Avengers Endgame

The Battle of Fonts
The Endgame is near. With less than a week until its release, Marvel Studios’ Avengers: Endgame managed to create a real hype…

Making of

Slanted Magazine #33—Prague
Slanted Magazine #33—Prague is at the printer right now! Its red and blue cover shines as bright as the Moldau floating through…

Slanted Shopping Thursday

Bauhaus books—Lars Müller Publishers
Today is a perfect day to browse across our Slanted Shop and discover new publications. Therefore we present you five Bauhaus books,…

Astro

by Detail Type Foundry
Detail Type Foundry (detail) is the type design institute of Kamimura & Co., an independent design studio based in Japan. They create…

Walbaum Weekend

100 Years Bauhaus
The Walbaum weekends are a series of events organized by the Printmaking Museum “Pavillon-Presse” in Weimar. They combine the imparting of theoretical…

ISType 2019

axis
This year ISType has an exciting list of presentations and workshops to announce revolving around this edition’s theme: axis. It is taking…

Slanted Shopping Thursday

Reportagen #45, Upstart, LOST Magazine #5 & Pixel, Patch und Pattern
Today is a perfect day to browse across our Slanted Shop and discover new publications. Therefore we present you two magazines and…

25th Typotage Leipzig

Typography and Zeitgeist
The 25th Typotage Leipzig celebrate their 2019 anniversary: on Saturday, 11 May, the 25th edition of the conference will take place in the Museum…

Library of Shapes, Texts, and Structures

exhibition opening
A—Z is a new space in Berlin for experimental graphic design. For the opening this new exhibition-spot will host the exhibition “Library…

Typeface of the Month: Study

XYZ Type
Although the technologies for producing type have become far more expedient, the techniques for designing type are essentially the same. While developing Study, our new Typeface…

Pulpo

Floodfonts
Pulpo is a Clarendon style typeface with the skeleton of Century Schoolbook. Longer extenders give text a bit more air to breathe…

100 Ways to Move an A

The project “100 Ways to Move an A” by Ricardo Meyer questions the results-oriented design and puts the process in the foreground. It…

Typotable No. 1

Current positions on font design and typography
Starting with Typotable №1, Berlin based type designer Ulrike Rausch will talk about her love for handmade craft and passion for sophisticated…

Texel

by Metis Foundry
Texel is a condensed brutalist display typeface that began life as a studio-io branding concept. Drawing inspiration from military bunkers, utilitarian architecture,…

EDCH—The Idea Salon—Review

Editorial Design Conference EDCH 2019
For the first time the Editorial Design Conference EDCH took place at the Hochschule für Film und Fernsehen (HFF) in Munich from…

Sofa Serif

FaceType
2017 Sofa Sans has been released by FaceType, now Georg Herold-Wildfellner has drawn Sofa Serif in 25 handmade weights and with a lot of…

Passau Posters

The love for his hometown Passau, the love for exceptionally designed posters and the love for good typography inspired Manuel Kreuzer to…

Variable Emojis

For a less stereotype world
Variable Emojis are the emojis of the future! Created as a Variable Font, they give the users over thousands of options to…

Tag der Druckkunst

Events on the occasion of the first anniversary
On Friday, March 15th, 2019, we will celebrate the “Tag der Druckkunst” (Day of the Art of Printing) for the first time.…

Massimo Grafia

nice to type
Massimo Grafia is a linear-grotesque typeface in four weights, combining powerful hand-drawn forms with rigorous graphic precision. The neutral basic for professional…

16. Tag der Schrift

Lottery
On April 6th, 2019, the 16th “Tag der Schrift” will take place in Zurich. The event will be opened by Jonas Schudel of…

Krautreporter newspaper

Printed like in the 1920th
Krautreporter is an independent, usually digital magazine from Berlin. Its mission is to help its members to better understand the interrelationships of…

Typeface of the Month: Temeraire

TypeTogether
Everything but boring—Quentin Schmerber did not design Temeraire to make it invisible. It is conspicuous, and this is what it is supposed…

Werde FC

FC Cologne member’s campaign
The new member’s campaign of the FC Cologne is based on an individual script font family, which takes up the look of…