Experimental Typography by Hiroshi Imaeda (PENETRATE)

Visual explorations of structure, chaos, and bio-digital forms.
In an era where connection is effortless, intimacy often feels distant. Surrounded by countless digital voices, we may find ourselves more isolated…
07.05.2026 – designtypography

App Sans

A Contemporary Typeface for Digital Interfaces
App Sans is a contemporary typeface with six weights and matching italics. Designed for both print and user interface (UI) applications, it…
28.04.2026 – designfonttypography

Typography Meets Teaching

Lars Harmsen in Conversation
Lars Harmsen successfully combines theory and practice in the world of design. As the co-founder and publisher of Slanted Publishers, as well…
22.04.2026 – designeducationtypography

Velocity

An All-Caps Display Font Tightly Set, Boldly Moving
Velocity is an all-caps display sans-serif that immediately grabs attention. The letters sit tightly horizontally but remain clear and airy. The result…
20.04.2026 – designfonttypography

Reimagining Hangeul Across Cultures

AG Typography Institute Publishes A-Project 2024–2025
A comprehensive catalogue titled A-Project 2024–2025 has been released, documenting the outcomes of an international typography initiative led by AG Typography Institute…
17.04.2026 – designpublicationstypography

Bárur

A Wavy Display Typeface for Bold, Expressive Designs
Bárur is a wavy display serif defined by rhythm, softness and flow. The typeface embraces movement as its core principle, echoing ocean…
14.04.2026 – designfonttypography

Visual Voices for Change

A Book on Design as Civic Practice and Cultural Responsibility
Visual Voices for Change—Global Typographic Posters is an international publication exploring how typography can become a powerful tool for positive change, empathy,…
08.04.2026 – designpublicationstypography

Golt

A Sans Serif Shaped by Berlin’s Urban Design
Golt is a contemporary sans serif, designed for clarity, character, and versatility. Inspired by the visual culture of Berlin’s U-Bahn and street…
02.04.2026 – designfonttypography

Blaze Type 3.0

Website Relaunch
Blaze Type has relaunched its website—not out of ambition, but out of necessity. The old platform had become slow, navigation was cumbersome,…
30.03.2026 – designtypography

TypeParis Now26

An International Typography Conference in Paris With Talks and Workshops
On May 30, 2026, the TypeParis Now26 Conference will bring designers, typographers, and creatives from around the world to Paris for a…
27.03.2026 – designeventstypography

Maurizio

A High-Contrast Display Typeface for Big Screens
Maurizio feels like Italian bellezza as the evening sun accompanies the second glass of strong red wine on the shores of the…
16.03.2026 – designfonttypography

Recap: FEDRIGONI × NINO × SLANTED

Between Paper, Process, and People
Our Get Together celebrating the collaboration between NINO Druck, Fedrigoni, and Slanted Publishers on the production of the latest Type Directors Club New York…
12.03.2026 – designeventstypography

30. Leipziger Typotage 2026

The Sound of Type
You can see type, but can you also hear it? A sound can move, irritate, connect. Typography? Can do that as well!…
10.03.2026 – designeducationeventstypography

Arch Type

A Contemporary Sans-Serif Inspired by the Structural Elegance of Arches
Arch Type is a sans-serif typeface inspired by the enduring forms of ancient European architecture. Its design draws from the structural elegance…
09.03.2026 – contemporarydesignexperimental typetypography

Fol 10th Year Anniversary Typeface

An Experimental Typeface Family Built From Lines and Dots
Check out the new Typeface: FOL 10! Fol 10 is an experimental typeface family that celebrates Fol’s 10th anniversary by rethinking pixel…
06.03.2026 – designfonttypography

Call for Entries Yearbook of Type #8

Join the upcoming edition
🚀 The Yearbook of Type is back—call for entries #8 is officially open! Submit your typeface and be part of a global…
05.03.2026 – designtypography

PLOP #01

Polish Design Revue
Is Polish design polished—or is polish the design? PLOP—Polish Design Revue explores the tension between Polish identity, global aesthetics, and the endless…
03.03.2026 – contemporarydesignpublicationstypography

Se Macro

Functional Versatility Meets French Elegance
Se Macro is not just another sans—it’s a blend of functional versatility for global use and subtle French elegance. Spanning 10 weights…
27.02.2026 – typography

Area JP

Latin + Japanese Support of the Area Font Family
Blaze Type expands the Area family to include Hiragana and Katakana, applying the same modular, geometric logic that defines the original design.…
20.02.2026 – designtypography

New Typeface States

A Quintessential Grotesque
Fatype has just release States, a new grotesque family in 2 versions and 28 styles. Early sans serif typefaces came in contrasting…
13.02.2026 – designtypography

Selestin Typefamily

Artistry and elegance, elevated by imagination and precision
Born from a 36 Days of Type experiment, Tasos Varipatis’ sketches evolved into a type family existing in its own constellation of…
09.02.2026 – typography

The Northern Block’s Pennline Script

A 126-year-old typeface resurrection, pulsing with early Americana
In 1899, Philadelphia was one of the world’s most international cities—a hub of immigration, industry, publishing, and advertising. Its thriving print culture…
05.02.2026 – typography

A Landmark for Brittonic Languages

New Typeface Bilzig
“One question has stayed with me throughout my journey: can we establish a link between a letter and its place of birth?”…
29.01.2026 – designtypography
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