A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.

A simplistic approach towards recreating the virtuoso and his legacy – in the series I explored both typographic approach alongside with symbolic compositions. Evocative compositions and dynamic music notations coming out of the master’s fingers.

This is the 8th-anniversary event of Shenzhen Museum of Contemporary Art and Urban Planning. The architect personally attended the event to communicate with the project party and discuss the review and exploration of the project. The poster design became a part of the space. Using mirror paper to emphasise the reflection of the theme ‘ reflections ‘ and architectural elements. The mirror poster can reflect the sky, echoing the name of the architect’s company name which means blue sky in German.

Futuristic marks from an ancient time. Brought up from the sand of Memphis, 18 kilometers south of Cairo. Gathered and reconstructed by German architects, true to an uncompromising geometry that seems to represent someone way more modern.

Same mundanity/familiar phrases, unexpected actions/reflection/darkly comedic.

The morning after a traditional Sunday breakfast, on the way back from the town to the city, parallel universes collide due to an accident. A child dies, a dog barks, and from that moment on, nothing is the same.

We prepared poster, invitation, and freecard designs for NKT’s new play “Kaza, Kopek, Kahvaltı ve Yumurta”, which premiered on April 6th.

In the play, we achieved the theme of parallel universe and simulta

“Freedom” is an experimental typographic work that combines abstract Arabic letterforms using paper airplanes. It depicts the Arabic word for “freedom” using folded paper airplanes arranged in a triangle, symbolizing unity and ascension. Each airplane represents an individual journey, together conveying liberty. The triangular shape emphasizes strength, stability, and upward motion, celebrating the spirit of freedom and the collective aspiration for a liberated future.

Numbers crafted from an extensive personal collection of minerals and meteorites photos.

The poster work themed “Disobedient” is created by photographer Selim Süme and graphic designer Erman Yılmaz for Art Unlimited magazine. What is disobedience in typography and photography? This work is not an answer, it is just an experiment.

Visual research based on the Gray-Scott model, which simulates a chemical process. Two substances react with each other. One substance is consumed, the other is formed. By adjusting the parameters accordingly, new, distorted characters are created. The implementation was done in Python. The parameters for controlling the reaction are very sensitive, so the process is mainly based on trial and error, which on the other hand always leads to surprising results.

The choice of a melting, spooky typography for the theme of “time slipping away” is particularly evocative. This design effectively captures the fluidity and transient nature of time, suggesting that it is constantly moving, morphing, and sometimes eluding.

Using the font Steam of Type Forward type foundry an experimental card deck was created.

The clay typography conveys the idea that in the world of materials and sustainability, there are both gentle and challenging aspects. It encourages viewers to look beyond the surface and recognize the complex characteristics of materials. By combining clay with a wool-like texture, an intriguing tension is created that reinforces the message that not everything that looks soft is soft.

Using the font Steam of Type Forward type foundry an experimental card deck was created.

The designer created what looks like a eye test presenting his self-created modular font inspired by baroque ornaments. He used the concept of the eye test to show of and a text body with a text about the baroque era.

When we dance, I hear words that swim in silence. I find true meanings and we make something new, something that doesn’t yet exist. This work was created with Oddval Text font of Type Forward type foundry.

I chose a cotton-based font because cotton is a natural, biodegradable material that embodies the principles of sustainability and eco-friendliness. Using a cotton-inspired typeface visually reinforces the message of reusability and softness, making it relatable and inviting. This choice symbolizes the importance of choosing materials that minimize environmental impact.

Playing with possibilities of creative coding and creating generative design with using typography as a point to deconstruction.

In this work an experimental card deck was created with the font Steam of Type Forward type foundry.

Buchstabenlabor 1.0 is a typeface that was created in a workshop with elementary school kids in Hamburg, Germany. The Children explored different letterforms, materials and methods. The result is a playful and expressive typeface that embodies the creativity and playfulness of collaborative work.

Experimental typographic work for the city of Łódź

Experimental typographic work for the city of Łódź

For me music of the past, present and future is jazzz.

This artwork is dedicated to resisting the structure, illustrating it as a rotten fruit designed to torture and punish dissenters. It represents the desire to break free and become more than what the structure dictates.

Inspired by the song performance “Echo Sax End” by jazz musician Caleb Arredondo.