Numbers crafted from an extensive personal collection of minerals and meteorites photos.

The poster work themed “Disobedient” is created by photographer Selim Süme and graphic designer Erman Yılmaz for Art Unlimited magazine. What is disobedience in typography and photography? This work is not an answer, it is just an experiment.

Visual research based on the Gray-Scott model, which simulates a chemical process. Two substances react with each other. One substance is consumed, the other is formed. By adjusting the parameters accordingly, new, distorted characters are created. The implementation was done in Python. The parameters for controlling the reaction are very sensitive, so the process is mainly based on trial and error, which on the other hand always leads to surprising results.

The choice of a melting, spooky typography for the theme of “time slipping away” is particularly evocative. This design effectively captures the fluidity and transient nature of time, suggesting that it is constantly moving, morphing, and sometimes eluding.

Using the font Steam of Type Forward type foundry an experimental card deck was created.

The clay typography conveys the idea that in the world of materials and sustainability, there are both gentle and challenging aspects. It encourages viewers to look beyond the surface and recognize the complex characteristics of materials. By combining clay with a wool-like texture, an intriguing tension is created that reinforces the message that not everything that looks soft is soft.

Using the font Steam of Type Forward type foundry an experimental card deck was created.

The designer created what looks like a eye test presenting his self-created modular font inspired by baroque ornaments. He used the concept of the eye test to show of and a text body with a text about the baroque era.

When we dance, I hear words that swim in silence. I find true meanings and we make something new, something that doesn’t yet exist. This work was created with Oddval Text font of Type Forward type foundry.

I chose a cotton-based font because cotton is a natural, biodegradable material that embodies the principles of sustainability and eco-friendliness. Using a cotton-inspired typeface visually reinforces the message of reusability and softness, making it relatable and inviting. This choice symbolizes the importance of choosing materials that minimize environmental impact.

Playing with possibilities of creative coding and creating generative design with using typography as a point to deconstruction.

In this work an experimental card deck was created with the font Steam of Type Forward type foundry.

Buchstabenlabor 1.0 is a typeface that was created in a workshop with elementary school kids in Hamburg, Germany. The Children explored different letterforms, materials and methods. The result is a playful and expressive typeface that embodies the creativity and playfulness of collaborative work.

Experimental typographic work for the city of Łódź

Experimental typographic work for the city of Łódź

For me music of the past, present and future is jazzz.

This artwork is dedicated to resisting the structure, illustrating it as a rotten fruit designed to torture and punish dissenters. It represents the desire to break free and become more than what the structure dictates.

Inspired by the song performance “Echo Sax End” by jazz musician Caleb Arredondo.

»Graphis Scripta« is a variable display typeface that abstractly traces the symbiotic nature of lichen. It has its roots in gravestone inscriptions from different epochs and grows along two axes into ornamental allegories of ecologigal grief. Printed with bioluminescent ink made from lichen pigment, the typeface comes to life on paper and offers a playful approach to the complex process of mourning over dying landscapes and changing ecosystems.

This is a fun branding project for SavageDesign, a digital studio run by a friend of the designer. It involves experimenting with a blend of physical and digital media, combining mixed analog techniques with 3D rendering in postproduction.

The poster is dedicated to Memphis design group. On the background of the poster, you can see the letters of the Latin alphabet, assembled from various elements that characterize the design of the Memphis group. Initially, the poster was in color: the palette matched the popular colors used by designers.

The experimental typographic poster merges Arabic and English typography within the Type Text LDZ Project, showcasing Lodz’s cultural richness. By incorporating Arabic text, it enhances the visual narrative and emphasizes the city’s multicultural identity. Masking type creates a layered effect, symbolizing the intricate tapestry of diverse communities in Lodz and providing a fresh perspective on its cultural landscape.

I’m Oddval and I come from the Valley of Odd. It’s an interesting zone, the birds here sing a pretty song, there’s always music in the air and sometimes it’s sunny at night and snowy in August. I like it here.

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I’m visually oval and curvy but I’m literally really fit and healthy. I like weights, that’s why I support and lift so many of them. In my family, we come in all shapes and sizes, we are diverse and good shapeshifters.

The experimental typographic poster merges Arabic and English typography within the Type Text LDZ Project, showcasing Lodz’s cultural richness. By incorporating Arabic text, it enhances the visual narrative and emphasizes the city’s multicultural identity. Masking type creates a layered effect, symbolizing the intricate tapestry of diverse communities in Lodz and providing a fresh perspective on its cultural landscape.