several copies of the word were printed, cut, pasted, burned and reconstructed.

A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.